Sad news that Pete Shelley has died at the untimely age of 63 of a suspected heart attack.The iconic lead singer of legendary influential Bolton punk rock band Buzzcocks died yesterday (November 6) in Estonia where he was living. His brother Gary McNeish posted a heartfelt tribute on Facebook. on Thursday evening.It read:
"This is the hardest thing I have ever had to do, is tell you my brother
Pete Shelley had a heart attack this morning and passed away.
Shelley was born in Leigh, Lancashire, England, just west of Manchester on the 17th April 1955, Formed in Manchester in 1975,by Shelley (born Peter Campbell McNeish) and Howard Devoto (né Howard Trafford), after the two met at the Bolton Institute of Technology and travelled to London together to see the Sex Pistols.The group began working in earnest after Shelley and Devoto booked the Sex Pistols at Manchester’s Lesser Free Trade Hall, a signal event in the city’s rock history that was depicted in Michael Winterbottom’s 2002 film “24 Hour Party People.”
The Buzzcocks became part of the UK’s punk scene and have been closely associated with it ever since.Like their contemporaries, the Buzzcocks scorned what they considered the pretensions and bloated style of mainstream groups and turned out brief, stripped down songs, performed at manic speed. They released their blinding debut Spiral Scratch containing four songs in February 1977 on their own New Hormones label. “The implications of ‘Spiral Scratch’ were enormous,” critic Jon Savage noted in his seminal 1991 history “England’s Dreaming.” The record ended up selling 16,000 copies and reaching the top 40 and became a model for a legion of DIY punks in Britain, spurring a flood of self-released music.
Boredom - Buzzcocks
Breakdown - Buzzxocks
Devoto left the band in 1977 to form the angular post-punk act Magazine. The band was reconfigured with Diggle taking on lead guitar and Garth Smith joining on bass. (Smith was soon displaced by Steve Garvey.) The quartet was signed to United Artists Records in the U.K. Shelley went on to become Buzzcocks’ principal songwriter and front man.The band became known for short, fast and loud hits like “Orgasm Addict”, featuring such inarguably brilliant lines as "It's a labor of love fucking yourself to death." With England obviously not totally prepared at the time for a song about porking anything that moved,the single didn't exactly rocket onto the charts at the famously conservative BBC.
Orgasm Addict - Buzzxocks
Still, in the months and years that followed, Shelley and the Buzzcocks became one of the genre's most reliable forces, as at home with brute-power ragers ("Harmony in My Head") and pioneering power-pop ("Ever Fallen in Love, With Someone You Shouldn’t’ve”) and “What Do I Get.” and as punk pushed in artsy new directions ("Why Can't I Touch It?") all touched with Shelley' ever distinctive voice..
Shelley was born in Leigh, Lancashire, England, just west of Manchester on the 17th April 1955, Formed in Manchester in 1975,by Shelley (born Peter Campbell McNeish) and Howard Devoto (né Howard Trafford), after the two met at the Bolton Institute of Technology and travelled to London together to see the Sex Pistols.The group began working in earnest after Shelley and Devoto booked the Sex Pistols at Manchester’s Lesser Free Trade Hall, a signal event in the city’s rock history that was depicted in Michael Winterbottom’s 2002 film “24 Hour Party People.”
The Buzzcocks became part of the UK’s punk scene and have been closely associated with it ever since.Like their contemporaries, the Buzzcocks scorned what they considered the pretensions and bloated style of mainstream groups and turned out brief, stripped down songs, performed at manic speed. They released their blinding debut Spiral Scratch containing four songs in February 1977 on their own New Hormones label. “The implications of ‘Spiral Scratch’ were enormous,” critic Jon Savage noted in his seminal 1991 history “England’s Dreaming.” The record ended up selling 16,000 copies and reaching the top 40 and became a model for a legion of DIY punks in Britain, spurring a flood of self-released music.
Breakdown - Buzzxocks
Devoto left the band in 1977 to form the angular post-punk act Magazine. The band was reconfigured with Diggle taking on lead guitar and Garth Smith joining on bass. (Smith was soon displaced by Steve Garvey.) The quartet was signed to United Artists Records in the U.K. Shelley went on to become Buzzcocks’ principal songwriter and front man.The band became known for short, fast and loud hits like “Orgasm Addict”, featuring such inarguably brilliant lines as "It's a labor of love fucking yourself to death." With England obviously not totally prepared at the time for a song about porking anything that moved,the single didn't exactly rocket onto the charts at the famously conservative BBC.
Orgasm Addict - Buzzxocks
Still, in the months and years that followed, Shelley and the Buzzcocks became one of the genre's most reliable forces, as at home with brute-power ragers ("Harmony in My Head") and pioneering power-pop ("Ever Fallen in Love, With Someone You Shouldn’t’ve”) and “What Do I Get.” and as punk pushed in artsy new directions ("Why Can't I Touch It?") all touched with Shelley' ever distinctive voice..
Ever Fallen in Love, With Someone You Shouldn’t’ve - Buzzcocks
What do I get - Buzzcocks
Their energy and intensity were worthy of punk, and though no less
aggressive and pointed than their peers, Buzzcocks flashed a more
melodic streak, thanks to Shelley’s tuneful skills as a
writer with the song "Everybody's Happy Nowadays" sounding at
times like a punk version of the Beach Boys.
Everybody's Happy Nowadays - Buzzcocks
The group’s brilliant, acerbic singles (sharply produced by Martin Rushent) crafted one perfect pop-punk track after another, some of the finest the punk genre had to offer, and a trio of strong 1978-79 albums, “Another Music in a Different Kitchen,” “Love Bites” and “A Different Kind of Tension”,vaulted Buzzcocks to the top rank of England’s first-generation punk groups. The band’s early 45s were compiled on the flawless 1979 hits package “Singles Going Steady.”which, nearly 40 years after its release, still stands as glowing testament to Shelley’s prowess as a punk rock vocalist. It should be in everybody's record collection. They toured the U.S., and appeared in the 1982 concert film “Urgh! A Music War.”
Speaking in 2006 about his views on music, Shelley told the Guardian: “I’m not interested in being able to play. A musician is like another brand of entertainer.
“There are plenty of musicians that I enjoy watching that are entertainers. But I wouldn’t want to be that, because the thing with an entertainer is that there is always that dishonesty, which is what punk tried to get rid of.
“It was like, you’re not pretending to be something you are not. You are just what you are. Punk is an art of action. It’s about deciding to do something and then going out and doing it.”
Shelley left the Buzzcocks and had a hit with the proudly out Gay “Homosapien” in 1981 as a solo performer; the single was banned by the BBC for its reference to gay sex, in the lyric “homo superior/ in my interior” but it became an underground hit nonetheless. Shelley came out as bisexual around that time, reflecting on the moment to Pitchfork in 2009: “They [other punk artists] didn’t seem to bat an eyelid, really. Because the idea of what people know, or the stereotype of a punk, hadn’t been formed.
Homosapian - Pete Shelley
He was also involved with a series of experimental recordings from the early ’80s which were far and away from the Buzzcocks’ pogo-inducing reputation. As a solo artist, he issued five albums during the ‘80s; beginning with Sky Yen in 1980, which had actually been recorded in 1974. to his last solo album, “Cinema Music and Wallpaper Sounds,” which was released in 2016.
I've always had an affection for the following synth- pop classic.
On your own - Pete Shelley
Telephone Operator has him in full on sneering camp mode and as the record plays, you can just picture him looking side on to an imaginary camera, left eyebrow slightly raised, arched and knowing.
Telephone Operator - Pete Shelley
The band eventually reunited in 1989, convening their classic line-up of Shelley, guitarist Steve Diggle, bassist Stephen Garvey and drummer John Maher, to release six more albums and tour off and on with dates scheduled through June 2019.Buzzcocks’ ninth and most recent album, 'The Way', came out in 2014. Shelley also reunited with Devoto for a collaborative release, Buzzkunst, in 2002.
The Buzcocks were not only a great punk band. They were also active supporters of the Anti- Nazi League and Rock Against Racism. And it's just over 40 years since 'Rock Against Racism' and the Buzzcocks played to over 40,000 people at a concert in Manchester. /40-years-since-rock-against-racism-and-buzzcocks-brought-40000-to-manchester/?fbclid=IwAR11-DMM1vaA5JfuojseZSswzG-YJ3XosaIJyMZlr1fJ2SvNgOQCPcr1wyA
Following the news of Shelley’s passing, many have taken to social media to share their condolences and memories of this rock icon.
“I am totally shocked and saddened to just hear of the untimely death of Pete Shelley,” wrote Sex Pistols bassist Glen Matlock. “A superb songwriter, artist and a totally sweet hearted guy who was one of the very few originals of punk and even a one off within that. My deepest condolences to his family and friends.”
Captain Sensible from the Damned said ' Shocked to hear of the passing of our good mate Pete Shelley who’s fabulous songs are amongst the catchiest in all of punk rock. We will miss you Pete - love from @damnedtwits, X'
Former member of The Charlatans, author and radio host Tim Burgess also shared his love for the late singer-songwriter: “Pete Shelley wrote perfect three-minute pop songs. The soundtrack to being a teenager. You’ll be missed Pete but you’ll be remembered for a long long time for your brilliant music.”
The author Neil Gaiman tweeted “part of my youth dies with him”.
Everybody's Happy Nowadays - Buzzcocks
The group’s brilliant, acerbic singles (sharply produced by Martin Rushent) crafted one perfect pop-punk track after another, some of the finest the punk genre had to offer, and a trio of strong 1978-79 albums, “Another Music in a Different Kitchen,” “Love Bites” and “A Different Kind of Tension”,vaulted Buzzcocks to the top rank of England’s first-generation punk groups. The band’s early 45s were compiled on the flawless 1979 hits package “Singles Going Steady.”which, nearly 40 years after its release, still stands as glowing testament to Shelley’s prowess as a punk rock vocalist. It should be in everybody's record collection. They toured the U.S., and appeared in the 1982 concert film “Urgh! A Music War.”
Speaking in 2006 about his views on music, Shelley told the Guardian: “I’m not interested in being able to play. A musician is like another brand of entertainer.
“There are plenty of musicians that I enjoy watching that are entertainers. But I wouldn’t want to be that, because the thing with an entertainer is that there is always that dishonesty, which is what punk tried to get rid of.
“It was like, you’re not pretending to be something you are not. You are just what you are. Punk is an art of action. It’s about deciding to do something and then going out and doing it.”
Shelley left the Buzzcocks and had a hit with the proudly out Gay “Homosapien” in 1981 as a solo performer; the single was banned by the BBC for its reference to gay sex, in the lyric “homo superior/ in my interior” but it became an underground hit nonetheless. Shelley came out as bisexual around that time, reflecting on the moment to Pitchfork in 2009: “They [other punk artists] didn’t seem to bat an eyelid, really. Because the idea of what people know, or the stereotype of a punk, hadn’t been formed.
Homosapian - Pete Shelley
He was also involved with a series of experimental recordings from the early ’80s which were far and away from the Buzzcocks’ pogo-inducing reputation. As a solo artist, he issued five albums during the ‘80s; beginning with Sky Yen in 1980, which had actually been recorded in 1974. to his last solo album, “Cinema Music and Wallpaper Sounds,” which was released in 2016.
I've always had an affection for the following synth- pop classic.
On your own - Pete Shelley
Telephone Operator has him in full on sneering camp mode and as the record plays, you can just picture him looking side on to an imaginary camera, left eyebrow slightly raised, arched and knowing.
Telephone Operator - Pete Shelley
The band eventually reunited in 1989, convening their classic line-up of Shelley, guitarist Steve Diggle, bassist Stephen Garvey and drummer John Maher, to release six more albums and tour off and on with dates scheduled through June 2019.Buzzcocks’ ninth and most recent album, 'The Way', came out in 2014. Shelley also reunited with Devoto for a collaborative release, Buzzkunst, in 2002.
The Buzcocks were not only a great punk band. They were also active supporters of the Anti- Nazi League and Rock Against Racism. And it's just over 40 years since 'Rock Against Racism' and the Buzzcocks played to over 40,000 people at a concert in Manchester. /40-years-since-rock-against-racism-and-buzzcocks-brought-40000-to-manchester/?fbclid=IwAR11-DMM1vaA5JfuojseZSswzG-YJ3XosaIJyMZlr1fJ2SvNgOQCPcr1wyA
Following the news of Shelley’s passing, many have taken to social media to share their condolences and memories of this rock icon.
“I am totally shocked and saddened to just hear of the untimely death of Pete Shelley,” wrote Sex Pistols bassist Glen Matlock. “A superb songwriter, artist and a totally sweet hearted guy who was one of the very few originals of punk and even a one off within that. My deepest condolences to his family and friends.”
Captain Sensible from the Damned said ' Shocked to hear of the passing of our good mate Pete Shelley who’s fabulous songs are amongst the catchiest in all of punk rock. We will miss you Pete - love from @damnedtwits, X'
Former member of The Charlatans, author and radio host Tim Burgess also shared his love for the late singer-songwriter: “Pete Shelley wrote perfect three-minute pop songs. The soundtrack to being a teenager. You’ll be missed Pete but you’ll be remembered for a long long time for your brilliant music.”
The author Neil Gaiman tweeted “part of my youth dies with him”.
The Buzzcocks paid tribute to their late band member too: “Pete’s music has
inspired generations of musicians over a career that spanned five
decades and with his band and as a solo artist, he was held in the
highest regard by the music industry and by his fans around the world.”
Music critic Stephen Thomas Erlewine said Buzzcocks were one of the most influential bands to emerge in the initial wave of punk rock, with echoes of their music in everyone from Hüsker Dü to Nirvana.
"The Buzzcocks were inspired by the Sex Pistols' energy, yet they didn't copy the Pistols' angry political stance," he wrote in AllMusic. "Instead, they brought that intense, brilliant energy to the three-minute pop song. Shelley's alternately funny and anguished lyrics about adolescence and love were some of the best and smartest of his era."
I personally loved the Buzzcock's and have subsequently been playing my old singles again, which I've treasured since getting them as a teenager in the early 1980's, they still sound as fresh and vivid to my ears now to when I first heard them. He sure bought me many harmonies for my head, feet and heart to enjoy..
Music critic Stephen Thomas Erlewine said Buzzcocks were one of the most influential bands to emerge in the initial wave of punk rock, with echoes of their music in everyone from Hüsker Dü to Nirvana.
"The Buzzcocks were inspired by the Sex Pistols' energy, yet they didn't copy the Pistols' angry political stance," he wrote in AllMusic. "Instead, they brought that intense, brilliant energy to the three-minute pop song. Shelley's alternately funny and anguished lyrics about adolescence and love were some of the best and smartest of his era."
I personally loved the Buzzcock's and have subsequently been playing my old singles again, which I've treasured since getting them as a teenager in the early 1980's, they still sound as fresh and vivid to my ears now to when I first heard them. He sure bought me many harmonies for my head, feet and heart to enjoy..
Shelley was a sonic spark on the U.K. punk scene, who unlike many acts with similar beginnings, solo and alongside the Buzzcocks carried on making great records. I'm sure Shelley's music will be remembered for a long time to come.
I' will end this post with another classic Buzzcocks track a live version from 1989 taken from their brilliant album Another music in a different kitchen .Yet another light has been dimmed from the world. Rest in Peace Pete Shelley.his place in punk history is guaranteed and will continuously resonate.
Moving Away From The Pulsebeat
I' will end this post with another classic Buzzcocks track a live version from 1989 taken from their brilliant album Another music in a different kitchen .Yet another light has been dimmed from the world. Rest in Peace Pete Shelley.his place in punk history is guaranteed and will continuously resonate.
Moving Away From The Pulsebeat
Informative and very well put together Dave .... Thank you.
ReplyDeletecheers, glad you appreciated.
ReplyDelete