Margaret Thatcher, her legacy, a personal view, a poem, and some tunes.

In light of the new film about the monster that is Margaret Thatcher starring Meryl Streep, and the current revisionism and attempts to humanise her , thought I'd post this little piece.
I was 11 years old when she was first elected to power as prime minister on the 4th of may 1979 and aged 23 when her tenure as prime minister ended on she finally was beated and resigned on November 28th, 1990.
It was during her reign, I guess that my political leanings were formed. I saw her and her Conservative  government plunging Britain into deep recession, devastating our industries and social services, that to this day have not recovered entirely. Throughout her tenure I heard daily reports of mass unemployment, eventually trebling to well over 4 million, with job vacancies the lowest ever. I was told at school to study and work hard, but for what, because with her in power I saw no future.
It has been said that Margaret Thatcher was the only Prime Minister  who could claim to have destroyed more of Brtains industry than all of Hitlers bombs during the Second World War. I saw her attempts at destroying the welfare state, closing hospitals, operating a policy of divide and rule. Driven  by a right wing passion that bordered on the fanatical, that saw her pursue policies that denied people a right to a job on a living wage and to adequate housing, education and health care.
As a result of her obscene policy of spending £10,000 million on a new generation of Trident nuclear missiles I joined C.N.D ( the campaign for Nuclear Disarmarment) inspired by the brave women of Greenham Common and other peace campaigners. On top of this I saw her blatant war mongering and then she actually led us into war, which was the Falklands fiasco, with as many as 255 British men being killed in this futile war,  with many young men from here in Wales, being sent to die for her pathetic cause. In her attempt to raise patriotic fervour,and her drive for instant popolarism, I saw her for what she really was.

  It was because of her constant attacks on weaker members of society ( yes she was a bully) that I was drawn to movements that helped protect these people and the poor from a government deaf to reason and blind to compassion.
I noticed who her friends and allies were, her support for fascist like  repressive regimes ( South Africa, Chile) and the hidden hands of big business and corporate power backing her in the shadows.
I began to see what she and her party stood for as evil, plain and simple. I began to read writers and philosophers for inspiration, like Marx, and read Aneurin Bevan who said in 1938 " From Parliament itself nothing can be expected. It is  jaded and cynical. It can be stirred from outside and only from outside." I looked for others to join in opposition to her policies, and that was when I joined the Labour Party Young Socialists who I thought at the time would enable me to pursue this idea. Later however when new labour was elected I saw Thatchers breath stalking the Labour Parties policies, and I rejected that party as well.
At the time , I was daily incensed by her actions in particular with her devastating attack on the miners who dared to take her on. She chose to crush them and anybody else that stood in her way. I remember the bitter summer of 1984 when mining  communities were battered and beaten.  Where she utilised the police and the powers of the state in brutal fashion. Her attempts to turn our country into fortress Britain with her constant undermining of our civil liberties.                                                                                                                                                                                                                                                                                              

 I remember too her introduction of the Poll tax designed again to attack the poor.

So we marched  and took to the streets determined to get rid of this horrible woman who proudly declared that she was not for turning, not prepared to listen. Today when I look at Cameron , I see her spectre, when the people get angry again and resist, they offer us riot squads, plastic bullets and water cannons, whilst robbing us of our benefits.  I see  Thatcher  when Cameron attempts to place  additional burdens on the low paid, cutting our public servces, imposing drastic cuts, with their policies of privatisation and support for profiteers, bankers and the evils of capitalism.
The people are screaming again, and it looks like history is repeating. But we carry on resisting.

When I see Cameron smile, Blair smile I see her smile. her sneer, her total lack of compassion.
Her legacy one of aggression and authoritarianism, that leaves me to this day contemptuos of all things tory, and when the demented creature that is Thatcher  finally crokes it, I and millions of others will remember her cruelty and what was done in her name and dance merrily on her grave, for every person that wears a black tie their will  bemany more wearing party hats.  This is what happens when monsters time is over.
Back in her day we had a right wing press that supported and colluded with her, but many diverse coalitions of resistance bought about the end of her time in power, today we have the internet and with it the rise of alternative forms of social media. We can beat the torys again, outside all is not lost, when they try to push us down , we must push back, and united we can again defeat them.

Here's and old poem I found, I wrote back in about 83/84 ,would have been my first attempts at poetry, so rather crude and basic i'm afraid, but was about 16,  but underlies the passion I had at that time, looked through some others, think I'll leave them at the bottom of the the drawer.

Thatcher the Milk Snatcher!

Darkness flows everytime I see her
Thatcher, the milk snatcher
her smile like something evil incarnate
a grocers daughter who steals our change.
With her stormtroopers and her jackboot heels
creates division and fear.

This witch is not for turning
with friends in even darker places
in fascist South Africa, Chile, El Salvador.
Her will is simple ; it is to crush .
She eats babies for breakfast
steals from the poor, sells anything of worth.

Her opinion, makes me reel, makes me spin
makes me scream,makes me extreme.
Everytime she walks, it's like a curse
in this land of fading hope and glory
but I rejoice when I hear the people shout,
Maggie, Maggie, Maggie, Out, Out, Out.

written 83/84 sometime.

I  will not be goin to see the film, I've been sick of her for far to long, my thoughts
still hold far too much derision.
Laters.

John McCullough - I'll dance on your grave Mrs Thtcher.

Pete Wylie - The day that Thatcher dies.

Hefner- the day that Thatcher dies.

Class Actions - M is for Maggie ( Anti -Iron Lady Rap)

Vasco Cabral (12/9/26 - 24/8/05) - Last adeus of a forest-fighter/ O ultimo adeus dum combatente

Vasco Cabra has been called the first Guinean intellectual. He was a poet and political prisoner, a leader  of the PAIGC ( African Party for the Independence of Guinea and Cape Verde ) and a freedom fighter in the war for independence, an economic  minister and Vice- President of the new nation, and the founder of the National Union of Writers in Guinea-Bissau. He was a member of the Youth Unitary Movement in Portugal, which opposed the fascist dictatorship, and as a result of his involvement was arrested and imprisoned. Vasco Cabral's earliest poems, striking in their determination to end Portugese domination over Guinea-Bissau and Cabo Verde, date back to 1951, though all came to published in 1981. He became a man of letters and was a follower of the political leader Amilcar Cabral who he was jailed with. Amilcar Cabral was  dedicated to uniting different kingdoms ( and therefore different ethnic groups) , percieving that this would eliminate the ills of Guinean society - what he called the " Portugese economic infrastructure", which had its foundation in the exploitation, and division of dominated people. His ability to integrate with Guineans and Cape Verdeans in one single anti colonial movement and maintain unity was pretty impressive.
Vasco passed away in Bissau at the age of 79 in time to see that the anti-colonial endeavors he had followed, had become  part of the process where old empires kept falling and did not retain their power.

That afternoon I left and you remained,
we felt, us two, the  saudade's  sorrow.
I suffered the bloody truth of your tears.
You're not my only happiness, amor,
I left you there for love of Humankind
but, seeing your tears, my heart took upon the pain
you bore, and ached bitterly at your moans,
so yes,its why I left you and remained.

Believe I never left, that you gave me
the gift of yourself; then the pain and grief
will be no more than nightmares, quickly gone.
Believe I never will forget your love,
and, if I am the one your love burns for,
carry the hope that one day I'll return.

Naquela tarde em que eu paeri e tu ficaste
sentimos, fundo, os dois a magoa da saudade.
Por ver-te as lagrimas sangrarem de verdade
sofri na alma um amargor quando choraste.

Ao despedir-me eu trouxe a dor que tu levaste!
Nem so o teu amor me traz a felicidade.
Quando parti foi por amar a Humanidade
Sim! foi por isso que eu parti e tu ficaste!

Mas se pensares que eu nao parti e a mim te deste
sera a dor e a tristeza de perder-me
unicamente um pesadelo que tiveste.

Mas se jamais do teu amor posso esquecer-me
e se fui eu aquele a quem tu mais quiseste
que eu conserve em ti a esperanca de rever-me!

(1955)

Reprinted from
FOR VASCO
poems from Guinea-Bissau
The Heaventree  Press
2006

A further book is
Vasco Cabral - A luta e a minha primavera: poemas
( Oeiras: Africa Editora), 1981.

More on Amilcar Cabral here

http://en.wikipedia.org/wiki/Am%C3%ADlcar_Cabral

Benjamin Zephaniah (b.15/08/58) - What Stephen Lawrence Has Taught Us

Yesterdays sentencing , gives us nothing to celebrate. In the words of Ms Lawrence " How can I celebrate when my son is buried? Had the police done their job properly I would have spent the last 18 years grieving for my son rather than fighting to get his killers in court.". If their had not been so much institutionalised racism, perhaps Stephens killers would have been jailed much earlier, but the police failed to arrest anyone at the time, back in 1993. Where's the justice too for Lakhvider " Ricky"  Reel , murdered 4 years after Stephen, and the many other victims of racist violence.
Two have know been convicted for Stephens brutal murder,( Gary Dobson and David Norris)  time for the rest of them Neil Acourt, Jamie Acourt and Luke Knight to be sent down too.They should not be allowed to rest easy.
Their sentences should be long, despite the fact that they were juvenille at the time, they have shown no remorse, consistently lied and flaunted and paraded their arrogance. Shown themselves as the cowardly racists they are.
Sadly the ugly reality of racist hatred still lingers. It needs to be crushed and condemned at all times. Only then can we really move on. Perhaps the media can stop pandering to the venomous views of the historian David Starkey and others like him (  the odious newspaper 'the Daily Mail and its many rabid columnists is particularly alarming )  who contribute largely to perpetuating racist belief. Not all racists fit the stereotype of a skinhead in bovver boots anymore, they come in all shapes and sizes. For some rascist abuse is a daiy reality. We cannot tolerate it anymore, we should not let hatred consume us, and if that means banning the British National Party and other racist organisations, so be it.
I leave you with this , that the brilliant Dub poet Benjamin Zephaniah, wrote back in 1999, still pertinent, still raising questions.

What Stephen Lawrence Has Taught Us.

We know who the killers are,
We have watched them strut before us
As proud as sick Mussolinis',
We have watched them strut before us
Compassionate and arrogant,
They paraded before us,
Like angels of death
Protected by the law.

It is now an open secret
Black people do not have
Chips on their shoulders,
They just have injustice on their backs
And justice on their minds,
And now we know that the road to liberty
Is as long as the road from slavery.

The death of Stephen Lawrence
Has taught us how to love each other
And never to take the tedious task
Of waiting for a bus for granted.
Watching his parents watching the cover-up
Begs the question
What are the trading standards here?
Why are we paying for a police force
That will not work for us?

The death of Stephen Lawrence
Has taught us
That we cannot let the illusion of freedom
Endow us with a false sense of security as we walk the streets,
The whole world can now watch
The academics and the super cops
Struggling to define institutionalised racism
As we continue to die in custody
As we continue emtying our pockets on the pavements,
And we continue to ask ourselves
Why is it so official
That black people are so often killed
Without killers?

We are not talking about war or revenge
We are not talking about hypothetics or possibilities,
We are talking about where we are now
We are talking about how we live now
In dis state
Under dis flag, ( God Save the Queen),
And God save all those black children who want to grow up
And God save all the brothers and sisters
Who like raving,
Because the death of Stephen Lawrence
Has taught us that racism is easy when
You have friends in high places
And friends in high places
Have no use whatsoever
When they are not your friends.

Dear Mr Condon,
Pop out of Teletubby land,
And visit reality,
Come to an honest place
And get some advice from your neighbours,
Be enlightened by our community,
Neglect your well-paid ignorance
Because
We know who the killers are.

Reprinted from Too Black , Too Strong
Bloodaxe 2001.

For more Benjamin Zephaniah go here
http://www.benjaminzephaniah.com/content/index.php

'' Jazz is our religion '' documentary ( 1971 )

U.K, 1971.
Directed by John Jeremy, documentary focuses on the photography of Valerie Wilmer, while various voices, Rashid Ali, Bill Evans, Marion Brown, Dewey Redman and others comment, with jazz poems by Langston Hughes and Ted Joans.
For some their is a mystical faith in their devotion and service to music. Take a look at  the work of John Coltrane, Charles Mingus, Thelonious Monk, Sun Ra and a multitude of others.
Does it have to have soul to make it real? Probably, but in jazz in particular there is a diverse devoted breed. There are many false prophets,and some refuse to follow any leader, many wrong turns and blandness that follow the order of money and corporate marketing machines that I refuse to worship.
I follow unities notes and chords, and all those who push the boundaries a bit. The tone  of endless freedom , to me is a love supreme.

Jack Kerouac ( 12/3/22 -21/10/69) on Slim Gaillard - ' There You Go-Orooni'

Jack Kerouac
(playing with consiousness )

Slim Gaillard was the perennial MC and hipster about town, whose impact and influence in the bop n beat generation of the 1940s ant the 50s is hard to exagerrate. Born in Detroit in 1916, he was a singer, songwriter, pianist , saxophonist and guitarist, noted for his immaculate appearance . As well as speaking eight languages, Arabic, Syrian, Bulgarian, Turkish, Armenian, Portugese and fluent Greek he had time to invent a new one, 'Vout' a hipster slang generated by adding -'oroonie' to every significant word,  he became known for his use of alliteration and his dazzling wordplay, with his hip nonsensical but inventive patois leading things.He was not however just a mere novely act, his playing was good enough for him to contend and play with many of the all time jazz greats. A true polymath, in periods away from music he worked as a cook, an airline pilot and a merchant seaman.
At the time of Americas witchhunts by the so called moral majority, Gaillard became a target. Among one of his songs to be singled out as being a prime cause in the decline of morals amongst the country's youth were the ultra-suggestive Drei Six Cents (actually Yiddish for thirty cents) and even the more sinister Cement Mixer with its onomatopoeic 'putti, putti.  In other songs he alluded to all manner of dubious activities. Subversive stuff to some , eh. His song 'Yep Roc Heresay''is considered one of the first Jazz songs in Arabic. He carried on doin what he did, recording with Charlie Parker and Dizzy Gillespie among many. Carried on regardless with his outrageous humour which manifest throughout his work , energetic, exciting. Gregarious and overflowing with tales, and wild vernacular eruptions.
In later life he settled in London , where he turned on a new generation of British players.
Often when life gets to serious when I need a little distractions from dark reality I play his records for a bit of a lift, listen to some cool , unexpected sounds. A nice cocktail for the senses when engaging in  lifes balancing acts. Improvised scatterings, interplay arrives at  a truly international language.  A joy to listen to a truly original voice. Hip idiosyncracy with a dash of versatility, I'll forgive him 'Absolute Beginners' brilliant book turned into shoddy film,oh and 'Charlies Angels'!! we all make mistakes, he simply walked his own way.
He died in London  on February 26th 1991.
I will leave you with  some words from todays sponsor Mr Jack Kerouac.

                                                         Slim Gaillard

'But one night we suddenly went mad together again; we went to see Slim Gaillard in a little Frisco night-club. Slim Gaillard is a tall, thin Negro with big sad eyes who's always saying, 'Right-orooni' and 'How 'bouta little
bourbon-orooni.' In Frisco great eager crowds of young semi-intellectuals sat at his feet and listened to him on the piano, guitar, and bongo drums. When he gets warmed up he takes off his shirt and undershirt and really goes. He does and says anything that comes into his head. He'll sing 'Cement Mixer, Put-ti Put-ti'  and suddenly slow down the beat and brood over his bongos with fingertips barely tapping the skin as everybody leans forward breathlessly to hear; you think he'll do this for a minute or so, but he goes right on, for as long as an hour, making an imperceptible little noise with the tips of his fingernails, smaller and smaller all the time till you can't hear it any more and sounds of traffic come in the open door. Then he slowly gets up and takes the mike and says, very slowly, 'Great-orooni... fine-ouvati... hello-orooni. . . bourbon-oroonie. . . all-orooni. . . orooni. . . how are the boys in the front row making out with their girls-orooni. . . . orooni. . . vauti. . . orooirooni. . . ' He keeps this up for fifteen minutes, his voice getting softer and softer till you can't hear. His great sad eyes scan the audience.
Dean stands in the back, saying, 'God! Yes! and clasping his hands in prayer and sweating. 'Sal, Slim hnows time, he knows time.' Slim sits down at the piano and hits two notes, two Cs, then two more, then one, then two, and suddenly the big burly bass player wakes up from a reverie and realizes Slim is playing 'C-Jam Blues' and he slugs in his big forefinger on the string and the big booming beat begins and everybodystarts rocking and Slim looks just as sad as ever, and they blow jazz for half an hour, and then Slim goes mad and grabs the bongos and plays tremendous rapid Cubana beats and yells crazy things in Spanish,in Arabic, in Peruvian dialect, in Egyptian, in every language he knows, and he knows innumerable languages. Finally the set is over; each set takes two hours. Slim Gaillard goes and stands againsy a post, looking sadly over everybody's head as people come to talk to him. A bourbon is slipped into his hand. 'Bourbon-orooni- thank -you-ouvati. . . ' Nobody knows where Slim Gaillard is. Dean once had a dream that he was having a baby and his belly was all bloated up blue as he lay on the grass of a California hospital. Under a tree, with a group of coloured men, sat Slim Gaillard. Dean turned despairing eyes of a mother to him. Slim daid, 'There you go-orooni.' Now Dean approached him , he approached his God; he thought Slim was God; he shuffled and bowed in front of him and asked him to join us. 'Right-orooni,' says Slim; he'll join anybody but he won't guarantee to be there with you in spirit. Dean got a table, bought drinks, and sat stiffly in front of Slim. Slim dreamed over his head. Every time Slim said, 'Orooni,' Dean said, 'Yes!' I sat there with these two madmen. Nothing happened. To Slim Gaillard thewhole world was just one big orooni.'

Extract from
'On the Road'- Jack Kerouac
Andre  Deutsch 1958.

Vout Oroonie Folks!
VoutOroonie!
 
Dreix Six Cents- Slim Gaillard

Cement Mixer - Slim Gaillard

Yep Roc Heresay -Slim Gaillard Quartette.

Jazz Juke Box

George Melly interview with Slim

Arena 1983.

George Melly shows somes hort films made in 1940's ,sublime .

Slim Gaillard  live 1947.

LET FREEDOM RING

Bob Black: The Abolition Of Work.

I guess work is done by most out of necessity, not by choice. When I have worked however I did not define myself through my work or my pay packet. Some people are lucky, today I spend time doing things I find useful and simply enjoying it, but   without money perhaps we'd all be rich.
Anyway had my letter from the benefit agency, like many up and down the country, must say there timing is impeccable, so soon it looks that I might be conscripted.
All this is work where there is nothing.

Watch your thoughts, for they become words,
watch your words, for they become actions,
watch your actions, for they become habits,
watch your habits, for they become character,
watch your character, for it becomes destiny.

" The most wasted day of all is that during which we have not laughed."
- Sebastion D.N.Chamfort.