Thursday, 31 January 2013
He became widely known for his many translations of European poetry, including the work of Russian poet Andrei Voznesenksy and the Finnish poet Penti Sarrikoski. He also translated people as variant as Jean Genet and Rosa Luxemburg. I first became aware of him I guess through his 1965 appearance at the Underground International Poetry Incarnation.Here dressed head to toe in black he appeared alongside Alexander Trocchi and Allen Ginsberg.
His style was strongly influenced by the American beats, and he was also adept at capturing isolated moments of perception. Often whimsical and gently satirical in tone, his poems were open-ended, valuing an ongoing human attentiveness rather than rejecting closure on the basis of theory.
He did nort care to much about prizes, he wrote because basically that is what he needed to do. He did manage to get the title of the United States Anti-Laureate, to which he was elected by the Buffalo Poetics list back at the turn of the century.
He lived in Boulder, Colorada with his wife visual artist Dalrymple Hollo, where since 1985 he was the Professor at the Bhuddist inspired Jack Kerouac School of Disembodied Poetics at Naropa University. On all accounts because of his gentle , unassuming manner he was loved by all who came across him., close friends of many other great American poets like Ted Berrigan and Robert Creeley.
He died on January 29th 2013 after post operative pneumonia aged 78. Anselm Hollo R.I.P. The lights may switch off but we carry on receiving
Shed the Fear
Who has a face sees
but the world
to be borne-
when seen as
how did this
come together? How
did I find you?
so many turns
in the road
so few of them
How not to spin out
in hairpin turns
is a wedding"
Why not go with them,
in the face of
when you suddenly
feel like talking
about the times
in your life when you were
a total idiot asshole you resist
& just sit there
at the head of the table
Notes on the Possibilities and Attractions of Existence
Selected Poems 1965 - 2000
(Coffe House Press 2001)
Posted by teifidancer at 11:19
Wednesday, 30 January 2013
Blessed are the poor. This punishing ordeal has to stop. What kind of society are we living. This grim vile return, by our Government to the Dickensian era. This is growing everyday, that I sincerely believe to be cruel ,unjust and immoral.
I used to think that only love could break our hearts, but that too is a lie. Why are not the police, taking statements, for what they are doing is surely hateful and a crime.Silver spoon fed Tories attacking our senses everyday. Instead of a war on poverty it is a war on the poor. The rich get richer and the poor sink further into the depths. I remember Thatcher she was heartless and cruel, but this lot are really taking the piss.Hunting us, seems to be the Tory Party's new bloodsport of choice.
Four years ago my voice was nearly lost, but then I discovered the power of the internet, a medium by which I gain a little bit of strength, nowadays we don't have to be completely alone.
We might merely be mere statistics, for them, but there is definitely something wrong with their machine. They are making prisoners of us all, we must stand up and tear down their walls. Thatchers policies blighted generations, the scars that she created,are still running deep, and now their doing it all over again.
When April comes it will be one of the cruellest times of our lifes, when even further destructive policies will be implemented, like the bedroom tax, increases in council tax, nearly every single person on benefits will be affected, all limited to a 1% rise below inflation. Along with devatating cuts to essential services, the damage created by their wrecking hands will be clearly felt.
Where is the oppposition in Parliament, a few raised but most in silence, the Liberals bleat but carry on regardless, Labours proving to be a feeble opposition.. All shackled to corporations and morally bankrupt.
Many turning outside of Parliament for comfort and protection, I salute those who are raising their voices in clear opposition, in angry defiance.In the grips of the worst recession for years, members of parliament reward themselves a hefty £20,000 pay rise, a clearly rotten system and somethings gotta change.
Nye Bevan was right when he said " No amount of cajolery and no attempts at ethical or social seduction, can eradicate from my heart a deep burning hatred for the Tory Party. So far as I am concerned they are lower than vermin." I would add that we should show contempt to all who help them. All governments are vulnerable to mass opposition, the polltax in the 1980's was destroyed because of the anger that arose on the streets, it is sad that it has come to this ,but they should not be allowed to get away with what they are doing. We must stop them before their damage causes to much irrevocable harm.Their punishing us, but just how many bankers have been made to suffer because of the consequences of their actions?
Posted by teifidancer at 15:41
Wednesday, 23 January 2013
Nicanor Parra is a Chilean poet, born in Chillan. He qualified as a teacher of mathematics and physics in 1938, in 1943 he studied physics in the U.S.A. and returned to Chile as a professor at the University of Chile. He is one of the best known Chilean poets after Pablo Neruda. His sister Violeta was one of Chiles most renknowed folk singers. He himself has described himself as an anti-poet, due to to his distaste for standard poetic pomp and function. Influenced by the everyday, as well as a potent mix of Marxist politics, now 97, his poems have power I believe, because he is accessible and understood by ordinary people. He utilised the speech patterns of the Chilean lower classes in much of his poetry, combining provocativeness with a gentle playfulness. His poetry speaks too of inner struggles as well as the struggles going on in his own country.
Foremost his poems speak fom the heart, using humour and cynicism to convey his dissatisfaction with the world, allowing him to embrace the political as well as the human pulse. This allows his poetry to be accessible to all, reaching out to as wide an audience as possible, beyond the confines of literary convention and the corridors of academia.
He once said " Poetry is all around us" "It is in the graffito on the walls, I walk around and write down the graffiti, those are my poems."
Still breaking through the barriers,metamorposing language with all it's possibilities.He has been nominated several times for the Nobel Prize in Literature. I personally am reminded of the American Beat poets, and the late Allen Ginsberg himself announced Parra as one of the most influential poets of our time, which is sweet enough for me.
The vices of the modern world
Are authorised to convene daily in parks and gardens.
Equipped with powerful binoculars and pocket watches
They break into kiosks favoured by death
And install their laboratories among the rosebshes in
From there they direct the photogrrapher and beggars
that roam the neighbourhood
Trying to raise a small temple to misery
And, if they get a chance, having some woebgone
The cowed police run from these monsters
Making for the middle of town
Where the great year's end fires are breaking out
And a hooded hero is robbing two nuns at gun point.
The vices of the modern world:
The motor car and the movies,
The extermination of the Indian,
The manipulation of high finance,
The catastrophe of the aged,
The clandenstine white-slave trade carried on by
Self-advertisement and gluttony,
Personal friends of his Excellency,
The elevation of folklore to a spiritual category,
The abuse of soporifics and philosophy,
The softening upof men favoured by fortune,
Auto-eroticism and sexual cruelty,
The exaltation of the study of dreams and the sub-
conscious to the detriment of common sense,
The exaggerated faith in serums and vacines,
The deification of the phallus,
The international spread-legs policy patronised by the
The unbounded lust for power and money,
The gold rush,
The fatal dollar dance,
Speculation and abortion,
The destruction of idols,
Overdevelopment of dietics and pedagogical psychology,
The vices of dancing, of the cigarette, of games of chance,
The drops of blood that are often found on the sheets of
The madness of the sea,
Agraphobia and claustrophobia,
The disintigration of the atom,
The gory humour of the theory of relativity,
The frenzy to return to the womb,
The cult of the exotic,
Incinerations, mass purges, retention of passports,
All thisjust because,
To produce vertigo,
And the spread of radiomania.
As has been demonstrated
The modern world is composed of artificial flowers
Grown under bell jars like death,
It is made of movie stars
And bloo-smeared boxers fighting by moonlight
And nightingale-men controling the economic lives of
With certain easily explained devices;
Usually they are dressed in black like precursors of
And cat roots and wild herbs.
Meanwhile the wise, gnawed by rats,
Rot in the crypts of cathedrals
And souls with the slightest nobility are relentlessly
persecuted by the police.
The modern world is an enormous sewer,
The chic restaurants are stuffed with disgusting corpses
And birds flying dangerously low.
That's not all; the hospitals are full of imposters,
To say nothing of those heirs of the spirit who found
colonies in the anus of each new surgical case.
Modern industrialists occasionally suffer from the effects
of the poisoned atmosphere.
They are stricken at their sewing machines by the
terrifying sleeping sickness
Which eventually turn them into angels, of a sort.
They deny the existence of the physical world
And brag about being poor children of the grave.
And yet the world has always been like this.
Truth, like beauty, is neither created nor lost
And poetry is in things themselves or is merely a mirage
of the spirit.
I admit that a well-planned earthquake
Can wipe out a city rich in traditions in a matter of
And that a meticulous aerial bombardment
Smashes trees, horses, thrones, music,
But what does it matter
If, while the world's greatest ballerina
Is dying, poor and abandoned, in a village in southern
Spring restores to man a few of the vanished flowers.
What I say is, let's try to be happy, sucking on the
miserable human rib.
Let's extract from it the restorative liquid,
Each one following his personal inclinations.
Let's cling to this divine table-scrap!
Panting and trembling,
Let's suck those maddening lips.
The lot is cast.
Let's breathe in this enervating and destructive perfume
And for one more day live the life of the elect.
Out of his armpits man extracts the wax he needs to
mould the face of hios idols
And out of woman's sex the straw and the mud for his
I grow a louse on my tie
And smile at the imbeciles descending from the trees.
Write as you will
In whatever style you like
Too much blood has run under the bridge
To go on believing
That only one road is right.
In poetry everything is permitted.
With only this condition, of course:
You have to improve on the blank page.
In case of fire
Do not use elevators
unless otherwise instructed
No radio playing
unless otherwise instructed
Please Flush Toilet
After Each Use
Except When Train
is Standing At Station
Of The Next Passenger
Onward Christian Soldiers
Workers of the World unite
we have nothing to lose
but our life Glory to the Father
and to the Son and the Holy Ghost
unless otherwise instructed
By the way
We also hold these truths to be
That all nan are created
That they have been endowed
by their creator
With certain inaliable rights
That among these are: Life
Liberty and the pursuit of happiness
and last but not least
that 2 and 2 makes 4
unless otherwise instructed.
Nicanor Parra: Poems & Anti Poems
New Diections, 1985
Anti-Poems: how to look better and feel good
-Nicanor Parra, New Directions, 2004
After Dinner Reservations - Nicacor Parra
Host Publications, 2007
Some useful links
The technique of Anti-Poetry
Literature and Revolution - Fernando Alegria
Posted by teifidancer at 14:37
Sunday, 20 January 2013
Library computers playing up at the moment, made me realise how reliant I have become to the daily use of their portals. Has it all become another addiction, another distraction.
In the meantime I offer you this.
' And Zarathustra ran and ran, but he fond no one else, and was alone and ever found himself again; he enyoyed and quaffed his solitude, and thought of good things - for hours. About the hour of noontide, however, when the sun stood exactly over Zarathustra's head, he passed an old, bent and gnarled tree, which was encircled round by the ardent love of a vine, and hidden from itself; from this there hung yellow grapes in abundance, confronting the wanderer. Then he felt inclined to quench a little thirst, and to break off for himself a cluster of grapes. When, however, he had alreadsy his arm outstretched for that purpose, he felt still more inclined for something else - namely, to lie down beside the tree at the hour of perfect noontide and sleep.
This Zarathustra did; and no sooner had he laid himself on the ground in the stillness and secrecy of the variegated grass, than he had forgotten his little tirst, and fell asleep. For as the proverb of Zarathustra saith: "One thing is more necessary than the other". Only that his eyes remained open :- for they never grew weary of viewing and admiring the tree and the love of the vine. In falling asleep, however, Zarathustra spake thus to his heart:
"Hush! Hush! Hath not the world now become perfect? What hath happened unto me?
As a delicate wind danceth invisibly upon parqueted sea, light, feather-light, so- danceth sleep upon me.
No eye doth it close to me, it leaveth my soul awake. Light is it, verily, feather-light.
It persaudeth me, I know not how, it toucheth me inwardly with a caressing hand, it constraineth me. Yea, it constrainth me, so that my soul stretcheth itself out :-
- How long and weary it becometh, my strange soul! Hath a seventh-day evening come to it precisely at noontide? Hath it already wandered too long, blissfully, among good and ripe things?
It stretcheth itself out, long- longer! it lieth still, my strange soul. Too many good things hath it already tasted; this golden sadness oppresseth it, it distorteth its mouth.
- As a ship that putteth into the calmest cove:- it now drwaeth up to the land, waery of long voyages and uncertain seas. Is not the land more faithful?
As such aship huggeth the shore, tuggeth the shore:- then it sufficeth for a spider to spin its thread from the ship to the land. No stronger ropes are required there.
As such a weary ship in the calmest cove, so do I also now repose, nigh to the earth, faithful, trusting, waiting, bound to it with the lightest threads.
O happiness! O happiness! Wilt thou perhaps sing, O my soul? Thou liest in the grass. But this is the secret, solemn hour, when no shepherd playeth his pipe.
Take care! Hot noontide sleepth on the fields. Do not sing! Hush! Thw world is perfect.
Do not sing, thou prairie-bird, my soul! Do not even whisper! Lo-hush! The old noontide sleeeth, it moveth its mouth: doth it notjust now drink a drop of happiness -
- An old brown drop of golden happiness, golden wine? Something whisked over it, its happiness laugeth!' Thus-laugheth a God. Hush!-
-'For happiness, how little sufficeth for happiness!' Thus I spake I once and thought myself wise. But it was a blasphemy: that have I now learned. Wise fools speak better.
The least thing precisely, the gentlest thing, the lightest thing, a lizard's rustling, a breath, awhisk, an eye-glance - little maketh up the best happiness. Hush!
-What hath befallen me: Hark! Hath time flown away? Do I not fall? Have I not fallen- hark! into the well of eternity?
-What happened to me? Hush! It stingeth me-alas- to the heart? To the heart! Oh, break up, break up, my heart, after such happiness, after such a sting!
-What? Hath not the orld just now become perfect? Round and ripe? Oh, for the golden round ring - whither doth it fly? Let me run after it! Quick!
Hush-" (and here Zarathustra stretched himself, and felt that he was asleep.)
"Up!" said he tohimself, "thou sleeper! Thou noontide sleeper! Well tye, up, ye old legs! It is time and more than time; many a good stretch of road is still awaiting you-
Now you have slept your fill; for how long a time? A half-eternity! Well then, up now, mine old heart! For how long after such a sleep mayest thou- remain awake?"
(But then did he fall asleep anew, and his soul spake against him and defended itself,and lay down again) - "Leave me alone! Hush! Hath not the world just now become perfect? Oh, for the goldeen round ball!"
"Get up," said Zarathustra, " thou little thief, though sluggard! What! Still stretching thyself, yawning, sighing, falling into deep wells?
Who art thou then, O my soul?" (and here he became frightened, for a sunbeam shot down from heaven upon his face.)
"O heaven above me," said he sighing, and sat upright, " thou gazest at me? Thou hearkenest unto my strange soul?
When wilt thou drink this drop of dew that fell down upon all earthly things, - when wilt thou drink this strange soul-
-When, thou well of eternity! thou joyous, awful, noontide abyss! when wilt tou drink my soul back into thee?"
Thus spake Zarathustra, and rose from his couch beside the tree, as if awakening from a srange drunkeness: and behold! there stood the sun still exactly above his head. One nigh, however, rightly infer therefrom that Zarathusttra had not then slept long.
Thus Spake Zarathustra
Posted by teifidancer at 16:33
Thursday, 17 January 2013
Wednesday, 16 January 2013
Sodastream's factory is an illegal Israeli settlement built on land stolen from the Palestinians. Each and everypackage contains human rights abuses and violations of international law. Boycott Sodasream.
For more infomation:
Posted by teifidancer at 16:42
Sunday, 13 January 2013
These are supposed to be the days of our lives
but after many years shaking tears of branches,
we have become a perfect foil for tonques that bark
all of us have maddening faces now, causes to love,
lighting up corners waiting to be fed
beyond the terminus of governments stealth,
one of the most singular weaknesses of the human spirit.
is how those in powers persuade us to like what they choose.
A lot of us though who have been forgotten,
still able to sting, beyond their schemes
with our cracked lips, we contain the storm
tomorrow, we will smother all their words.
Posted by teifidancer at 16:48
Saturday, 12 January 2013
One such detainee is British resident Shaker Aamer who has been held without charge or trial for nearly eleven years. He has been cleared for release by the U.S administration but remains in prison. He is now 44 years old, thousands of miles away from his family who have not seen him for over a decade. He is riddled with arthritis and other medical complaints, the result - he and his lawyers claim of brutal torture and solitary confinement, and the ongoing denial of adequate medical attention.Our Government has failed to honour promises to free him, denying him the justice that he deserves.
Hopefully this will be the year that Guantanemo finally closes, it is time to reunite Mr Aamer with his family too.
Please join thousands in signing amnesty internationals petition calling on his freedom, along with others held in Guantanamo, in order to show that they have not been forgotten
Posted by teifidancer at 13:45
Wednesday, 9 January 2013
Herbert Huncke is the pivotal figure in the develpoment of beat literature. Huncke's use of the carny term beat in his stories of riding the rails in the thirties inspired Jack Kerouac to chronicle his own tale of rootless wandering in On the Road. He turned William Burroughs onto heroin, and appears as a character in Burroughs Junky, the first step in an immersion in addict culture that would produce Naked Lunch, and the image of Huncke's shoes filled with blood traming 42nd Street gave Allen Ginsberg the very model of the angel-headed hipster in his seminal poem Howl. He got to the ripe old age of 81, he would have neen 98 today, so happy birthday Herbert,thanks.
I recommend any of his books, if you can get hold of them, seminal and in my opinion the work of genius.
Link to rather wonderful " from dream to dream" album
from the rather wonderful devotional hooligan blogspot
Posted by teifidancer at 16:07
Monday, 7 January 2013
G4s is up for the Public Eye People's Award 2013, the 'name and shame' award no company wants to win. G4S, the world's largest Private Military and Security Company, is complicit in Israel's occupation of Palestine and is profiting from conflict and insecurity across the world.
War on Want (with allies) has nominated G4S for the awards which help to "shine an international spotlight on corporate scandals." The company has been shortlisted and is now up for the public vote .They have been up to now one of our governments favourites, with contracts of over £ 600 million being awarded to them. But their record is far from spotless. The firm lost their previous 'forcible deportation' contract last September after recieving 773 complaints of abuse - both verbal and physical, it profits from imprisoning refugees while it abuses families and children in their care. In October 2010, an Angolan asylum seeker died as a result of his forced deportation by G4S guards.A truly appalling record.
Please take a minute to vote for G4S at http://www.publiceye.ch/en/vote/g4s/
Online voting is underway. Their are 6 other villainous corporations that you could vote for too.
1. Alstom (FR)
2.Coal India (IN)
3. Goldman Sachs (USA)
4. Lonmin (ZA)
5. Repower (CH)
At the end of January, within sight of the World Economic Forum (WEF) the Berne Declaration and Greenpeace will then confer the Public Eye Awards for the worst cases of contempt for the environment and human rights.
Posted by teifidancer at 13:30
Saturday, 5 January 2013
An activist in the Civil Rights movement, she was an organiser of the Watts writing and dance workshop. She was also the founder of the Watts Repositary Theatre, Bola Press and co-founder of the Organisation of Women Writers of Africa.
In her poetry, she spoke of revolution, which she believed could be used to heal us all, using her voice in a powerful incantory way, using the rythyms of blues and jazz to deliver her messages of fierce, biting, social criticism to be used as imperatives of personal responsibility and change. A devotee of the artistic impulse that is jazz and blues, its impulses were to become a constant theme, using its rythyms as sparks and she became a close friend to many of the jazz greats and members of the avant garde fraternity.
I first discovered her through my own love of jazz, she was married to Ornette Coleman from 1954 until she divorced him in 1964 and I subsequently used to have some of her work on a compilation of freejazz, with her voice used as a bridge between tracks, wish I still had to it. She is best listened to when heard, rather than directly from the page, a precursor to what is now known as hip hop.She and Ornette had a son together, jazz drummer Denardo Coleman who she collaberated with on a number of occasions in his firespitters band. She later remarried in 1976 to sculptor Mel Edwards.
Her work has since been translated into many languages and I am widely used to seeing her name published in various anthologies over the years. Using her voice to challenge and the travesties and injustices of our world. Her voice is celebrated for its political, surrealistic pulse and dynamic innovation, with her use of lyricism and visceral sound. Using her voice to represent to the world the perspectives of an African-American feminist, revolutionary in an oral tradition stretching back centuries. Remaining independent, determined, with her singular strong voice, her spirit and ideas savaged silence and the conformity of the masses, raging against the excessives of man and all his brutality.In all her rage she spoke of survival too.
Long may her voice sing with all its energy and passion and its force hit with vivid intention.
Jayne Cortez - Artist on the Cutting edge
Jayne Cortez as she appeared in the 1982 film 'Poetry in Motion'
Jazz Fan Looks back - Jayne Cortez
I crisscrossed with Monk
Walked with Bud
Counted every star with Stitt
Sang "Don't Blame Me" with Sarah
Wore a flower like Billie
Screamed in the range of Dinah
& scatted "How High the Moon" with Ella Fitzgerald
as she blwe roof off the Shrine Auditorium
Jazz at the Philarmonic
I cut my hair into a permanrnt tam
Made my feet rebellious metronomes
Embedded record needles in paint on paper
Talked bopology talk
Laughed in high-pitched saxophone phrases
Became keeper of every Bird riff
every Lester lick
as Hawk melodicized my ear of infatuated tonques
& Blakey drummed militant messages in
soul of my applauding teeth
& Ray hit bass notes to the last love scene in my bones
I moved in triple time with Max
Grooved High with Diz
Perddoed with Pettiford
Flew home with Hamp
Shuffled in Dexter's Deck
Squatty-rooed with Peterson
Dreamed a "52nd Street Theme" with Fats
& scatted "Lady Be Good" with Ella Fitzgerald
as she blew roof off the Shrine Auditorium
Jazz at the Philarmonic
There it Is - Jayne Cortez
And if we don't fight
if we don't resist
if we don't organise and unify and
get the power to control our own lives
Then we will wear
the exagerrated look of captivity
the stylized look of suicide
the dehumanised look of fear
and the decomposed look of repression
forever and ever and ever
And there it is
If the Drum is a Woman - Jayne Cortez
If the drum is a woman
why are you pounding your drum into an insane
why are you pistol shooting through the head of your drum
and making a drum tragedy of drums
if the drum is a woman
don't abuse your drum don't abuse your drum
don't abuse your drum
I know the night is full of displaced persons
I see skins striped with flames
I know the ugly disposition of underpaid clerks they constantly menstruate through the eyes
I know bitterness embedded in flesh
the itching alone can drive you crazy
I know that this is America and chicken are coming home to roost
on the MX missile
But if the drum is a woman
why are you choking your drum
why are you raping your drum
why are you saying disrespectful things
to your mother drum your sister drum
your wife drum and your infant daughter drum
if the drum is a woman
then understand your drum
your drum is not docile
your drum is not invisible
your drum is not inferior to you
your drum is a woman
so don't reject your drum don't try to dominate your drum
don't become weak and cold and desert your drum
don't be forced into the position
as an oppressor of drums and make a drum tragedy of drums
if the drum is a woman
don't abuse your drum don't abuse your drum
don't abuse our drum.....
Posted by teifidancer at 14:14
Friday, 4 January 2013
Tuesday, 1 January 2013
beyond the labyrinths,beyond the caves.
Take giant steps, sing your own requiem,
walk among rainbows pulse.
Echoes in distant waters,
crack the prism that contain us,
hope landscape of tomorrow is irresistable,
and our feet find safe routes.
Liberation is never a solo piece but an orchestra.
It is the encaspulating efforts of millions of strands,
struggles large and small leading to a progressive sea change in society.
In our outposts masts fly high, as the winds of the people sustain,
let our voices be heard, and together lets follow humanity's assured steps,
moving inch by inch, everything or nothing. All of us or none.*
Happy new year
Remember, no borders are necessary
* Last line 'everything or nothing. All of us or none'
from Bertolt Brecht poem - All of us or none
Posted by teifidancer at 12:30
like those of language
toward the unknown,
Last night you told me:
we shall have to think up signs,
sketch a landscape, fabricate a plan
on the double page
of day and paper.
Tomorrow, we shall have to invent,
the reality of this world.
I opened my eyes late.
For a second of a second
I felt what the Aztec felt,
on the crest of the promontory,
lying in wait
for time's uncertain return
through cracks in the horizon.
Butno, the year had returned
It filled all the room
and my look almost touched it.
Time, with no help from us,
in exactly the same order as yesterday
houses in the empty street,
snow on the houses,
silence on the snow.
You were beside me,
The day had invented you
but you hadn't yet accepted
being invented by the day.
- Nor possibly my being invented, either.
You were in another day.
You were beside me
and I saw you, like the snow,
asleep among appearances.
Time, with no help from us,
invents houses, streets, trees
and sleeping women.
When you open your eyes
we'll walk, once more,
among the hours and their inventions.
We'll walk among appearances
and bear witness to time and its conjugations.
Perhaps we'll open the day's doors.
And then we shall enter the unknown.
Cambridge, Massachusetts, 1 January 1975
Las puertas del ano se abren,
como las del lenguaje,
hacia lo desconocicido.
Anoche ne dijiste:
habra que trazar unos signos,
dibujar un paisaje, tejer una trama
sobre la doble pagina
del papel y del dia.
Manana habra que inventar,
la realidad de este mundo.
Yatarde abri los ojos.
Por el sgundo de un segundo
senti lo que el azteca,
desde el penon del promontorio
por las rendijas de los horizontes
el incierto regreso del tiempo.
No, el ano habia regresado.
Llenabo todo el cuarto
y casi lo palpaban mis miradas.
El tiempo, sin nuestra ayuda,
en un orden identico al de ayer,
casas en la calle vacia,
nieve sobre las casas,
silencio sobre la nieve.
Tu estabas a mi lado,
El dia te habia inventado
pero tu no aceptabas todavia
tu innencion en este dia.
Quiza tampoco la mia.
Tu estabas en otro dia.
Estabas a mi lado
y yo te veia, como la hieve,
dormida entre las apariencias.
El tiempo, sin nuestra ayuda,
inventa casa, calles, arboles,
Cuando abras los ojos
caminaremos, de neuvo,
entre las horas y sus invenciones.
Caminaremos entre las aparienciones,
daremos fe del tiempo y sus conjugaciones.
Abriremos acaso las puertas del dia.
Entraremos entonces en lo desconocido.
a l de enero de 1975.
Vuelta ( 1976)
Happy new year, lets try for another world, don't let the bastards grind you down, we will need all the strength we can muster for 2019. Spread solidarity, heddwch/peace. Let freedom ring and truth and justice prevail. Its o.k to say no. We can shape a new reality
Posted by teifidancer at 02:00