So long Dario Fo (24/4/26 -13/10/16)

(accidentally deleted this post earlier, so had to come up with something new)

It was with sadness, that I discovered from an Italian friend the death of Dario Fo. A writer and performer whose onstage antics offended popes and presidents, bureaucrats and  and conservatives of every stripe, died on Friday at home in Milan. His death was confirmed by his Italian publisher, Chiaralette, he succumbed to complications arising from a lung condition he had suffered for years,he was 90.
In 1997, the Swedish Academy awarded him the Nobel Prize in Literature,the Nobel jury honoured him for work which emulated "the jesters of the Middle Ages in scourging authority and upholding the dignity of the downtrodden, with a blend of laughter and gravity he opens our eyes to abuses and injustices in society and also the wider historical perspective in which they can be placed" ". It is kind of ironic that he died on the same day that Bob Dylan was awarded his.
Probably best known abroad for the series of plays he wrote in the immediate aftermath of the upheavals of 1968, such as the Accidental Death Of An Anarchist, inspired by the mysterious death of Giuseppe Pinelli an Italian Anarchist in a police station after a bomb attack in Milan a year earlier who fell or was pushed to his death from a balcony window,Mistero Buffo a retelling of the Christian gospels in an improvised format, which let him comment on everything from corruption in the Catholic Church to contemporary social and political issues. The play outraged the Vatican and was condemned by the Pope as blasphemous and We Won’t Pay! We Won’t Pay.In this play, based on actual events, prices were spiralling so high that ordinary people could not afford them and decided that they would only pay the original price before the price hikes. Like Accidental Death of an Anarchist, this play continues to be performed, in England as recently as 2012 and in France in 2014. The play Mother’s Marijuana Is the Best confronted Italy’s growing drug problem. “Rich people consume and use drugs, while poor people are used and consumed by drugs," he famously said at the time. Fo wrote more than 80 plays, which have been translated into 30 languages.
In addition to being a playwright, he was also a director,actor stage and costume designer,satirical anarchist,political provocateur, clown, jester and singer songwriter .Alongside his wife and muse Franca Rame he was an unapologetic anti-capitalist and remained one to the end.A fiercely leftist activist throughout his life, Fo’s work attacked institutions of organized crime, racism, corruption, religious theology and war.Unafraid of controversy, Fo was banned from Italian state broadcasting for 14 years and his support for left-wing causes led to U.S. visas being denied in the 1980s.
 Dario Fo was born in San Gario, a small town on Lago Maggiore in the province of Varese, Italy. His  father Felice,was a socialist, station master and actor in an amateur theatre company; his mother Pina Rota, was a woman of great imagination.As a student, he was called up to the army of Fascist dictator Benito Mussolini, but escaped and hid in an attic for the last few months of the war before Italy was liberated.
From the beginning of their careers at Milan’s famed Piccolo Teatro, Fo and Rame, who died in 2013, used their platform to champion the rights of workers, poor people and the disenfranchised, and to protest establishments political, social and religious, often drawing stern rebukes being jailed on numerous occassions ,facing violence, censorship, disruption and intimidation from both fascists, the police, the government and the vatican.After performing an anti-police show in Milan in 1973, Rame was kidnapped, tortured and raped by fascist thugs.Receiving his Nobel prize, Fo said that he shared the credit with Rame, as she had been his muse. Even as they subsequently suffered from failing health, they always rediscovered the vigour and inspiration to continue creative work.The inspiration for his style came from the strolling medieval players, the giullari, who travelled from town to town, setting up in market places and playing to the crowd, the ordinary people they belonged to.
Fo continued to enjoy writing plays that drew from Italian political scandals. In the late 1990s, Il Diavolo con le Zinne (The Devil With Boobs) transposed the Tangentopoli, or Bribesville, scandal to 16th-century Florence. The corrupt magistrate was played by the Italian stage’s leading traditional actor, Giorgio Albertazzi, who had never hidden his right-wing sympathies.Their collaboration surprised many, but they declared they were both anarchists in their own ways.His 2003 play The Two-Headed Anomaly,  took aim at Italy's then Prime Minister Silvio Berlusconi and Russian president Vladimir Putin,  and  was censored on television.
 After Rame’s death  Fo decided the best way to commemorate her was to continue the work they had done together.  Fo gave public support to the comedian turned politician Beppe Grillo, and later found a new kindred anarchistic spirit in Pope Francis whom he celebrated with a mock-medieval play about St Francis of Assisi..Fo ran for mayor of Milan in 2006 and remained a committed activist right to the end, committed to the working-class, and anti-war, anti-Fascist and climate change activity skewering Italian authorities with his sharp wit and appearing at a rally in support of the anti-establishment 5-Star Movement last month
 Accepting the Nobel, Fo remarked   “A theater, a literature, an artistic expression that does not speak for its own time,” he said, “has no relevance.”"With Dario Fo's death, Italy has lost one of the great characters of its theatre, culture and civilian life," said Italian Prime Minister Matteo Renzi..
 
They say we should be moderate
Not stirring up class war
But we're bent on being obdurate
We'll take it all, we don't ask more
We'll defeat their aims for starters
We'll foil their dastardly plan
Can we have their guts for garters?
We say fucking right we can!
-Can't Pay, Won't Pay 1970

So long Dario Fo, a giant of Italian culture has left us R.I.P

Beyond the chains of humanity

Chains of fear
from Gaza to Aleppo,
the borders of Mexico
to Calais where tears run dry,
people crying out for help
abandoned seeking dignity,
waiting for tomorrow to call
the imprints of fellow man
to release them from pain.

As the politicians daily call
planting seeds of chaos,
with unblinking eyes
spreading darkness,
sadness falls and trust rushes by
hope keeps missing its targets ,
bitter taste is the daily harvest.

Far away tears of compassion flow
the winds of humanity blows,
trying to sprinkle some kindness
refusing to ignore or lose faith,
with freedoms banner speaks out
goodwill peaks out beyond the clouds,
delivering streams of conscience.

( this poem can also now be found here too :-   https://iamnotasilentpoet.wordpress.com/2016/10/16/beyond-the-chains-of-humanity-by-dave-rendle/   )

Senghenydd Mining disaster: lest we forget

At 6.00 a.m this morning 14 October 1913, a series of terrible explosions ripped through the Universal Coal Pit in the village of Senghenydd,  a town in the Aber Valley, four miles north west of the town of Caerphilly, in South Wales ( U.K).

The cause of the disaster was thought to have been a 'firedamp', when a spark ignites methane gas, and then explodes, this explosion sucks coal dust on the floor into the air and causes a huge explosion. In Senghenydd this spread even further underground of the mines, and was followed by 'afterdamp', where deadly poisonous gases  replaced the missing air and oxygen.

The result was 439 miners and 1 rescuer  being killed and it is now considered to be the worst mining accident in the U.K  and  the most serious in the terms of loss of life. It followed an earlier disaster in May 1901, three underground explosions at the colliery killed 81 miners. 

The rescue operation in 1913 lasted for 3 weeks, although by then the chance of finding anyone left alive had long faded.Fires in the workings hampered rescue efforts, and it took several days before they were under control. It took six weeks for most of the bodies to be recovered and the fire to be extinguished. The subsequent enquiry pointed to errors made by the company and its management leading to charges of negligence against Edward Shaw, the colliery manager, and the owners.The report was critical of many aspects of the management's practices, and considered it had breached the mining regulations in respect of measuring and maintaining the air quality in the workings, and in the removal of coal dust from the tracks and walkways.The report pointed out that because the management had not implemented the changes needed to the ventilation fans as demanded by the Coal Mines Act 1911, the fans were unable to reverse the direction of the airflow, which would have blown the smoke out through the Lancaster shaft, although Redmayne and his colleagues held differing opinions on the advisability of reversing or stopping the airflow.Further criticism was directed toward the emergency procedures. The lack of respirators at the mine was deemed to have cost lives.The lack of an adequate water supply for fire fighting was also criticized, as it would have been thought that the fact the colliery was such a gassy one, and it had already been devastated by an explosion previously, that the management would have made arrangements for a supply of water adequate to meet an emergency of the kind that actually occurred. For his guilty role Shaw was fined just £24 – less than 6p per life lost. Incredibly, the pit owners were fined only £10 on one charge – not having a reversible fan, newspapers calculated the cost of each miner lost was just 5¹ ⁄ pence.

It would send shockwaves throughout the world, reminding people of the terrible cost of coal  and capitalist greed and neglect   that stole the lives of 440 men and boys. The sheer numbers working in the colliery indicate its importance, and centrality, in the life of Senghenydd, and the wider area, and of the terrible, generation toll it would take on the village. Mothers and fathers mourned sons, wives lost husbands and children would never know their fathers and young men their futures, the deaths of of 440 men on a such a small community had a devastating effect; 60 victims were younger than 20, of whom 8 were 14 years old; 542 children had lost their fathers and 205 women were widowed. The impact on individual households was great: 12 homes lost both a father and son, 10 homes lost two sons each, while the death of one father and son left an 18-year-old daughter to raise her 6 siblings alone; another woman lost her husband, 2 sons, a brother and her lodger.

The Universal Colliery would eventually close in 1928 but the impact of the disaster has been carried through generations in the village which is now in Caerphilly borough.  

According the Carwyn Jones the Welsh first minister at the time of the 100th anniversary ' The Senghenydd tragedy has come to symbolise the dangers and sacrifices made by those who went underground in search of coal but never returned home. It is fitting that this should be the location for a memorial dedicated to all the miners that have died in mining disasters across our nations.'

In 1981 a memorial to the men who died in the disaster was unveiled by the National Coal Board  followed by a second in 2006, to honor the dead of both the 1901 and 1913 explosions. In October 2013, on the centenary of the tragedy, a Welsh national memorial, commissioned by the local Aber Valley Heritage group, which had secured Heritage Lottery Funding and undertook its own fundraising campaign, it pays tribute to the victims of all 151 recognised disasters, when five or more people died, to have occurred in Wales, was unveiled at the former pithead, depicting a rescue worker coming to the aid of one of the survivors of the explosion.The memorial and gardens will not only provide a priceless and fitting tribute to all the colliery workers who lost their lives in the mines, but will act as a suitable and prominent reminder of the rich mining heritage that is ingrained into our communities.

I have written about this disaster previously but  I have always made it a point to remember my peoples history .On a personal note I can never forget the tales my own grandad told me, who himself was a miner's boy  in the valleys in the 1930's assisting  his father. he taught me never to forget the long list of tragedy, human grief and loss in our history, and the sorrow of communities like Senghenyd who have lost their loved ones. 

I remember the terrible loss, and also remember the greed and contempt for the lives of workers and their families which led to such suffering, which occurs when capitalism is free to pursue its basic principles in which  some peoples lives are  expendable in the pursuit of profiti.

Cofiwch Senghennydd

Remember Senghennydd

 The statue, designed by sculptor Les Johnson, depicting a rescue worker coming to the aid of a survivor after a mining disaster, situated at Senghenydd..

Uniliver, I guess I'm not a fan

Across the globe Uniliver is still viewed as a ruthless exploiter of  resources and people on a global scale.Unilever is huge. It's the largest consumer products company in the world. It's the world's third-largest advertiser. And it's the most multinational of all the multinational corporations. More than five hundred companies belong to the Unilever Group, and they operate in seventy-eight countries, manufacturing in most of them. A unadmiring writer once lamented that "something approaching two thirds of mankind buy from or sell to Unilever, and most people use its products every single day of their lives." http://www.mcspotlight.org/beyond/unilever/moskowitz_1987.html The company's own literature says rather matter-of-factly: "Unilever does business in or with nearly every country in the world." No other company can claim that ubiquity. The British and Dutch empires remains in place. I am not a fan.Who despite spending billions on advertising and promotion trying to present themselves as an ethical company that has cleaned up its act has a long history of behaving in an unethical way built on exploitation and misconduct across the globe. A 100-year history of relying on cheap land and labor to make mass products at huge profits but at high social and environmental costs combined with an insensitivity towards its own workers ..

I am not a fan of Tescos either,not a place I choose to shop  a supermarket that Uniliver is attempting to bully at the moment.Uniliver has recently demanded an extra 10% from Tescos trying to exploit the post Brexit economic situation,after the pound has plunged, in what amounts to many as daylight robbery.Not just to Tesco but to poor people who already have not enough change in their pockets for food to sustain them. Tesco have at least had the tenacity to say no.But it meant the withdrawal of lots of well known brnds from its websites and stores

Uniliver's  attempt at hijacking the prices is blackmail exploitive and self serving casting themselves as the saviours of the moment but avoiding mentioning their own roles in causing many problems of the global arena (such as financial crisis, land-grabbing, tax loss, obesity, malnutrition, climate change, habitat destruction, poverty, insecurity) they claim to address. Most of their proposed solutions either require passivity from governments (poverty will be solved by wealth trickling down through a growing economy) or the creation of a more friendly environment for business. At a time when we should be concentrating on more important issues like fascists,racists, the Tory's toxic policies, the refugee crisis etc etc..Uniliver's headlining stunt is rather low.

The consumer must be reminded that there are always alternatives,we still have plenty of choices,much better ones too, far more ethical too and that nones of us should  be pressurised or dictated to by capitalist bully's. Uniliver should be reminded of this fact, at the end of the day the people of Britain don't respond well to consumer bullying. Uniliver should also be reminded that many of the products that they are trying to manipulate the price rises, like PG Tips and Marmite are actually made here in Britain and in the case of Pot Noodles here in Wales. But actually owned in some way by Uniliver. Who knows, maybe people will notice how many companies are owned by Unilever, and perhaps  they'll rethink their shopping.Search for something better. But the fall in the pound cannot  not justify Unilever’s reported demand for a 10% price increase for an entirely UK sourced product. Uniliver are just using Brexit as a premise for profiteering.

Hopefully other supermarkets will try and resist price increases as most of them are trying to cut prices to attract consumer and maintain their market share against ‘low-cost’ rivals.Uniliver like other global corporations are trying to manipulate things to serve their own pockets, our interests are a very low priority. We must keep questioning them and continue to hold them into account.

On that note I could murder a Pot Noodle.I know,perhaps not. Laters.

UPDATE 10.37.pm

Got back a moment ago, 10.15 p.m to discover that Uniliver has now resolved tts dispute with Tesco and that well known brands will now be back on the shelves..
After both companies’ share prices fell on Thursday and Unilever was criticised for blaming the attempt to increase prices on the fall in the value of the pound, a deal was reached late in the afternoon.Watch out for further price hikes in the future. As for Tesco being called the peoples champion by the tabloids, don't believe the hype.In a general emerging anti corporate culture, people are seing through them too.

The Aberfan Young Wives Club

50 years ago next week on Friday October 21, 1966 , approx 9.16 a.m shortly after school assembly many tons of collier rubbish (slag heaps) swept down the sides of a  Merthyr Mountain  above the town of Aberfan after several days of heavy rain, Liquified and pouring down  this black tidal wave would engulf everything in its path in this catastrophic tragedy.A tragic memory from Wales's turbulent living history.
A new documentary will be examining how Aberfan has carried on in the 50 years since the horrifying events that took place on that day.The Aberfan Young Wives Club, to be broadcast on ITV tonight at 9pm on Wednesday, features the young women of the town who banded together to support each other and their community in the face of tragedy.
It follows the women who came together just weeks after so many mothers involved had buried their children to form a support group, which they dubbed the “Aberfan Young Wives Club”.The programme will focus on these women's vital role in keeping their community alive.
The group steadily grew in size and organised events, talks and trips, as well as helping each other in their bereavement. Some of the women will be speaking about their experience for the very first time.The film utilises remarkable archive footage as well as the moving testimony of the mothers who have met every week since the tragedy.
Aberfan was to many a result of a conflict of financial interests, which would see the death of 144 people, including a 115 innocent  children, many of whom were between the age of seven and ten along with, five of their teachers, in what is now known  today as one  of one of Wales worst mining disasters in it's history, not forgetting Senghennydd which I've written about previously when in 1913 over 400 were killed.https://teifidancer-teifidancer.blogspot.co.uk/2013/10/100th-anniversary-of-senghenydd-mine.html
By the time the landslide stopped, it had demolished Pantglyn Junior School and 20 houses, severely damaging the Secondary School.

The sores and wounds of this disaster are now forever  stored in the memories  and feelings of the people of Wales because of the whole collective loss of a generation that was wiped out. We should try never to  forget  the children and adults who died, this human tragedy, that  many say could easily have been  prevented. The National Coal Board  (NCB) were repeatedly warned to move the slag heaps to a safer location, because they were also  close to natural underwater springs. Did the NCB have the decency to acknowledge their blame, to bow their head in shame, like hell no, but we were to  learn sadly far too late that the NCB was ostensibly a capitalist organisation more concerned with profit than lives.  A report by the government at the time said " Blame  for the disaster rests upon  the National Coal Board. The legal liabilities of the National Coal Board to pay compensation for the  personal injury ( fatal or otherwise) and  damage to property is incontestable and uncontested." The Government of the day was also extremely insensitive to the victims families, and people whould have to wait for years, for compensation.
So tonight I hope you can catch the programme scheduled,  remember  the people of Aberfan, a community  that is still profoundly affected by this disaster, one in three survivors still  suffering from Post traumatic stress,  nearly 50 years after this tragic event took place. People felt guilty that they were  left alive, they did not feel like survivors,there were cases of children not being allowed to play in the street, in case it upset other parents.
Let us  hope that lessons learnt from this incident can be learnt for tomorrow, and  remember that this bitter legacy still continues, what with continuing social and economic problems in the South Wales valleys still  being wrought  because of successive governments who have made lives a  continuing source of discomfort.  Combined with the failure of responsibility by the relevant authorities and the appalling behaviour of  some parties in the aftermath of the disaster.
Today, however there is very  little to remind visitors of  this tragedy, just an abstract memorial garden in the village and the childrens section in the graveyard.I hope that those too young to remember this injustice will continue to be reminded of this awful event that the people of Aberfan remember every single day.
In addition to the programme mentioned , Sir Karl Jenkins has composed a major new choral work, entitled ; Cantala Memoria - For the Children which was commissioned  by S4C, the Welsh language channel in commemoration and mark the 50th anniversary of the disaster.
Lest we forget, people before profit.

 Karl Jenkins - lament for the valley

R.I.P the little angels that were lost forever.

Respect to former Pink Floyd singer and songwriter Roger Waters

 

Respect to former Pink Floyd singer and songwriter Roger Waters who made his feelings about Donald Trump and Israel clear during a politically-charged performance in his set that closed out a three-day classic rock concert in Indio, California on Sunday night. .

As Waters performed the Pink Floyd song Pigs, Donald Trump’s face appeared on the massive video screen above the stage as a swine-shaped balloon with a caricature of the Republican presidential candidate floated in the crowd.On the side of the balloon “Ignorant, lying, racist, sexist,” was written as well as screens flashing quotes from Trump, including comments from a controversial video from 2005 released last week. Subsequent images showed Trump wearing a Ku Klux Klan hood.

Trump's desire to build a wall on the Mexican  also annoyed Waters, who acknowledged the hypocrisy inherent in a country whose population largely descended from immigrants.Waters followed up with "Another Brick in the Wall (Part II)," during which 15 school-age children came onstage wearing T-shirts that read, "Derriba el muro" — Spanish for "Take down the wall." 

While other Desert Trip performers mentioned the presidential election, Waters was also the only one who brought up the Black Lives Matter movement in front of the overwhelmingly white audience. As he performed "Us and Them," the big screen showed pictures of protest signs. "White silence is violence," read one. "I cannot believe I still have to protest this (expletive)," another said.
Waters told the crowd that he's been working with wounded warriors in Washington, D.C., and brought a young American veteran who lost his legs onstage to play lead guitar with the band on "Shine on You Crazy Diamond.""Working with these men has been one of the most rewarding things I've ever done in my life," Waters said. He dedicated the song to all victims of war and violence.
Waters waited until near the end of his performance to voice his support for the Palestinian-led BDS movement. He said: “I’m going to send out all of my most heartfelt love and support to all those young people on the campuses of the universities of California who are standing up for their brothers and sisters in Palestine and supporting the BDS movement,” he said, “in the hope that we may encourage the government of Israel to end the occupation.”

Roger Waters is a well known critic of Israel who openly supports the BDS movement. Waters in February told a British newspaper that many musicians are afraid to call out Israel over it’s policies in relation to Palestinians as they see the backlash he has absorbed since supporting the BDS movement.

“The only response to BDS is that it is anti-Semitic,” Waters told the newspaper. “I know this because I have been accused of being a Nazi and an anti-Semite for the past 10 years.”

Waters openly calls for other artists to boycott Israel and to not perform there as pioneering electronic dance act the chemical brothers are planning to do on November 12th. A band I may add I have long admired. Music and other forms of art don't exist purely on an elevated artistic platform that is separated from the mundane world. What makes it significant is its connection and effect to the everyday reality.
As Tom Rowland himself said in an interview back in 2005: “Music is bigger than us."
Israel takes advantage of this, by using culture as a form of propaganda to whitewash and justify its regime of occupation, settler-colonialism and apartheid over the oppressed Palestinian people.
This is no secret. Israeli government officials have summed up how Israel exploits culture in order to cover up its severe violations of international law.On that note there is a petition up and running, that urges this band to respect the cultural boycott. You can sign here, if you wish :-

https://www.causes.com/actions/1786127-sign-the-petition-to-the-chemical-brothers?recruiter_id=189304238&utm_campaign=recruiter_link_inviter_copyable&utm_medium=recruiter_link&utm_source=causes.

 Before closing with "Vera" and "Comfortably Numb," Waters told the audience, "It's been a huge honor and a huge pleasure to be here to play for you tonight."His set also included "Time," ''Money," ''Wish You Were Here" and "Dark Side of the Moon."
So good that in this divided world there are still individuals like Mr Waters, who are prepared  to use their voices to continue to stand up and be counted. Sadly every age brings fresh injustice,and  those who speak out will continue  to be derided but at least theyat least  have the spines to use their voice to raise awareness, showing solidarity with those  that are often ignored, so thank you Roger for sharing your humanity.

Roger Waters - Another brick in the wall Part 2 Mexico 2016

Roger Waters - Pigs ( Three Different Ones)
Live, Mexico City Oct 1 2016

earlier  thoughts on Donald Trump

https://teifidancer-teifidancer.blogspot.co.uk/2016/07/intolerantina-poem-for-donald-trump.html 

Austerity Bites .

(guess I've become fixated. My first response to May)

There  is something in the air
and we breathe it everyday
a war of attrition
an ugly game of lies
as the politics of austerity
bites and pinches our lives.

Today, this country
is no gentle place
the sky full of tory toxitity
as they tear apart the welfare state
and so much more.

Easy to lose control
trying to feed hungry hearts
all we need is love they say
but on poverty's line
it's the only thing 
we have now for free.

It feels like 1979 again
but with more of a sting
as  politicians pickpocket
daily from our purse
and bankers bonuses still pile high.

Silence is not golden
time for them to hear us shout
beyond their false mirrors
no use just complaining
in the darkness we must sow light  
as they treat us with derision
time to drive these bastards out.

(This statement is now complete.)

Nick Drake - Tomorrow is a long time

Nick Drake singing Bob Dylan's ' Tomorrow is a long time '

I absolutely adore the sentiments as well as the  background noises.

If today was not an endless dream?

If today was not an endless highway
If tonight was not a crooked trail
If tomorrow wasn’t such a long time
Then lonesome would mean nothing to you at all
Yes, and only if my own true love was waitin’
Yes, and if I could hear her heart a-softly poundin’
Only if she was lyin’ by me
Then I’d lie in my bed once again

I can’t see my reflection in the waters
I can’t speak the sounds that show no pain
I can’t hear the echo of my footsteps
Or can’t remember the sound of my own name
Yes, and only if my own true love was waitin’
Yes, and if I could hear her heart a-softly poundin’
Only if she was lyin’ by me
Then I’d lie in my bed once again

There’s beauty in the silver, singin’ river
There’s beauty in the sunrise in the sky
But none of these and nothing else can touch the beauty
That I remember in my true love’s eyes
Yes, and only if my own true love was waitin’
Yes, and if I could hear her heart a-softly poundin’
Only if she was lyin’ by me
Then I’d lie in my bed once again 

I, Daniel Blake

The new film by British filmmaker Ken Loach, I Daniel Blake won the Palme d'Or at the 2016 Cannes Film Festival.Focused on the Kafkaesque ordeals of a 59-year old widowed carpenter who puts up with  health allowance benefits after suffering a heart attack, it is an indictment of an entire social system in which Britain’s most vulnerable are being thrown overboard by a cold and cost-conscious bureaucracy that received its marching orders from the combined forces of New Labour and the Tories.
Daniel Blake (59) has worked as a joiner most of his life in Newcastle. Now, for the first time ever, he needs help from the State. He crosses paths with single mother Katie and her two young children, Daisy and Dylan. Katie’s only chance to escape a one-roomed homeless hostel in London has been to accept a flat in a city she doesn’t know, some 300 miles away.
Daniel and Katie find themselves in no-man’s land, caught on the barbed wire of welfare bureaucracy as played out against the rhetoric of ‘striver and skiver’ in modern-day Britain.
The movie's writer Paul Laverty has said the research team was stunned at how people with mental health issues and disabilities were targeted by the welfare cuts.He said people interviewed within the Department for Work and Pensions told them "they were humiliated at how they were forced to treat the public. There is nothing accidental about it."
The actress who plays the young single mother, Katie -- Hayley Squires -- who Daniel's character befriend, recently slammed anti-welfare "propaganda" that she said has turned working class people against each other. "Normal people are led to believe that this amount of people are on benefits and are therefore scroungers, and this amount of people are going to work to pay so that they can scrounge." "They've left us to argue among ourselves so they can keep doing what they are doing."
A must see film, ever so needed in the present time,which I confess already seen , but am looking forward again to seeing it among others, when it arrives in my local theatre from 18 November to 24 November.http://www.mwldan.co.uk/whatson/cinema-2d-sinema-2d/i-daniel-blake-15#.V_KxOiRVLIU I just hope this powerful tool has the actual ability to change things or at least manages to shame the Government and show people  exactly whats going on in the uk today,at job centres up and down the country and how the DWP really works, a  rotten system essposed, designed to demoralise and create pain and despair with conscious cruelty on a daily basis.
But for the Conservatives, under the direction of Theresa May the ideological destruction of our society continues, and they carry on regardless, with an ideological mission of punishing the poor and those most vulnerable
 I,Daniel Blake represents though clearly of this Governments  betrayal of people in need, wanting simple sustenance in order to survive Finally I just hope this powerful film will evoke sympathy and recognise the fact that daily people are being screwed by the Tories, faced by obstacles, in  complete denial of peoples need for dignity and respect .Of so much moral imperative, I look forward to the day, when we say enough is enough.In the meantime well done Ken for continuing to lend the poor and downtrodden a voice.I really hope that this film and its powerful indictment of life under Tory rule  is seen by as many as possible.

Everyday in pieces- A poem for National Poetry Day

Every day is in pieces
tired and weary
returning  twists  never fade
but food and love so nourishing
helps release some starlight,
beyond the misty clouds
barking loudly in the shadows
in the hide and seek of eternity.
Everyday comes in pieces
but surreptiously hope returns
hellbent on survival
over mountains soars
pausing in moments
always wanting more.