Sunday, 3 October 2010

The Welsh Not

In Wales, Welsh school children were punished for speaking their own language in the belief that the English Language would solve all their educational problems. They tried to kill its language and damned nearly succeeded, because in the nineteenth century their was a superficial belief that English was superior, and that English was the only language which should be used throughout the British Empire. If you ever wonder why not all of the Welsh can speak Welsh, this, and many other cultural purgings, are the reason why.
A report of 1847 which became known as the Treachery of the Blue Books written by English barristers who did not speak any Welsh between them castigated Welsh culture in general, and referred to the Welsh language as a drawback and that the moral condition of Welsh people would only improve with the introduction of English. The ' Welsh not ' consisted of a small piece of wood or slate inscribed with the letters 'W.N ', which was hung barbarically around the neck of any child caught speaking Welsh. 
You could only get rid of this if you overheard another child speaking Welsh, and grassed them up, and it  was then passed onto them, and they were  forced to  wear it and got punished and the child with it at the end of  the day was also punished with the cane,  as was the child with it at the end of the week. In the nineteenth century, the Welsh language was literally thrashed out of the Welsh. 
It was a form of cultural genocide.,  and  even after the Welsh Not, people were told that Welsh was bad. It was seen as ‘backward’. and the understanding from officialdom at the time was that speaking Welsh was a disadvantage educationally. It  was only at the beginning of the 20th century that this draconian measure and attitude to Welsh slowly began to change,  and I am glad to write ,however that after 2,500 years the Welsh language one of Europe's oldest is still here and going strong. Siaradwch  Cymraeg.

Sir Owen M, Edwards (1858-1920) on 'The Welsh Not'

'Word soon went around that a new boy, and a native one at that, had come to school. The eyes of several cruel children were upon me - I knew about them all, most were loud-mouthed children from the village - they are still the same. The teacher had told me, quietly, not to speak a word of Welsh; but those evil boys were doing everything they could do to make me shout and , at last, they succeeded. I lost my temper, and began to speak my mind to the traitorous cur who devised how to annoy me. As soon as I spoke my strong Welsh, everyone laughed, and some string with a heavy wooden token attached to it was put about my neck. I had no idea what it was; I had seen a similar token about a dog' neck to prevent it from running after sheep. Had this token been placed about my neck to prevent me from going home? Midday, the hour of release, came at last. The schoolmistress came there with a cane in her hand. She asked some question, and every servile child pointed his finger at me. Something like a smile came over her face when she saw the token about my neck. She recited to me some long riddle, of which I could not understand a word, she showed me the cane, but she did not touch me. The token was removed and I later understood that it had been placed about my neck because I had spoken Welsh.
That token was placed about my neck hundreds of times after that. This is how it was done: when anyone heard a child speaking a word of Welsh, he was to tell the teacher; and it was to remain about his neck until the person wearing it heard someone else speaking Welsh, then it would be put about his neck, poor soul . At the end of the school-day the one wearing it was to receive a blow with a cane across his hand. Every day the token, as if by its own volition, it found its way from every corner of the school to my neck. This is a comfort to me to this day: I never once attempted to have peace from that token by transferring it to someone else.'

FROM :-
' The Bells of Memory ( Clych Atgof, 1906)
in ' The Dragon's Pen ' by Bobi Jones and Gwyn Thomas.

.Hen Wlad Fy Mamau - 'Welsh Not'




Friday, 1 October 2010

Bertolt Brecht (translated by John Willett) - The Burning of the Books.


On the 10th of May 1933, students with the support of the Nazi Party and Nazi officials , carried out the burning of thousands of books.

Bertolt Brecht (translated by John Willett) - The Burning of the Books

When the Regime commanded that books with harmful
knowledge
Should be publicly burned and on all sides
Oxen were forced to drag cartloads of books
To the bonfires, a banished
Writer, one of the best, scanning the list of the
Burned, was shocked to find that his
Books had been passed over. He rushed to his desk
On wings of wrath, and wrote a letter to those in power
Burn me! he wrote with flying pen, burn me! Haven't
my books
Always reported the truth? And here you are
Treating me like a liar! I command you:
Burn me!

From:- Poems 1913 -1956 by Bertolt Brecht, Methuen, London.



Wednesday, 29 September 2010

' This Poem...' - Elma Mitchell.

This poem is dangerous: It should not be left
Within the reach of children, or even adults
Who might swallow it whole, with possibly
Undesirable side-effects. If you comr across
An unattended, unidentified poem
In a public place, do not attempt to tackle it
Yourself. Send it (preferbably, in a sealed container)
To the nearest centre of learning, where it will be rendered
Harmless, by experts. Even the simplest poem
May destroy your immunity to human emotions.
All poems must carry a Government warning. Words
Can seriously affect your heart.


FROM:- People Etcetra: Poems new and selected, Peterloo Poets, 1987.

Monday, 27 September 2010

BANNED BOOKS WEEK (25/10/10 -2/10/10).

It's banned books week in the U.S, an annual awareness campaign that celebrates the freedom to read, and draws attention to banned books and challenges the reaon why and highlights persecuted individuals. It has been goin since 1982, and I don't understand why it has not taken hold in other parts of the world.

Picture of John Milton.

John Milton, ' Areopagitica ' addressed to 'the Parliiament of England' (1644)

Books are not absolutely dead things, but do contain a potencie of life in them to be as active as the soule was whose progeny they are; nay they do preserve as in a violl the purest efficacie and extraction of that living intellect that bred them. I know they are as lively, and as vigourously productive, as those fabulous Dragons teeth; and being sown uo and down, may chance to spring up armed men. And yet on the other hand unless warinesse be us'd, as good almost kill a Man as kill a good book, who kills a Man kills a reasonable creature, Gods image; but hee who destroys a good Booke, kills reaon it selfe, kills the Image of God, as it were in the eye. Many a man lives a burden to the Earth, but a good Booke is the pretiois life-blood of a master spirit, imbam'd and treasur'd up on purpose to a life beyond life... We should be wary therefore what persecution we raise against the living labours of publick men, how we spill the season'd life of man preserv'd and stor'd up in Books; since we see a kinde of homicide may thus be committed, sometimes a martyrdome, and if it extend to the whole impression, a kinde of massacre, whereof the execution ends not in the slaying of an elemental life, but strikes at the ethereall and fift essence, the breath of reason it selfe, slaies an immortality rather then a life.


CENSORSHIP AS MUTILATION. - D.H. Lawrence, 1930. ( a Propos of Lady Chatterrley's Lover)

I managed to get published the little cheap French edition, photographed down from the original, and offered at 60 francs. English publishers urge me to make an expurgated edition, promising large returns... and insisting that I should show the public that here is a fine novel, apart from all 'purple' and all ;words'. So I begin to be tempted and start in to expurgate. But impossible! I might as well try to clip my own nose into shape with scissors. The book bleeds.
And in spite of all antagonism I put forth the novel as an honest, healthy book necessary for us today. The words that shock so much at first don't shock at all after a while. Is this because the mind is depraved by habit? Not a bit. It is that the words merely shocked the mind at all. People without minds may go on being shocked, but they don't matter. People with minds realize that they aren't shocked, and never really were: and they experience a sense of relief.

CENSORSHIP IN ACTION

'What King Solomon was doing with all those women wouldn't be tolerated in San Franciscio. '

Police chief, prosecuting the publisher of Allen Ginsberg's 'Howl and Other Poems@ in 1957, when asked if his standards of obscenity wouldn't apply to the Bible.




SOME CENSORS AND BOOKBANNERS IN THE UNITED STATES:

Anti-Defamation League
Barnes and Noble
Central Intelligance Agency (CIA)
Christian Voters league
Columbus Metropolitan Library
McCarthy, Joseph R. - U.S Senator
Meese Commission
National Association of Christian Educators
National Federation of Decency
National Security Agency
New England Watch and Ward Society
Parade Magazine
Max Rafferty - CA superintendant of public instruction
U.S. Bureau of Customs
U.S. Food and Drug Administration
U.S.Immigration and Naturalization Service
U.S. Information Agency
U.S Justice department
U.S Postal Service
U.S Treasury Department





SOME CENSORS AND BOOKBANNERS OUTSIDE THE UNITED STATES.

Ayatollah of Iran
Canadian customs
Canadian government
Franco of Spain
The Nazis
Certain communist systems
China
Burma
North Korea
Roman Catholic Church
The Church of Scientology
Signapore judiciary
Sol Littman, Simon Wiesethal Centre
Supreme Court of Austalia
Synod of Canterbury at St. Paul's, London



The above list is only a short one their are many many more
in the meantime have a good read, devour a banned book today.

Tuesday, 21 September 2010

Cynddyllan on a tractor- R.S. Thomas.

Ah, you should see Cynyddlan on a tractor.
Gone the old look that yoked him to the soil;
He's a new man now, part of the machine,
His nerves of metal and his blood oil.
The clutch curses, but the gears obey
His least bidding, and lo, he's away
Out of the farmyard, scattering hens.
Riding to work now as a great man should,
He is the knight at arms breaking the fields'
Mirror of silence, emptying the wood
Of foxes and squirrels and bright jays.
The sun comes over the tall trees
Kindling all the hedges, but not for him
Who runs his engine on a different fuel.
And all the birds are singing, bills wide in vain,
As Cynddylan passes proudly up the lane.





Ah the old days have gone never to return. What we have left  are old words like these ,let them  nourish us, let them glisten in our heads. Let old poems be like shadows , forever falling. More of the wily R.S. Thomas coming soon.


Monday, 20 September 2010

Ian Pyper ( Born 1955). - Outsider artist.



Have recently discovered the work of this brilliant artist, his work to me seems to owe a lot to aboriginal dot paintings and other primitive art. He was born in Liverpool of working class stock. What is more he was born without a thumb and two fingers on each hand, and is self taught as an artist, his detailed pictures often take months to create. Most great art does take great time.
Their is a spectacular vision at work here and what he produces and to me they really are quite mystical.I love 'em and theirs a link at the bottom if you want to view more.
His work has featured in the magazines 'Raw Vision' and 'Resurence'
He currently lives in Brighton.













Ian Pyper United Kingdom drawings/watercolor

Sunday, 19 September 2010

Mary Webb (25/3/1881 -8/10/27)- THE WOOD WITCH and six more of her poems.



Dark on their slumbering steeps
The great woods rise;
Over their silent deeps loom the hot skies.
There, where the wood-dove sleeps,
Young Magic Lies.

Mist her raiment is -
Hyacinth-fair,
Dim, twining witcheries thread her dark hair.
Who tastes her wild, sweet kiss?
Ah, few men dare.

Through her long, secret smile
All the strange earth
Creeps; in her elfin wiles mad hell has birth;
Heaven's self she bequiles
Into her mirth.

The bright day darkens she,
Spreading her hair;
And at night, sheenily, makes her limbs bare.
Who would her lover be,
Let him beware.

TWO FAITHS

Above his low green lawn, in tented splendour,
A great tree spread its branches, manifold
With lucent leaves that qickened into gold
And quivered into whispers low and tender,
While silver-throated birds came all day long
And haunted it with ecstacies of song.

There dawned a day - the migrants birds were
calling-
When, gazing with a gladness ever new
To where it stood so stately on the blue,
Across the sky he saw it slowly falling.
He had forgotten, so it roofed him round,
That it was rooted in his neighbour's ground.

Forlorn the grass without its chequered shade;
Aloof and cold the spaces of the sky
Without its comfort; now all silently
The wind went flowing by - of old it stayed
And talked among the leaves; the birds took
wing,
They could not sit upon the ground and sing.

Along the dumb air wandered presently
A white-winged seed. With love and hope and
toil
He planted it in his own garden soil.
And though he will not see it bless the sky
With spreading arms, it is enough today
That two pale, tender leaves uncurl with May.

And even because it is so humbly low,
With fluttering flight the youngest thrush of spring
Can gain its top and sing there, triumphing,
Its earlestmusic - tentative and slow,
But so divine in pathos, so fresh-hearted
That he is glad the other birds departed.

BEAUTY AND TERROR

In the pear-tree I have seen
Strength stand up beside the stem.
Where young blossoms lit the green,
Beauty hovere over them.
I heard, when fragrant breeze played,
Life sing louder than the bee;
And felt within the stealthy shade
Terror crouch beneath the tree.

SUMMER REMEMBERED

Out on the wild and chill
Juniper-tangled hill,
By misty day and star-concealing night,
I hear your voice along the lonely height,
Making a haven for my heart that grieves,
Creating joy like birds among the leaves.

Far, far way the silver whimbrel spoke
In plaintive, startled cadence from the cloud,
As though she spied Love in his purle cloak,
As though she knew his lips so ripe-
Scarlet as cranberrie-
And dared not to call too loud
Lest she should hush the melody of his,
Lest he should fling away his oaten pipe.

There, where the sleek foals rest;
There, where the bracken burns towards the west;
Where springs are white and clear,
You brought me on a summer day, my dear,
Far, far way it seems and long ago;
Since then the winds have risen, since then has come the snow.

All colours mingled in transparent light,
Pierced by the hovering whimbrel's silver cry;
All things that once were dim
Thought upon Love's clear radiance and grew bright;
All flowers I once deemed scentless,dry,
Were filled with fragrance to the brim;
And from the blue, profound

Distance of summer, heaven gathered round,
Distilling as a dew, pressing so close,
We seemed all golden-dusted, like a bee
Drenched with the pollen of the wild white rose.
Then, in the hush of heaven, you spoke to me.

With heavy weights of snow the juniper
Breaks, and the wind howls in the frozen bough.
But I abide in a calm whereno winds stir;
Where no flower falls and never song is broken,
Hearing the golden words that once were spoken
And so are spoken now.

APPLE-BLOW

The apple-blow that was so sweet,
So pink and clear,
Has flung its petals at my feet,
My dear - my dear!

The petalled joys that made mycrown
When you were here,
Like heavy tears are fallen down,
My dear- my dear!

REFLECTIONS

No beauty is mine, and yet I saw to-day
A lovely face within my mirrored glassed;
For you had looked upon me as you passed,
And still there lingered, as you went away,
Reflections of your grace in mouth and eye -
Like those rare dawns that paint the eastern sky
And mirror forth
Their beauty even in the hueless north.

MAGIC

Out of ther shallow pools
The grouse whirr, jeering at us fools
That have not known how all things grow estranged
Except old Magic, who with gipsy fingers
Forever sews, unwearied and unchanged,
The splendid purple garments of the hills.
They sleep within the silence that she fills
With lullabies, singing beneath her breath
Of things so long before and so long after death
That he who listens fear her, yet he lingers.


Woods, West Wales.

Saturday, 18 September 2010

Um, some topical cartoons.



Pedro Pietri ( 1944 -2004) - UPTOWN/TRAIN / TELEPHONE BOOTH NUMBER 905 and a half


Poet, playwright. Pedro Pietri lived most of his life in Harlem, Manhattan, New York. Pietri was a co-founder of the Nuyorican Poets Cafe at 505 East Sixth Street in New York City.
Born in Ponce, Puerto Rico, on March 21, 1944. Three years later, his family moved to Harlem. He attended public schools in New York City and was drafted to serve in the Vietnam War from 1966 to 1968. A resident of New York City and prominent Nuyorican poet, Pedro Pietri died on March 3, 2004.

Pedro Pietri -UPTOWN TRAIN

I predict that at exactly 10 to 10 it will be 10 to 10 again
then at exactly 10 after 10 it will be 10 after 10 once again
until the hands of time change the subject at which time I will
make another accurate prediction for the science friction public
I predict that if you are caught in a sudden violent rainstorm
and you don't have an umbrella available you will get soaken wet
I predict that if you forget to brush your teeth for one week
your breath will smell worse than all the sewers of the universe
I predict that if you wake up late in the morning you won't get
to work on time and be deducted and instructed to be punctual or else
find yourself another fulltime job to pay for a decent funeral
I predict that the more you demonstrate the less you masturbate
your demands will be met after you forget what your demands are
I predict that after friday night it will be saturday morning
I predict that if you dont put gasoline into the engine of your
car you will have a difficult time getting out of your garage
I predict that if you blow your nose snots will come out of them
I predict that if you can't sing you can't sing if you can't act you can't act
if you can't dance you can't dance and if you can't lose weight you can't
lose weight and you must love or hate yourself
I predict that if you have nothing to say you have nothing to say
I predict that if you go away and don't return and leave behind no
forwarding address your mail; will be returned to the post office and
discarded to oblivion if not claimed by anyone within thirty days.

TELEPHONE BOOTH NUMBER 905 and a half

woke up this morning
feeling excellent
picked up the telephone
dialled the number of
my equal opportunity employer
to inform him I will not
be into work today
" Are you feeling sick? "
the boss asked me
"No sir" I replied:
I am feeling too good
to report to work today
if I feel sick tomorrow
I will come in early
of I feel