Friday, 5 February 2010
FOR the sea as a whole,the alternation of day and night, the passage of the seasons, the procession of the years, are lost in its vastness, obliterated in its own changeless eternity. But the surface waters are different. The face of the sea is always changing. Crossed by colors, lights, and moving shadows, sparkling in the sun, mysterious in the twilight, its aspects and its moods vary hour by hour. The surface waters move with the tides, stir to the breath of winds, and rise and fall to the endless, hurrying forms of the waves. Most of all, they change with the advance of the seasons. Spring moves overthe temperate lands of our Northern Hemisphere in a tide of new life, of pushing green shoots and unfolding buds, all its mysteries and meanings symbolised in the northward migration of the birds, the awakening of sluggish amphibian life as the chorus of frogs rises again from the wetlands, the different sound of the wind which stirs the young leaves where a month ago it rattled the bare branches. These things we associate with the land, and it is easy to suppose that at sea there could be no such feeling of advancing spring. But the signs are there, and seen with understanding eye, they bring the same magical sense of awakening.
RACHEL CARSON , 1907 - 1964
She read biology at Pennsylvania College for Women and carried out graduate work at The John Hopkins University . She then taught at the University of Maryland and at John Hopkins. She was a marine biologist and subsequent editor-in-chief of the United States Fish and Wildlife Service and a pioneer of the conservation movement in the 1960s. She wrote the classic template for the ecologival movement with " The Silent Spring "
Posted by teifidancer at 11:37