Sunday, 29 November 2009

Gregory Corso - wayward genius,an appreciation


When people discuss the Beats it is usually to revere the three key ones; ie Allen Ginsberg, William S. Burroughs and of course Jack Kerouac. Strangely and sadly Gregory Corso is often overlooked. For over 40 years , his bad- boy persona tended to cloud in my opinion his very real poetic talent. He often got drunk and pretty wasted, yet what should be remembered about this man was that he was a poet. A damned good one in my opinion.Born Nunzio Corso on March 26, 1930, in Greenwich Village in New York City. Within Italian community he was " Nunzio " while to all others he was known as " Gregory ".

I can excuse his waywardnesses because of his genius. Let us remember as a young child he was abandoned by his mum, who he believed to have gone back to Italy, who then had to endure a series of brutal foster homes, and in his infant day's did not enjoy comfort at all,(Unlike the more famous Beats) forced to live on the streets, at the age of 17 he was sent to 3 years in Clinton Correctional Facility, New York State's maximum - security prison. Here he was befriended by powerful Mafia inmates, and luckilly was protected, mainly because of his Italian heritage and the fact he was the youngest inmate in the prison. It was on all accounts a terrible regime.

Is it any wonder that he became bitter and angry with the world spending his adult days addicted to drugs and alcohol, enduring a number of failed affairs and marriages. It was whilst in prison he discovered the world of literature. He studied the Greek and Roman classics, and was a vast consumer of encyclopedias and whole dictionaries. He was particularly drawn to the works of Keats and Shelley. In 1949 he was released from prison and began writing poetry in ernest.In 1950 he met and befriended Allen Ginsberg who ensured that though often wayward, Corso stayed reasonably focussed. He consequently befriended most of the key Beats, and it was Corso's seduction of Kerouac's girlfriend " Mardou " during the summer of 1953 that was the plot of Kerouac's novel " The Subterraneans ". He fitted easily into the group , having in common with them - as one critic observed- " that he was a misfit, self-invented, rebellious, and blessed by the Muse." Also a bit of a hustler , he had had to be. He had an outsiders vulnerability, with sad prophecies to tell!

He started to get published himself in 1955,when his poems were published in a volume titled " The Vestal Lady on Brattle and Other poems. Three years later City Lights published " Gasoline " and his fame was guaranteed. Corso having by now got close to William Burroughs, headed of to Europe with him and Peter Orlovsky and a few others. Corso ended up at the " Beat Hotel " in Paris, then onto Tangiers and London where he lived up to his rascally image , upsetting the poetry establishment of the time with his spontaneous drunken outbursts and general unruly behaviour.

It was while in Europe that through Olympia Press his only novel " The American Express " was published in 1961. Olympia Press were also notable for having championed the work of Burroughs and Alexander Trocchi. Often his behaviour and casual rudeness got him into trouble. Perhaps it was a need for attention and some kind of love that had been absent in his formative days. Despite all this, throughout his works the gloomiest subjects turn comical, projecting his inner sarcasm, wit and sharp humour. His poetry is infused with his deep knowledge of the classics, and instead of fostering rebellion which was the trend of the time was quite happy not to toe the line. Sporadically releasing some outstanding collections over the following years, notably "The Happy Birthday Of Death, 1960", " Earth Egg, 1974 ", and "Herald of The Autochtonic Spirit,1981" and finally "Mindfield, 1991"

It's not exactly clear what he did with his time in the last 20 years or so of his life, their are some fantastic pictures of him out there looking suitably wasted in a cool elegant but I dont really give a fuck kind of way. He never really liked public appearances and was known to dislike the cult of celebrity, especially around the Beats. There is a story doin the rounds that he was initially reluctant to attend the funeral of his mate William Burroughs because he did not have enough methadone to support his journey to Kansas. The story goes that one of Burroughs assistants said to him " Dont worry there's a stack of the stuff in the garage, William kept it in case of nuclear war."

He had always yearned for his mother , who after Ginsberg's death he found alive living in New Jersey whereupon they were reconciled, sadly he died soon after of cancer in Minnesota on January 17, 2001. In my opinion a giant of modern poetry. His ashes were scattered next to the grave of his hero the poet Percy Bysshe Shelley in the Cimitero Acattocilico, the Protestant Cemetry , Rome, he had finally returned to the land of his mother. Here's a selection of some of my favourite bits of Corso, hope you enjoy them as much as I do.

NO ONE IN PARTICULAR

I feel there is an inherent ignorance in me
deep in my being
to the very core
I know its prescence is my essence

Yet the very essence of being
has no signature -

Everyone knows the motherless boy
he stads alone in the street
picking his nose

Mother, I weep for you
as I watch the child
weeping for his mother

HUMANITY

What simple profundities
what profound simplicities
To sit down among the trees
and breathe with them
in murmour brood and breeze-

And how can I trust them
who pollute the sky
with heavens
the below with hells

well, humankind
I'm part of you
and so my son

but neither of us
will believe
your big sad lie

I AM 25

With a love a madness for Shelley
Chatterton Rimbaud
and the needy-yap of my youth
has gone from ear to ear:
I HATE OLD POETMEN!
Especially old poetmen who retract
who consult other old poetmen
who speak their youth in whispers,
saying:- I did those then
but that was then
that was then -
O I would quiet old men
say to them:- I am your friend
what you once were, thru me
you'll be again-
Then at night in the confidence of their homes
rip out their apology-tongues
and steal their poems.

THE MAD YAK

I am watching them churn the last milk
they'll ever get from me.
They are waiting for me to die;
They want to make buttons out of my bones.
Where are my sisters and brothers?
That tall monk there, loading my uncle,
he has a new cap.
And that idiot student of his-
I never saw that muffler before.
Poor uncle, he lets them load him.
How sad he is, how tired!
I wonder what they'll do with his bones?
And that beautiful tail!
How many shoelaces will they make of that!

THE SHAKEDOWN

I spun another man's prayer
with the wind of my words
and another man,s god
answered me with death.

It came in form of a mouth
and it kissed my mouth with breath
Passionate breath; cold breath,
freezing my body in lifeless snow.

It floated before me, smiling;
and soon the sun appeared.
It melted me,
and the mouth knelt down to drink my terrible flow

THE WRECK OF THE NORDLING

One night fifty men swam away from God
And drowned.
In the morning the abandoned God
Dipped His finger into the sea,
Came up with fifty souls,
And pointed towards eternity.

LAST INDIAN DREAM

Gone the day
Gone the song and dance
Like the sun of the drying grass-

the sun I don't even trust
- can blow up anytime

All the goings gone
All the comings came


from VARIATIONS ON A
GENERATION

- What do you think about the Beat Generation?-
- I don't think it's anything. I don't think it exists. There's
no such thing as the Beat Generation.-
-You don't consider yourself beat?-
- Hell no! I don't consider myself beat, or beatified.-
- What are you if not beat?-
- An individual, nothing.-
- They say to be beat is to be nothing.-
- I don't care what they say, there's no Beat Generation.-
- Don't you care about the existence of the beat?-
- Hell no! man!-
- Don't you love your fellow men?-
- No I don't love my fellow man in fact I dislike them very
much, except the individual if I get to know him; I don't want
to govern or be governed.-
- But you are governed by laws of society.-
- But I'm trying to avoid that.-
- Ah, by avoiding society you become seperate from society
and being seperate from society is being BEAT.-
- Oh, yeah?-
- Yeah.-
- I don't understand. I don't want to be in the society at
all, I want to be outside it.-
- Face it, man, you're beat.-
- I am not! It's not even a conscious desire on my part, it's
just the way I am, I am what I am.-
- Man, you're so beat you don't know.
- Oh, yeah?-
- Yeah.-
- Crazy, man.-
- Cool, here, light a joint.-

SAUSAGES

I ate sausages with you at the feast.
I ate sausages, and across the street
the butcher counted his daughter's feet!

MY HANDS ARE A CITY

My hands are a city, a lyre
And my hands are afire
And my mother plays Corelli
while my hands burn

5 comments:

  1. Nice/
    I saw him read once in London. Kathy Acker told me a sad tale of her being driven around SF with Corso making all thse advances on her and when she said no, she was literally thrown out the car! I spoke one time to Etta James manager in London about 82 and he was managing Corso as well...didn't seem a junkie so must have been a complete masochist..."In the Mexican Zoo, they have ordinary American cattle!" My fave poem!
    Regards/

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  2. cheers for comment , most enlightening, regards, yeah lovely poem

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  3. damn just lost your comment..... thanks..... could you possibly send another one..... computer playing up today.....all the best regards.

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  4. And let's remember that it was Greg who had the great formative effect on a young Bob Dylan before he came to NY. ("Bomb" especially) Yeah he was a rude wildcat but so what? That makes for good stories. Can you find his novel anywhere on-line?

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  5. Ah yes the American Express, been looking for years for that in bookshops, and charity shops, thus far proved very elusive.... regards.

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