Sunday, 7 March 2021

Lucy Gonzales Parsons: ‘more dangerous than a 1,000 rioters’

 

Although the early years of Lucy Ella Gonzales Parsons are shrouded in mystery, the historical record revealed that she came from African America, Native American, and Mexican ancestry,.the daughter of John Waller, a Muscogee, and Marie del Gather from Mexico.Parsons Her parents died when she was a child and was raised by relatives.
 Since she was born in Texas around 1853, her parents were probably slaves. Lucy quickly learned to function in her prejudiced society by using different names. Often giving Lucy Gonzales as her name, she used her Mexican ancestry to explain her dark skin tone instead of acknowledging her African American roots.
While Lucy was living with Oliver Gathings, a former slave, she met Albert Parsons.
Born in Montgomery, Alabama, on June 24, 1848, Albert Parsons was one of ten children of the owner of a shoe and leather factory. Both of his parents died when he was just five years old and Albert’s older brother William and Esther, a slave, helped raise him in Texas. After he attended school for about a year, Albert went to work as an apprentice at the Galveston Daily News. While still a teenager, Albert served in the Confederate Army including a stint in Parson’s Mounted Volunteers. 
After the Civil War, Albert settled in Texas, attending college at what is now Baylor University and working on several other newspapers. He became an activist for former slaves and a Republican overseer of Reconstruction which earned him the admiration and respect of the former slaves he championed and the hatred of his fellow southerners and the Ku Klux Klan. In what seemed to him a natural crossover, he also became interested in the rights of workers.
In 1869, Albert worked as a traveling correspondent and business agent for the Houston Daily Telegraph and during this time he met Lucy Ella Gonzales Waller. They were married in 1872, and Lucy Parsons, a political force in her own right joined her destiny with her political mentor and partner. Their marriage not only produced an interesting combination of political ideas, it also committed what southerners, especially Ku Klux Klan members, called miscegenation.
The South enforced both legal and social laws against miscegenation or racial mixing through marriage or cohabitation. In 1872, shortly after their marriage, the Parsons left Texas because of their political involvement and their interracial marriage. Four years before the formal ending of Reconstruction in 1876 when all federal troops left, the South methodically instituted restrictive Jim Crow segregation laws. Albert worked tirelessly to register Black voters and his enemies shot him in the leg and threatened to lynch him.  
In 1873, Albert and Lucy Parsons moved north to Chicago to what they hoped would be a better life. Albert began work as a printer for the Chicago Times.Life in Chicago didn’t provide a safe haven for the Parsons. They arrived in Chicago during the Panic of 1873, a financial collapse and depression that lingered on for years. Causes of the Panic of 1873 include post Civil War inflation, over speculation especially in railroads, a large trade deficit, declining bank reserves, and European economic problems stemming from the Franco-Prussian War. Chicago and Boston also suffered the financial losses from devastating fires, Chicago in 1871 and Boston in 1872.
As Albert’s tenure as a printer continued, so did the labor troubles of the United States. A law called the Contract Labor law of 1864 permitted American businesses to contract and bring immigrant laborers into the country which created a surplus of unskilled workers in cities like Chicago and lowered wages. Socialist and anarchist ideology also gained a toe hold in the United States and began to radicalize its labor force.
After they settled in a German-immigrant community, embracing first socialism and then anarchism Albert and Lucy became Labour actiists. In 1877, the Baltimore Ohio Railroad cut worker’s wages igniting a nationwide strike and motivating railroad workers all over the country to join picket lines. Reaction to the railroad strike rippled through Chicago in the summer of 1877 when Chicago railroad workers  took up the cause with a vengeance, derailing an engine and baggage cars fighting sporadic battles with the police.
 
Motivated by the plight of striking workers, Albert embraced an activist role, taking time from his work and family life to advocate peaceful ways for workers to negotiate. Soon the small number of workers he initially addressed grew to crowds of more than 25,000 people and Albert stood at center of the Chicago anarchist movement. Lucy stood by his side both literally and figuratively.
Albert and Lucy Parsons joined the Socialist Labor Party in 1876, and they were active members of the International Working People’s Association or the First International which supported racial and gender equality. Albert Parsons also became the editor of the Alarm, the anarchist weekly journal that the International Working People’s Association published. 
As Albert’s labor activities and speech making increased so did his fame and eventually the Chicago Times fired him for supporting striking workers and the printers’ unions in Chicago black listed him. Lucy Parsons opened a dress shop to support Albert and their two children, Albert Jr. and Lulu Eda.  Like Twentieth Century women, Lucy found herself jugging her family responsibilities and her career. She chaired meetings for the International Ladies’ Garment Workers Union with her friend Lizzie Swank, and she began to write for several radical publications.
 Both her friends and enemies considered Lucy Parsons  a more dangerous radical than Albert, because of her outspoken speeches and writing defending the rights of poor people. She also challenged the  establishment because she refused to be confined to the role of a homemaker but expanded her resume to include militant and radical woman. The Chicago Police Department describing her 'as more dangerous than a thousand rioters.'
Together she and Albert  would fight for African American voting rights, and against KKK terror, condemning racist attacks and killings. Getting involved also in  radical labour organising, they fought for the rights of political prisoners, women, people of color, and homeless people, advocating a syndicalist theory of society.
She began writing for the radical newspapers The Socialist and The Alarm.' On the topic of the growth of homeless people  begging for food on the streets of Chicago, the Chicago  tribune said ' When a tramp asks you for bread , put strychnine or arsenic on it and he will trouble you no more, and trouble will keep out of your neighbourhood.' In response to this depravity, Lucy wrote one of her most famous articles  called - ' To Trams, the Unemployed, the Disinherited, and Miserable.' 
On May 1, 1886, Albert and Lucy Parsons and their two children, led 80,000 people down Michigan Avenue to support the eight hour work day, and this parade is considered to be the first May Day parade.  The International Working Peoples Association organized a campaign for the eight hour day and on May 1, 1886, a national strike of American workers began in support of an eight hour day.
Over the next few days over 340,000 male and female workers participated in the strike with more than 25 percent of them hailing from Chicago. The unity of the Chicago workers so surprised Chicago employers that they granted the workers a shorter work day.  Thrilled, Lucy Parsons proclaimed that the United States was ripe for a mass worker’s revolution.
On May 3, 1886, police fired into a crowd of unarmed strikers at the McCormick Harvest Works in Chicago, wounding many strikers and killing four of them. The Radicals called a meeting for May 4, 1886, in Haymarket Square to discuss the situation. Many versions of the story say that the Chicago police fired on a peaceful rally and an unknown person threw a bomb, while some modern labor historians like Timothy Messer-Kruse argue that the anarchists had a premeditated plan and provoked the confrontation. However it started, a riot broke out and one officer was killed and several officers and workers were wounded.
Over the next few days, police scoured Chicago, searching for and arresting any anarchists and radicals they could capture. They raided homes, offices, and meeting halls of suspected radicals and Albert Parsons had not been in Haymarket Square that day, but the police accused him as one of the eight men responsible for the bombing. Albert Parsons went into hiding, moving to Waukesha, Wisconsin, and remaining there until June 21, 1886.
Both proud and angry that Albert Parsons believed in his anarchism enough to die for it, Lucy launched into a campaign for clemency. She toured the United States on a speaking tour, distributing fliers and pamphlets about the unjust arrests and trials, and raising funds to help the defendants. Armed policemen greeted Lucy had almost every place she visited, barring her admission to meeting halls and monitoring her speech and actions.
As well as outside threats, Lucy Parsons also had to fight a battle within the labor movement. She had belonged to the Knights of Labor for over ten years and she vehemently disagreed with Terence Powderly, the leader of the Knights. Terence Powderly opposed strikes and often discouraged Knights of Labor members from participating in them and he strongly disagreed with radicalism. He believed that the government should make an example of the Haymarket defendants and the Knights of Labor firmly stood against the Haymarket defendants. 
Despite these setbacks, Lucy continued her speaking tour, sparking more interest in the Haymarket case and becoming more and more famous in her own right.  
The police kept Lucy Parsons under constant surveillance and whenever they had the slightest suspicion she knew Albert’s whereabouts, they arrested her. Although they never charged Lucy with conspiracy in the bombing, the authorities did arrest and charge Oscar Neebe, Adolph Fisher, August Spies, Louis Lingg, Michael Schwab, Samuel Fielden, Carl Engle, and her husband Albert. Eventually, Albert turned himself in to stand with his fellow defendants and they were brought to trial, even though many of them were not even at Haymarket Square at the time of the riot.  
Corporate lawyer William Perkins Black defended the anarchists, and witnesses testified that none of the eight defendants had thrown the bomb. The jury found them all guilty. Oscar Neebe was sentenced to 15 years in prison and the others drew death sentences. Samuel Fielden and Michael Schwab asked for clemency and eventually Illinois Governor John Peter Altgeld pardoned them and they were released from prison on June 26, 1893. Albert Parsons could have been pardoned as well, but he didn’t petition Governor Altgeld for a pardon because he felt that asking for a pardon meant admitting guilt and he had committed no crime.
The day before his death,Albert Parsons wrote a letter to his two young children. Dated Dungeon No. 7, Cook County Jail, Chicago, Illinois, November 9, 1887, the letter read:

To my Darling, Precious Little Children Albert R. Parsons, Jr. and his sister Lulu Eda Parsons:

As I write this word, I blot your names with a tear. We will never meet again. Oh, my children, how deeply, dearly your Papa loves you. We show our love by living for our loved ones, we also prove our love by dying when necessary for them. Of my life and the course of my unnatural and cruel death, you will hear from others.

Your Father is a self-offered sacrifice upon the altar of liberty and happiness. To you I leave the legacy of an honest name and duty done.Preserve it. Emulate it. Be true to yourselves, you cannot be false to others. Be industrious, sober, and cheerful.

Your mother! She is the grandest, noblest of women. Love, honor, and obey her. My children, my precious ones, I request you to read this parting message on each recurring anniversary of my death in remembrance of him who dies not alone and for you, but for the children yet unborn. Bless you my darlings! Farewell,

Your Father,

Albert R. Parsons

On November 10, 1887, while in his jail cell, Louis Lingg committed suicide by exploding a dynamite cap in his mouth and on November 11, 1887, Albert Parsons, August Spies, Adolph Fisher and Carl Engle were hanged.
.https://teifidancer-teifidancer.blogspot.com/2019/11/commemorating-haymarket-martyrs.html
Lucy brought her two children. Lulu Etta and Albert Jr., to see their father one last time. The police arrested her and her children and took them to jail. They forced Lucy to strip and left her naked in a cold cell with her children while they executed her husband. When they finally released her, she vowed to continue her fight against injustice even though the authorities had killed her husband and she feared that they would kill her too.
 
The immigrant workers of Chicago revered her, politicians reviled her, and the general public maintained an intense fascination with her, all for good reason. Parsons lived a life that was rife with contradictions. She denied that she was of African descent, instead claiming that her parents were Hispanic and Indian.  She remained largely indifferent to the injustices faced by black laborers, focusing her attention on the white workers of Chicago and other big cities. In private, she took lovers after the death of her husband, but in public presented herself as a prim Victorian wife and mother and a grief-stricken widow.  She glorified the bonds of family, yet did not hesitate to rid herself of her son Albert Junior when he threatened to embarrass her by joining the U. S. army. In 1899 she had Junior committed against his will to an insane asylum, where he died twenty years later.
After her husbands death , Lucy came into her own as one of the leading radicals of the day. she continued to spread her anarchist message, and became known for her powerful oratory, urging the laboring classes to “Learn the use of explosives!” to protect themselves from predatory industrialists and police forces.  In describing her, Parsons’s enemies often evoked the Great Chicago Fire of 1871. She was a “firebrand” who delivered “fiery,” “red-hot,” “incendiary,” “inflammatory” speeches that her critics feared would spark a bloody uprising among her followers  
 In 1905 she participated in the founding of the International Workers of the World, in what became known as the 'Wobblies ' She was one of two women, the other being Mary Harris “Mother” Jones,  https://teifidancer-teifidancer.blogspot.com/2012/11/mary-harris-jones-151830-30111930.htmlwho founded the IWW. The union welcomed all workers, regardless of nationality, religion, gender or skill, into its ranks. she believed in their committment  to direct action, which she believed  would inspire a strong working class movement. She was a founding member of the Chicago chapter and wrote for the organization’s paper. Drafted as a speaker at the IWW founding convention, Lucy used this opportunity to speak to the tactics required to end oppression and for success in strikes and outlined her vision:

We, the women of this country, have no ballot even if we wished to use it, and the only way that we can be represented is to take a man to represent us. You men have made such a mess of it in representing us that we have not much confidence in asking you. …

“We [women] are the slaves of slaves. We are exploited more ruthlessly than men. Whenever wages are to be reduced the capitalist class use women to reduce them, and if there is anything that you men should do in the future it is to organize the women. …

“Now, what do we mean when we say revolutionary Socialist?

“We mean that the land shall belong to the landless, the tools to the toiler, and the products to the producers. … I believe that if every man and every woman who works, or who toils in the mines, mills, the workshops, the fields, the factories and the farms of our broad America should decide in their minds that they shall have that which of right belongs to them, and that no idler shall live upon their toil … then there is no army that is large enough to overcome you, for you yourselves constitute the army. …

“My conception of the strike of the future is not to strike and go out and starve, but to strike and remain in and take possession of the necessary property of production. …

“Let us sink such differences as nationality, religion, politics and set our eyes eternally and forever toward the rising star of the industrial republic of labor; remembering that we have left the old behind and have set our faces toward the future. There is no power on earth that can stop men and women who are determined to be free at all hazards. There is no power on earth so great as the power of intellect. It moves the world and it moves the earth. …

“I hope even now to live to see the day when the first dawn of the new era of labor will have arisen, when capitalism will be a thing of the past, and the new industrial republic, the commonwealth of labor, shall be in operation.

She went on to found The Liberator newspaper writing extensively in the newspaper on topics such as worker strikes, industrial conflict, and classism. Parsons believed that revolutionary social change was possible through the empowerment of labor unions. She sought to overthrow capitalism and dismantle the federal government by advocating for the creation of a new society self-managed by workers. In her writings and speeches, Parsons addressed the oppression of women and the working class, and was among the first to address lynchings and racial oppression in the South, but largely arguing that capitalism and the economic conditions were to blame.
While she continued championing the anarchist cause, she came into ideological conflict with some of her contemporaries, including Emma Goldman  over her focus on class politics over gender and sexual struggles,  nevertheless she continued to work with various Labour groups, while raising two children that she had had with Albert. Finding time to organise demonstrations, talking to crowds of workers, for the unemployed, homeless and hungry delivering power passionate speeches against police brutality, judicial murder. Getting involved in the International Labour Defence, fighting for Sacco and Vancetti,https://teifidancer-teifidancer.blogspot.com/2014/08/remembering-sacco-and-vanzetti-executed_23.html Tom Mooney, Scottbro Nine, 9 young African Americans who had become symbols of criminal injustice at the time, and for Women's emancipation,  for free birth control, advocating for organisation of sex workers,and the struggle and rights of the poor and disenfranchised. Preaching justice for the poor by way of revolution. Her radical beliefs prompted the police to arrest her many times but  believing in freedom of speech, she  would spend the rest of her life, fighting the forces that seeked to eliminate her voice.
Continuing to remain active into her eighties, she died in a suspicious house fire on  the 7th of March 1942 her lover, George Markstall, died the next day from wounds he received while trying to save her. She was believed to be 89 years old. It seems she was viewed as a threat to the political order in death, as well as in life,  it was revealed that her ashes barely being cold, the Chicago Police force seized  her entire personal library, in all it's 3,000 volumes,  on sex, socialism and anarchy and turned it over the F.B.I. Most of it would never be seen again, an attempt to whitewash and write her out of history as they tried to rob her of the work of her life.
 Fortunately some of her writings survived, as do her ideas,  fighting strongly for what she believed in, defying both racial and gender discrimination, at the forefronts of movements and battles for social justice, her entire life. She challenged the racist and sexist sentiment in a time when even Radical Americans, believed a woman's place was in the home.Parsons' radical vision for a just society was decades ahead of her time, making her the predecessor for so many women of color who sought to challenge the system.
The legacy of her fight for workers rights, freedom of speech, the African-American, is still a strong influential one. Her voice still resounding against all kinds  of oppression and the forces of capitalism long after her death. She is buried  near her husband in Waldheim Cemetery (now Forest Home Cemetery), Forest Park, Illinois.
 
 For more information on Lucy, The Lucy Parsons Project has a wealth of links including links to Lucy's own writings.

Friday, 5 March 2021

Rosa Luxemburg at 150 : A Revolutionary Legacy

 


Today marks the 150th anniversary of the birth of  Rosa Luxemburg,Marxist theorist, agitator, internationalist, philosopher, economist.Rosa was one of the most famous political figures of the last century. For the international workers’ movement, she is renowned as a dedicated socialist whose sacrifice and theoretical contributions to Marxism make her one of history‘s foremost revolutionaries. The close proximity of her birth date to International Women’s Day (8 March)https://teifidancer-teifidancer.blogspot.com/2019/03/the-socialist-roots-of-international.html means that this year, more than ever, Rosa Luxemburg’s courageous life and revolutionary ideas will be of  continual interest to many.
Rosa Luxemburg was born on March 5, 1871, in the city of Zamosc, Poland, then under control of czarist Russia. Her father, Eliasz Luxemburg, was a prosperous timber trader, who had inherited his business from his father, Abraham. of Polish Jewish descent who became a naturalized German citizen. Rosa’s mother was Lina Loewenstein, the daughter of a traditional rabbi and sister of a Reform rabbi. Rosa, who grew up speaking German, Polish and Yiddish, was the youngest of the couple’s five children. As a young child, she suffered from a hip ailment, which left her permanently afflicted with a limp.
During Poland’s 1863 uprising against Russian rule, Eliasz supplied the independence movement with weapons, so that for several years after the revolt’s failure, he had to remain in hiding from czarist authorities. In 1873, the family moved with him to Warsaw, where Rosa attended the gymnasium. 
Even during high school, Rosa was drawn to politics, becoming active in the Proletariat party, a forerunner to the Polish Socialist party. After several of her comrades in the party were arrested and executed, she decided to pursue her higher education in Switzerland. Luxemburg began at the University of Zurich as a student of zoology but ended up focusing on economics, philosophy and law. Throughout her political career, Luxemburg consistently opposed Polish nationalism, believing that socialist action had to take place on the international level, and that a separate revolution in Poland would be self-defeating.
Similarly, she was opposed to Jewish nationalism or separatism. Though she was sensitive to the problem of anti-Semitism, she was sure it would disappear with the overthrow of capitalism. since 1899,she became an important figure in the world socialist movement, and became involved in the international organisation of workers overcoming physical infirmity and the prejudice she faced as a Jew to become an active revolutionary whose  philosophy enriched every corner of an incredibly productive and creative life.
After finishing her studies in 1898, Luxemburg moved to Germany, gaining citizenship via a marriage of convenience and  became a member of the Social Democrat Party of Germany (SPD),which, unlike the German SPD of today, was developing into a mass party of the working class. At that time, the social democrats had a clear anti-capitalist orientation, invoking Marxist doctrine, she became lleader of the radical wing of the Party , however  she broke with the SPD  after it supported the imperialist drive towards war, she believed in the build up to the First World War that 

' workers blood should not be shed in defence of the capitalist system'.

The 1905 Russian revolution had a profound effect on discussions within the international labour movement, at the time. Although it was crushed, this event strengthened the revolutionary wing. There were extensive discussions about the lessons from 1905, for example, the role of the mass strike.
In the period running up to the 1905 revolution, massive strikes had already shaken the Russian Empire: individual strikes quickly spread like wildfire.Unlike many SPD leaders, Luxemburg enthusiastically supported a new form of workers’ struggle – the mass strike. When revolution broke out in Russia in 1905, she seized the opportunity to study this phenomenon at first hand, hailing it in her book The Mass Strike as : 

“the natural method to mobilise the broadest proletarian layers into action, to revolutionise and organise them” and simultaneously a means “to undermine and overthrow the established State power as well as to curb capitalist exploitation”.She argued that " The mass strike is the first natural, impulsive form of every great revolutionary struggle of the proletariat and the more highly developed the antagonism is between capital and labour, the more effective and decisive must mass strikes become. The chief form of bourgeois revolutions, the fight at the barricades, the open conflict with the armed poor of the state, is in the revolution today only the culminating point, only a moment on the process of the proletarian mass struggle."

Returning to the false separation between economic and political struggle, she pointed out that in a revolutionary period the economic struggle grows into a political one, and vice versa. There is a reciprocal influence between the two, as each enriches and deepens the other. The Mass Strike shows in detail how this occurs; it also demonstrates how completely justified she was to have faith in the ability of the working class to grow and learn and lead the struggle for a better world. Rosa Luxemburg recognised that the political action of a mass strike is one of the most important tools of the working class in its struggle for liberation.
The right-wing of the SPD and the trade union leaders, of the time, rejected this position, arguing that mass strikes are only possible when the entire working class is organised and trade union coffers are filled to the brim.
Though Luxemburg was militant about the idea of proletarian revolution, she was also strongly anti-militarist. She believed in democracy and was an outspoken opponent of the Bolsheviks’ belief that a small cadre of bureaucrats should made political decisions on behalf of the proletariat: Revolution had to be political as well as economic, she felt.
Because of  her socialist agitation during this terrible war , she spent the majority of the years from the outbreak of World War One in 1914 to the revolution of November 1918 behind bars, imprisoned for being one of the very few people in Germany with the courage to speak out against the slaughter unfolding in the trenches. In the Junius Pamphlet, written from her freezing prison cell in early 1915, she painted a vivid picture of the choice she believed humanity faced in those years:

 “Either the triumph of imperialism and the collapse of all civilization as in ancient Rome, depopulation, desolation, degeneration—a great cemetery. Or the victory of socialism, that means the conscious active struggle of the international proletariat against imperialism and its method of war”.

She scolds those who sit quietly as injustice is done: 

" Violated, dishonored, wading in blood, dripping filth – there stands bourgeois society. This is it [in reality]. Not all spic and span and moral, with pretense to culture, philosophy, ethics, order, peace, and the rule of law – but the ravening beast, the witches’ sabbath of anarchy, a plague to culture and humanity. Thus, it reveals itself in its true, its naked form."

After Germany's defeat she was released, and with her friend Karl Liebnecht,  formed the anti war Spartacist league, and  she assumed the leadership of the radical independent socialists. Her will and her desire was to see an end to all exploitation and oppression.
Her faith was a socialist idea  that  combined the powerful passion of both mind and heart. She devoted herself to the cause of revolution,and its preparation. She lived and breathed its fire, with selflessness and devotion, in every waking moment she dedicated herself to its cause.  Standing bravely up for freedom with a  strong powerful intellect. An individualist, she formulated her own ideas, using her own words to energise and radicalise the people and bring about a socialist revolution. 
She followed no leader, was no ones puppet and while Rosa was enthusiastic about the Russian revolution, she nevertheless criticized Lenin, her lifelong comrade, for his concession of democracy and centralist tactics such as the dissolution of the Provisional Government and Constituent Assembly. Luxemburg defended democracy as an integral part of  the process of revolution as well as its goal. When  she criticised Lenin,  it was in relation to dictatorial aspects. She said " Terror has not crushed us. How can you put your trust in terror."

 She quoted Leon Trotsky saying

 "As Marxists we have never been idol worshippers of formal democracy." She went on "All that really means is: We have always distinquished the social kernal of social inequality and lack of freedom hidden under the sweet shell of formal equality and freedom - not in order to reject the latter but to spur the working class into being satisfied with the shell, but rather, by conquering political power, to create a socialist democracy to replace bourgeois democracy - not to eliminate democracy altogether....... but socialist democracy is not something which begins only in the promised land, after the foundations of socialist economy are created, it does not come as some sort of Christmas present for the worthy people who, in the interim, have loyally supported a handful of socialist dictators. Socialist democracy begins simultaneously with the beginnings of the destruction of class rule and the construction of socialism. It begins at the very moment of the seizure of power by the Socialist party. It is the same thing as the dictatorship of the proletariat. Yes, dictatorship! But this dictatorship consists in the manner of applying democracy, not in its elimination, but in energetic, resolute attacks upon the well-entrenched rights and economic relationships of bourgeois society, without which a socialist transformation cannot be accomplished. But this dictatorship must be the work of the class and not of a little leading minority in the name of the class - that is, it must proceed step by step out of the active participation of the masses, it must be under their direct influence, subjected to the control of complete public activity; it must arise out of the political training of the mass of the people."

Possibly her  believe in democracy is what failed her philosophically, nevertheless the questions she posed still worth looking at today. She also wrote " the revolution is the sole form of war, and this is also its most vital law - in which the final victory can be prepared only by a sense of defeat.".
She had determination by the buckets and a steely willful commitment.She herself took part  in  revolutionary events , recognising the need of a revolutionary party, which could unite and give a lead in a revolutionary situation, seeing  socialism as a movement of the proletarian masses that should emphasise unity and equality rather than highlight the oppression of any particular group, with an undogmatic commitment to an unfinished notion of freedom that still appeals to many people today.
In November 1918 after four years of war, German society crumbled both at the front at home, and a revolutionary fervour swept the land, the working class took to the streets in a series of strikes and the navy mutinied., though critical with some demands of the revolutionary movement, Rosa threw in her lot with her comrades, believing that she could not simply wait on the sidelines. Subsequently on the night of January 15, 1919 she  and  Liebnecht were abducted, tortured in the luxury Hotel Eden, and then driven seperately to the nearby Tiergarten Park and murdered, Liebknecht was delivered to the  city morgue while Luxemburg’s skull was smashed by a rifle butt and her body dumped into Berlin’s Landwehr canal. They were both 47.
Her body was only recovered five months later after the winter ice had thawed. She was buried next to Liebknecht in the Friedrichstelde Cemetery.
Famously on the evening of her murder almost certainly knowing that her fate was sealed she wrote.

'"The leadership has failed. Even so, the leadership can and must be recreated from the masses and out of the masses. The masses are the decicive element, they are the rock on which the final victors of the revolution will be built. Order reigns in Berlin! Your 'order' is built on sand. Tomorrow the revolution will already raise  itself with a rattle and announce with fanfare, to tour terror; I was, I am, I shall be!"

 The murders of Luxemburg and Liebknecht were a major blow to the immediate hopes of the German (and by extension, the world’s) working class. But Luxemburg’s legacy as a revolutionary activist and theorist couldn’t be extinguished so easily. Her ideas, whether on the question of reform versus revolution, the significance of the mass strike or the civilisation-threatening barbarism of imperialist war, are as relevant today as ever.
Today 150 years after her birth she has left an indelible mark on history,  her ideas can be pressed into many meanings. There is a feminist Rosa, an anarchist Rosa, then there is a red Rosa, but she remains an icon in the truest sense of the word.  “She was the sharp sword, the living flame of revolution.” So wrote Clara Zetkin in her obituary for her close friend and comrade, Rosa Luxemburg. The words are a fitting tribute to a woman who was an outstanding leader of the socialist movement who never shied away from speaking her mind..
She has become part of Germany's cultural memory, immortalised in art, poetry, an award winning biopic, a musical and a graphic novel. And in her own words too, as well as being a brilliant Marxist theorist. Luxemburg was a prolific writer of letters, and her emotive lyrical writing has seen her emerge as a literary figure in her own right. Here's to Red Rosa, lets hope her spirit is not forgotten. Peace, bread, roses, Her revolutionary socialist politics endure because the struggle against barbarism remain as relevant as ever.

Here is poem written by Bertolt Brecht in 1920 about Rosa.

About the drowned girl - Bertolt Brecht

As she drowned, she swam downwards and was borne,
From the smaller streams to the larger rivers,
In wonder the opal of the heavens shone,
As  if wishing to placate the body that was hers.

Catching hold of her were the seaweed , the algae,
Slowly she became heavy as downwards she went,
Cool fish swam around her legs, freely,
Animals and plants weight to her body lent.

Dark light smoke in the evenings the heavens grew,
But early in the morning the stars dangled, there was light,
So that for her, there remained too,
Morning and evening, day and night.

Her cold body rotted in the waters there,
Slowly, step by step, god too forgot,
First her face, then her hands, and finally her hair
She became carrion of which the rivers have a lot.

 

Luxemburg and Liebknecht are commemorated  every year on the second Sunday of January when red flowers are scattered on their graves.

Red Rosa now has vanished too.
Where she lies is hid from view.
She told the poor what life is about
And so the rich have rubbed her out

- Bertolt Brecht, "Epitaph, 1919"


She was also much admired by Sylvia Townsend Warner (1893 -1978), a musicologist, composer, poet and novelist, who gained little recognition for her poetry during her own lifetime, who once joked, ' I intend to be a posthumous poet!
Like Rosa Luxemburg, she was appalled by the militarism of the First World War. Here is her tribute to Rosa Luxemburg , first published in her 1925 collection The Espalier.

I Bring Her a Flower

Sweet faith
Such looks of quiet hath
That those on whom she’s smiled
Lie down to sleep as easy as a child.


No night,
However dark, can fright
Them, no, nor day
To come, however bleak and fell, dismay.

But sound
Sleep they in prison-bound
As when at liberty
And if they wake, they wake in charity;

Like her,
Who rousing at the jar
Of weary foot in the rain
Pitied the wakeful sentry for his pain.

(1925)
 
 Further Reading

Rosa Luxemburg: A reapraisal - Lelio Besco
Andre Deutsch, 1975.

Rosa Luxemburg: A life
- Elizvieta Ettinga , Beacon Press 1987.

The letters of Rosa Luxemburg, Verso

The essential Rosa Luxemburg :Reform or Revolution and the Mass Strike

Red Rosa;a Graphic  biography of Rosa Luxemburg - Kate Evans. Verso


"either capitalism will continue, with fresh wars and a rapid plunge intp chaos and anarchy, or else capitalist exploitation will be abolished." Rosa Luxemburg 14/12/18 Rote Fahne

"Revolutionary idealism .... can be maintained over any period of time only through the intensely active life of the masses themselves under conditions of unlimited freedom." Rosa Luxemburg

" Being human means throwing  your whole life on the scales of destiny when need be."Rosa Luxemburg

Wednesday, 3 March 2021

Rishi Sunak's Budget for the few

 

Today, Rishi Sunak. the multi-millionaire Tory Chancellor, delivered his budget  in the House of Commons. It was a budget for the few. It was a budget  that did not meet the needs  of the British people or our  brilliant public services. It was a budget that papered over the cracks and that failed to build the foundations of recovery. Once again  letting down the country and the people that they should be serving 
But nothing new here, time and time again  we see how the Tories only look after their friends. They have been found to  have wasted  hundreds of millions of pounds having handed over to companies associated with the Conservative Party, contracts that have failed to deliver for the NHS and essential workers and for public safety.
Millions of people are going to have to pay more in council tax because the Tories have failed to support local councils through this pandemic. Hard hit families and those struggling to get by  are going to face higher bills. meaning may will be pushed into poverty,
If that does not expose their meanness, at the same time the Tories are cutting the international aid budget to the world's most ravage country, Yemen by 50%.  Children in that war torn country are starving and the Tories are cutting their support. This is the reality of Boris Johnson and Rishi Sunak's  vision of a 'global Britain.'
1.3 m lowest paid workers will now pay tax, £7.5bn tax hikes on workers wages, new Autumn furlough and Universal Credit cliff edge, ten's of thousands on legacy benefits ignored The decision to delay the cut to Universal Credit instead of securing incomes in the long term my making it permanent will lead to 26,000 families in Wales not being able to afford essentials in six months time.
There is absolutely nothing for schools, which are struggling  with increased Covid costs, The Tory failure to invest any resources -, staff, space, support-to help make schools safe continues unaltered, The Tory obsession with full reopening of schools is not matched  by any practical support for making it safe and sustainable.
No extra money for a social care system on its knees, no funding lifeline  for councils struggling to provide services holding communities together. 
Even with a crippling 4% rise in council tax, adult social care services, along with other services, will require an additional £1.6 billion of funding just to stand still, let alone restore the funding axed during the last decade. On top of this our NHS front line workers are being forced to accept a pay freeze, after a year of battling the deadly Coronavirus and working to keep us all safe, many of them sacrificing their lives, contracting the virus and dying because Matt Hancock couldn't be bothered to supply proper personal protective equipment (PPE) at the right time, and now they and  other key workers are being rewarded with  the prospect of  serious economic hardship, instead of a pay rise that they more than earned and deserved. Sunak has insulted millions of workers who have seen us through this crisis. Adding insult to injury  Lifetime Allowance on pensions is also frozen. As a consequence many doctors will leave the NHS or reduce their hours.
This while big business and multinational corporations who have made  billions during  the pandemic will get away scot free; because Sunak has backed away from calls to impose a wealth tax. Emergency action  is needed to protect jobs and wages. But instead Sunak intends to shore up profits and wealth, Even in a pandemic the Tories, it seems  protect the ultra-wealthy.and want us to pay for the crisis as the economy recovers from the Covid crisis, while the rich laugh all the way to the bank. 
I'm baffled that Sunak boasts that we need to spend £407 bn to deal with the pandemic, in comparison to other countries who have not needed to spend anything like this, Why? Because they dealt with it all early. 
Keir Starmer's  weak opposition means that Sunak and the Tories can largely get away with real scrutiny and challenge but no amount of trickery can conceal that this budget attacks the poorest, it is after all a Tory budget and  as a result their budget will do nothing to address a decade of economic inequality that they have been responsible for. At end of the day Tories are still bloody Tories. It is a budget of half measures and quick fixes , a budget that does not begin to measure up to the scale of the challenges we face. If not times were not  stressful enough at the moment, these measures will further increase the burden on  the disadvantaged among us,  whose numbers will no doubt  rise as a result of Sunak's ill thought out budget for the few.

Monday, 1 March 2021

Gwnewch y pethau bychain /Do the little things : Dydd Gŵyl Dewi Hapus ! Happy Saint David's Day !

 

Today as has become traditional, I mark St David's Day/ Dydd  Dewi Sant, on the anniversary of St David’s death in 589AD .
I've written previously in more detail here https://teifidancer-teifidancer.blogspot.com/2020/03/some-praise-for-dewi-sant-st-david.html but the  story goes that David's  mother St Non, or Nonitta was raped by Xanctus or Sanctus, Prince of Ceredigion, and the product  of the violation was David. Non, gave birth to her son  on a clifftop during a wild storm. Today the ruins of St Non's Chapel on the Pembrokeshire coast marks  the spot.
St David is rumoured to have been educated in Cardiganshire before making his way to Jerusalem where he was appointed as Archbishop.
After his pilmgrimages he is said to have settled in Glyn Rhosyn (St David’s) in south-west Wales.Here he established a religious community and the cathedral of St David’s became a popular centre of pilgrimage.
 Much of his life story is based on the Buchedd Dewi (Life of David) written by the scholar Rhigyfarch at the end of the 11th century.
Various miracles are attributed to St David, including restoring the sight of his teacher and, most famously, creating an entirely new hill (now the village of Llanddewi Brefi) during an outdoor sermon.
He became a renowned missionary in Wales and beyond, and is credited with founding monasteries in his homeland, the south-west of England (including Glastonbury) and Brittany.
He was named the Archbishop of Wales at the Synod of Brefi church council in 550, but remained in the settlement of Menevia – later named St Davids in his honour – where he had set up a large monastery which is now St David’s Cathedral.
His body was buried at St David’s Cathedral, which became a prestigious site of pilgrimage in the middle ages.
 The cathedral stands today on the site of St David’s 6th century monastic settlement. The cathedral has had a tumultuous past with invasions, earthquakes, royal visits and refurbishments. It stands today in Pembrokeshire as a mighty symbol of religious pilgrimage and as a remarkable reminder of Welsh heritage.
David was officially recognized as a Catholic saint in 1120 and the day of his death was decreed as a national festival in the 18th century.
To mark St David’s Day people around Wales wear one of the two national emblems – the leek or the daffodil.
Like any folklore, there is much speculation as to why these two objects exist as national emblems.
Records suggest that rulers of the Tudor  dynasty introduced its guards to the wearing of leeks on the national day. One story tells of an ancient king who advised men in battle to wear leeks as they fought against the Saxons to help differentiate between them and the enemy.https://teifidancer-teifidancer.blogspot.com/2016/03/the-praise-of-st-davids-day-showing.html
The daffodil, however, was more of a seasonal introduction as their spring sprouting coincides with the national day.
There will be no big St David’s Day Celebrations this year, with Wales remaining under lockdown restrictions.Nevertheless. we will celebrate Wales, our people, our language and the unique culture that we all share.
Google`s iconic logo though gets the annual St David’s Day makeover today marking the national celebration of the Welsh patron Saint.
The Google Doodle as it is known is the latest in a long line of designs celebrating St. David’s Day on the search engines website dating back to 2004.
Google says today’s Doodle that shows the traditional Welsh red dragon curled up in some long grass, with a white castle in the background. which is illustrated by Welsh guest artist Elin Manon was inspired by the legend of Dinas Emrys—one of Wales’ most famous historic tales—celebrating St. David’s Day.
 The artwork relates to a Welsh myth about a Celtic king named Vortigen, who accidentally tried to build a castle on a hillside above the lair of two sleeping dragons – one red, one white.
 He awoke the dragons and they fought, with the red one ending victorious. The red dragon has come to be Wales and St David’s most famous symbol, along with the daffodil, which you can see surrounding the dragon in the doodle.
 Google’s doodle website says “Myth has it that in the fifth century, a Celtic king named Vortigen discovered what he thought was the perfect place to build his castle on the Welsh hillside.’
‘However, Myrddin Emrys (Merlin, the wizard) convinced Vortigen that there was a catch—a large fire-breathing one!’
‘The spot he had chosen was directly above the lair of two slumbering dragons; one red, one white. Upon the castle’s construction, the two dragons were found in a fierce battle.”
“The red dragon emerged victorious and returned to rest in his subterranean lair, allowing Vortigen to complete the building  of his fortress once the dust had settled.”
“The red dragon has since become an immortal symbol of the Welsh people and St. David’s Day, along with the daffodil—the yellow flower surrounding it in the Doodle artwork.”
“Although the tale of Dinas Emrys may sound like nothing but fantasy, a 1945 excavation of the site found remains of a fortress dating back to Vortigen’s time.”
“So take caution if you ever plan to venture to the ruins of Dinas Emrys… you may awaken a dragon.”

The doodle takes pride of place on the Google UK front-page until midnight tonight.

St David's last words  to his followers came from a sermon that he gave on the previous Sunday: 'Be joyful, and do the little things that you have heard and seen me do,The phrase “Gwnewch y pethau bychain” or “Do the little things” are considered to be St David's most famous words, and potentially his final ones and are still a well known maxim here in Wales. St David believed that the people of Wales should do the small, considerate things that often make a big difference. During the difficult days of the pandemic, this is exactly what the people of Wales have been doing, making small sacrifices to keep each one another safe. Doing the little things have made our communities stronger in such dark times. 

 In her St  David's Day message the Bishop of St Davids Joanna Penberthy said :

 " And let all of us, in this difficult time, as St David asks, do the little things. Let us keep the faith of kindness, truthfulness, honesty and justice. St David spent his life nurturing his community. As we gradually come out of Covid, let us work together, wanting for everyone else no more and no less than we want for ourselves. Let us make Wales the place where no one is left behind."

In the latest yearly St. David’s Day Poll, support for Welsh independence has risen again with 11% supporting independence in a multi-option question compared to just 7% last year. The dragon awakens.
 Let's do the little things that can lead to big change. A better society that makes a difference every day. We can offer help to those fleeing from persecution of any kind. We are all beneficiaries of the generosity of others in this Country for many of our ancestors were in desperate need of shelter, safety or simply wanting a better life, and though we may walk different paths and hail from different  beginnings you cannot break the bond  that is our shared national identity. On May 6th. Vote for Wales. Dydd Gŵyl Dewi Hapus! Happy St David's Day everyone!


Wednesday, 24 February 2021

Lawrence Ferlinghetti, Poet, Publisher, Activist and Bedrock of the Beat Generation dead at 101.


 Lawrence Ferlinghetti,,poet, painter, activist, publisher (and co-owner) of the world-famous City Lights Bookstore and literary icon  died on Monday at his home, his son Lorenzo Ferlinghetti said. A month shy of his 102nd birthday, Ferlinghetti died " in his own room," holding the hands of his son and his son's girlfriend, "as he took his last breath." The cause of death was lung disease. Ferlinghetti had received the first dose of the COVID-19 vaccine last week, his son said Tuesday Ferlinghetti epitomized the soul of San Francisco counterculture for generations of artists and writers. As the founder of City Lights, a bookstore and publisher that grew from a small, avant-garde press to a literary institution, he provided a bedrock of support for scores of groundbreaking writers, from the Beat Generation onwards, staunchly defending the work that risked erasure and oppression from authorities.
 
 “We intend to build on Ferlinghetti’s vision and honor his memory by sustaining City Lights into the future as a center for open intellectual inquiry and commitment to literary culture and progressive politics,” City Lights said in a statement“Though we mourn his passing, we celebrate his many contributions and give thanks for all the years we were able to work by his side. 
 
We love you, Lawrence.
 
 Often concerned with politics and social issues. Ferlinghetti's  work countered the literary elites definition of art and the artists role in the world. Though  imbued with the commonplace, his poetry cannot be simply described as polemic  or personal protest, for  it stands  on his craftmanship, thematics and grounding in tradition. An  activist who was  brave enough and daring to challenge peoples beliefs.His life  saw him act as a catalyst for numerous literary careers and for the Beat movement itself, publishing the early work of Allen Ginsberg,Jack Kerouac and Gary Snyder.
Making poetry accessible to all, with his lucid views he has long watered my senses. I've admired his work since getting hold of copy of Penguin Modern Poets No 5 (where he was alongside Ginsberg and Gregorry Corso)https://teifidancer-teifidancer.blogspot.com/2019/04/penguin-modern-poets.html His bookstore quickly became an iconic literary institution that  has embodied social change and literary freedom. A truly remarkable person, and a great inspiration.
The youngest of five children he was born Lawrence Monsanto Ferling in Yonkers, N.Y., on March 24, 1919. His Italian father, an estate agent who changed the family name after arriving in America, died before Lawrence was born. Soon after, his mother was hospitalized with a nervous breakdown and his family was split up.
Lawrence was sent to live with an uncle, Ludovic Monsanto, and his French-speaking wife, Emily, when he was 2. When the Monsantos’ marriage collapsed, Emily took Lawrence to France. When they returned to New York, she put Lawrence in an orphanage (of which his sole memory was "undercooked tapioca pudding") but later retrieved him. 
She took him to live in the Bronxville household of the wealthy Bisland family, which had hired her as a governess. But his life was ruptured again when Emily disappeared mysteriously, never to return.
The Bislands, who had lost a son, coincidentally named Lawrence, raised him like their own. They nurtured a love of books and sent him to private schools, but they were emotionally reserved and Lawrence, who would later dub himself the “Director of Alienation” in one of his poems, often felt lonely.
His happiest time came during the Depression when the Bislands sent him to board with another family, the Wilsons, and attend a Bronxville public school. He formed a close bond with one of the Wilson sons, played sports, had a paper route and was a Boy Scout. He also engaged in minor hooliganism with a group of street youths called the Parkway Road Pirates, whose activities brought certain ironies into his young life:

I got caught stealing pencils

from the Five and Ten Cent Store

the same month I made Eagle Scout

The shoplifting incident ended his idyll with the Wilsons. He was enrolled at the Mount Hermon prep school in Massachusetts, where he led a disciplined life of prayer, work and study. He discovered the work of Thomas Wolfe and later studied at Wolfe’s alma mater, the University of North Carolina at Chapel Hill, where Ferlinghetti earned a bachelor’s degree in 1941.
Later that year, just before the attack on Pearl Harbor, he joined the Navy. He commanded a 30-man submarine chaser, part of the so-called "Donald Duck Navy" of tiny wooden craft, which were nonetheless entitled to call in as many supplies as a battleship – a loophole he used to request a full set of the Random House Modern Library and copious amounts of "medicinal" brandy. The war went by with Ferlinghetti "enjoying every minute of it", until as part of the American occupation in Japan, he toured Nagasaki after the atomic blast that killed 70,000 of its residents. The monstrous sights (“hands sticking out of the mud broken tea cups hair sticking out of the road”) turned Ferlinghetti into a pacifist and political activist.
After the war, he earned a master’s degree on the GI Bill at Columbia University.In 1946 he moved to Paris to study at the Sorbonne where he received a doctorate.he met his future wife, Kirby, on the ship over. They had two children, Julie and Lorenzo, and separated in 1973, but remained close until Kirby's death in 2012. Though Ferlinghetti settled with Lorenzo in North Beach, for much of his life he travelled compulsively. "Why do I voyage so much? And write so little?" he once wrote, on a bus to Mexico. The answer may come from his nomadic childhood., Ferlinghetti moved several times during his childhood. 
In 1951, he arrived in San Francisco, where his work would pave the way for a national literary movement while stoking a vibrant local literary scene.In San Francisco, Ferlinghetti taught French, painted, wrote art reviews and translated the poetry of Jacques Prevert and Guillaume Apollinaire. In a 2019 interview with The Paris Review, he described what he first encountered there:
 
When I arrived in town the only bookstores were like Paul Elder’s, downtown. None of them had periodicals. I felt right from the beginning there was no locus for the literary community. These bookstores all closed at five o’clock, they weren’t open on the weekend. What’s a literary person supposed to do, where is he supposed to go? From the beginning, when Peter Dean Martin and I started City Lights Bookstore in 1953, our idea was to create a locus for the literary community. We used to run a one-inch ad in the San Francisco Chronicle saying, “A literary meeting place since 1953.” That was our original line.
 
He also launched a friendship with Kenneth Rexroth, dean of the avant-garde poets driving the city’s literary scene. whose show on the Berkeley community radio station KPFA captured his imagination. He told Interview in 2012:
 
He didn’t just review books, he knew every possible field-geology, astronomy, philosophy, logic, classics. It was a total education listening to him. It was a radical position. I used to go to his soirees on Friday nght. There were a lot of poets that would show up. He lived in the Fillmore District, which was black at that time. He lived at 250 Scott Street, above Jack’s Record Cellar. Anyway, Friday night soirees at his house were old and young, but just poets. That’s where I met Kerouac and [Neal] Cassady and Gregory Corso . . .
 
Ferlinghetti and Martin each invested $500 to open City Lights Pocket Book Shop in 1953 at 261 Columbus Avenue. The store sold only paperbacks, a bold choice for a time when publishers were not particularly invested in the format; the decision reflected Ferlinghetti’s belief in making literature accessible to a mass audience.The bookshop, renowned for its bohemian atmosphere and vast collections of international poetry, fiction, progressive political journals and magazines  in 1956 spawned a literary press, City Lights Publishers, aiming to encourage an “international, dissident ferment.”
He first encountered Allen Ginsberg’s "Howl" at a reading that same year.https://teifidancer-teifidancer.blogspot.com/2017/10/7th-october-1955-allen-ginsbergs-first.html The following year, City Lights published it. (Ferlinghetti had given notice to the American Civil Liberties Union in advance.) Then, on June 7, 1957, the San Francisco Chronicle ran an intriguing headline on page two: "Bookshop Owner Surrenders." A warrant had been put out for Ferlinghetti's arrest, for printing and selling "obscene" materials.
The prosecutor, a self-proclaimed "specialist in smut cases", ignored Ginsberg's tragic, era-defining portrait of "the best minds of my generation destroyed by madness, starving hysterical naked", instead totting up the four-letter words. Unexpectedly, the judge – a conservative Sunday school teacher – found Ferlinghetti not guilty, declaring that unless a book "is entirely lacking in 'social importance' it cannot be held obscene".


 This victory for freedom of expression would  set a legal precedent for other authors who faced obscenity charges in subsequent years, including William S. Burroughs, D.H. Lawrence, and Henry Miller and cemented the idea of the Beat Generation. .
 Ferlinghetti pointed out that the Beats were self-mythologising from the start, because Ginsberg "was a very clever publicist for his group of poets. Without Allen Ginsberg there would not have been the Beat Generation. It was a creation in Allen Ginsberg's mind."
 He notably did not think of himself as a Beat poet, though others would assign him the label throughout his life; in a 2006 interview with The Guardian, he called himself “the last of the bohemians rather than the first of the Beats.” 
When Ginsberg tried to push  Ferlinghetti to publish more of his friends, he replied: "I'm not out to run a press of Poets That Write Like Allen Ginsberg." To his credit, he didn't. City Lights soon established itself as a vital publisher of progressive, experimental, and high-quality literary projects, City Lights' eclectic list ranged from Denise Levertov. Malcolm Bradbury, William Carlos Williams, Kenneth Patchen and Pablo Picasso. As editor, Ferlinghetti had an eye for talent, sensitivity and patience. He wrote Frank O'Hara https://teifidancer-teifidancer.blogspot.com/2017/07/frank-ohara-poet-of-intensity-and.html postcards for five years saying he would "starve" without a full manuscript for his Lunch Poems, before O'Hara finally handed one over. ("I am very happy that you have stayed hungry," wrote O'Hara. "Lunch is in toaster and I hope you like it.") 
Gregory Corso who he also published,https://teifidancer-teifidancer.blogspot.com/2009/11/gregory-corso-wayward-geniusan.html ( once raided the shop till; Ferlinghetti calmly deducted the cash from his royalties).
Ferlinghetti would also release Jack Kerouac's Book of Dreams, prison writings by Timothy Leary and Frank O'Hara's Lunch Poems. Whist Ferlinghetti had risked prison for Howl, he rejected William Burrough's  classic Naked Lunch worrying that publication would led to 'sure premeditated legal lunacy.
As a gathering space for artists and intellectuals, the City Lights Bookstore its events, along with Ferlinghetti himself, became a hub of collaboration, artistic invention, and literary dialogue.City Lights became a meeting point for Bohemian writers who refused to accept what Ferlinghetti dubbed the "Coca-Colonization" of America. 
City Lights' goal was not to promote "our gang" but to start "an international, dissident, insurgent ferment", open to hepcats and "Red Cats" (Soviet poets) alike. Shunning the "Beat" label, Ferlinghetti always preferred the term "wide-open" – which is how Pablo Neruda, another City Lights poet, described Ferlinghetti's verse when they met in Cuba in 1960.
There, over dinner, Ferlinghetti looked up to see a "big guy with beard wearing fatigues and smoking cigar come out of restaurant kitchen". It was Fidel Castro. The poet realised they had an acquaintance in common: "Soy amigo de Allen Ginsberg." This was enough to win him a "big smile" and a "soft handshake".
A self confessed moral anarchist and socialist, Ferlinghetti  never shied away from making his political beliefs known and using avenues such as poetry to express them. He has been credited with helping to bring poetry out of the academic arena and back to the public. He travelled widely, and in the ensuing years, Ferlinghetti intensified his political activities. He visited Chile and Cuba. He demonstrated against the Vietnam War and was arrested with 67 others, including folk singer Joan Baez, after participating in a 1967 protest at an Oakland Army induction center. Ferlinghetti's activism did not fade away like that  psychedelic summer of '67, it lived on in his words and deeds. In 2012, he turned down a literary award partly funded by Hungary’s government due to concerns about human rights in the country.  , And on  the day in 2003 when the U.S. invaded Iraq, he closed the bookshop in protest.
To be disengaged is to be dead,” he once said in a critique of the Beat philosophy of detachment.
City Lights expanded in 1987 to include a revered poetry room which encourages readers to enjoy their books before purchasing. Ferlinghetti  also defied history. The internet, superstore chains and high rents shut down numerous booksellers in the Bay Area and beyond, but City Lights remained a thriving political and cultural outlet, where one section was devoted to books enabling "revolutionary competence," where employees could get the day off to attend an anti-war protest. 
"Generally, people seem to get more conservative as they age, but in my case, I seem to have gotten more radical," Ferlinghetti told Interview magazine in 2013. "Poetry must be capable of answering the challenge of apocalyptic times, even if this means sounding apocalyptic." 
The bookstore is so important to San Francisco culture that during the coronavirus outbreak, when it was forced to close and required $300,000 to stay in business. A GoFundMe campaign quickly raised $400,000.
Ferlinghetti published more than 30 books of poetry in his lifetime. His work, including the well-known poem “Tentative Description of a Dinner to Promote the Impeachment of President Eisenhower,” often explicitly dealt with the social and political upheavals of the late 20th century,his  collection A Coney Island of the Mind  published by New Directions in 1958, received mixed reviews from critics. Typical was Harvey Shapiro’s critique in the New York Times, which called it “a grab bag of undergraduate musings about love and art, much hackneyed satire of American life and some real and wry perceptions of it.” Yet it remains one of the most-read books of modern American poetry, and is one of the best-selling poetry collections of all time, according to City Lights. A well thumbed copy is among my bookcases. In “A Coney Island of the Mind” he wrote several poems with jazz accompaniment in mind. He recorded two of the poems , “Autobiography” and “Junkman’s Obbligato” with the Cellar Jazz Quintet of San Francisco on a 1957 album with Rexroth called “Poetry Readings in the Cellar.”


Serious critics and even some of his friends dismissed him. Corso and others in the Beat circle “consider me a business man with a loose pen,” he wrote in a letter to Ginsberg included in the 2015 volume “I Greet You at the Beginning of a Great Career: The Selected Correspondence of Lawrence Ferlinghetti and Allen Ginsberg, 1955-1997.”
His admirers (which I definitely consider myself to be one) have been vociferous in their admiration. Well into his 80s, Ferlinghetti performed his poetry on college campuses, where audiences greeted him like a rock star, shouting out the titles of favorite poems. Hundreds showed up at City Lights for his 100th birthday in 2020. To celebrate Ferlinghetti's  birthday, its storefront displayed a line from his manifesto "Poetry as Insurgent Art" (2007): "Paper may burn but words will escape." 
 Among the events at City Lights' was a celebration of Little Boy, Ferlinghetti's newly released, stream-of-consciousness novel. Ferlinghetti had been working on the book for close to a dozen years before it was released in 2019. It was mostly written by hand, due to his dwindling eyesight, but otherwise he was known to be in fairly good health. The book was a fictionalized account of the author’s life growing up. Ferlinghetti's assistant, Garrett Caples, also an editor and poet, said in an interview back then that Little Boy showed how the author filtered through his own experiences as he wrestled with the cosmic questions facing a 100-year-old man, such as "What is life all about?" The publisher Doubesday
said it was “a story, steeped in the rhythmic energy of the beats, gleaming with Whitman’s visionary spirit, channeling the incantatory power of Proust and Joyce.”
Ferlinghetti, tall and bearded, with sharp blue eyes, could be soft-spoken, even introverted and reticent in unfamiliar situations. But he was the most public of poets and his work wasn't intended for solitary contemplation. It was meant to be recited or chanted out loud, whether in coffee houses, bookstores or at campus gatherings. "I have committed the sin of too much clarity,” he told a biographer, reflecting  on the critical neglect. Poetry, he wrote in “Americus, Book I” (2004), “is eternal graffiti in the heart of everyone.
 His other collections include Pictures of the Gone World (1955)  Endless Life(1984)  Selected Poems (1981). These Are My Rivers: New and Selected Poems, 19551993A Far Rockaway of the Heart (1997), Poetry as Insurgent Ar (2007), and Time of Useful Consciousness  (2012). He also  wrote plays, novels and broadsides, notably “Tyrannus Nix” (1969), an attack on the Richard M. Nixon presidency.
Whilst the poets of the Beat Generation garnered much of the attention at the time, Ferlinghetti’s own poetry was based firmly in the lyric, narrative traditions of the past. His theme was often the common man and the broken promise of democracy and how the individual thrives as part of the masses. 
 Few poets of the past 60 years were so well known, or so influential. His books sold more than 1 million copies worldwide, a fantasy for virtually any of his peers, and he ran one of the world's most famous and distinctive bookstores, City Lights. Although he never considered himself one of the Beats, he was a patron and soul mate and, for many, a lasting symbol. 
 Ferlinghetti began his career at a revolutionary time in arts and music. In 1994, he still believed art could make a difference. "I really believe that art is capable of the total transformation of the world, and of life itself," he said. "And nothing less is really acceptable. So I mean if art is going to have any excuse for, beyond being a leisure-class plaything — it has to transform life itself."
Through more than half a century of writing and publishing, Lawrence Ferlinghetti did. 
Despite Ferlinghetti's eyesight being  poor in recent years,  he continued to write and to keep regular hours at City Lights. The establishment, meanwhile, warmed to him, even if the affection wasn't always returned. He was named San Francisco's first poet laureate, in 1998, and City Lights was granted landmark status three years later. He received an honorary prize from the National Book Critics Circle in 2000 and five years later was given a National Book Award medal for "his tireless work on behalf of poets and the entire literary community.
"The dominant American mercantile culture may globalize the world, but it is not the mainstream culture of our civilization," Ferlinghetti said upon receiving the award. "The true mainstream is made, not of oil, but of literarians, publishers, bookstores, editors, libraries, writers and readers, universities and all the institutions that support them."
"Poetry should be dissident and subversive and an agent for change" wrote Ferlinghetti in his 2007 book, Poetry as Insurgent Art "Question everything and everyone, including Socrates, who questioned everything, Strive to change the world in such a way there is no need to be need dissident, A natural-born nonviolent enemy of the state,"
 Ferlinghetti also suggested that every poet must decide whether birdsong is joyous or sad, "by which you will know if you are a tragic or a lyric poet". Readers of Ferlinghetti's poetry, often funny, always alive with music, and "constantly risking absurdity" – might have imagined him to be in the lyric camp. But the final words of Little Boy make his choice clear: "the cries of birds now are not cries of ecstasy but cries of despair"..
Throughout Ferlinghetti’s long life, the revolutionary poet and born maverick had been beholden to none. Part of his nonconformist side was revealed in the courage he displayed in defending freedom of the press at a time when few did so. A poet and publisher with a conscience, producing clear, direct, redeeming work about social responsibility, beauty, and spirit. Ferlinghetti’s poetry welcomed me and millions of readers to art and the idea that it can have a meaningful impact on the world.As an iconoclast and provocateur, he actually shared the same principles as the beats, in that poetry and literature and poetry can serve as a cultural counterforce for change
And though  saddened immensely by his passing, Ferlinghetti at least gracefully outlived all his flashier friends and contemporaries. He never disintergrated ,like Jack Kerouac into 'drunk uncle ; rants about how 'hoodlums and communists' were infiltrating his Beat movement,; and he never grew obsessed with his own mythology, like Allen Ginsberg, endlessly recounting how the 'best minds' of his generation just coincidentally happened to hang out with him. He was a  modest man of great dignity. And unlike many Fifties-era radicals, Ferlinghetti never shrank from promoting socialist principles on the world stage as a poet, an activist, a publisher and a businessman, repeatedly calling out the crimes of the American empire, from Eisenhower and Johnson to Obama and Trump,
Ultimately Ferlinghetti deployed his many talents in support of world peace, equality and justice, subsequently his  rich legacy is guaranteed, he will forever be remembered  as a significant figure in contributing to the betterment of society.  Ferlinghetti is survived by his son, Lorenzo; a daughter, Julie Sasser; and three grandchildren. In  these dark days  I am reminded that some manifestos still matter,  thank you Lawrence Ferlinghetti, Rest in power. 
 .
Populist Manifesto No,1 - Lawrence Ferlinghgetti  (1976) 
 
 Poets, come out of your closets,
Open your windows, open your doors,
You have been holed-up too long
in your closed worlds.
Come down, come down
from your Russian Hills and Telegraph Hills, 
your Beacon Hills and your Chapel Hills,
your Mount Analogues and Montparnasses, 
down from your foothills and mountains, 
out of your teepees and domes. 
The trees are still falling
and we’ll to the woods no more. 
No time now for sitting in them 
As man burns down his own house 
to roast his pig
No more chanting Hare Krishna 
while Rome burns.
San Francisco’s burning, 
Mayakovsky’s Moscow’s burning 
the fossil-fuels of life. 
Night & the Horse approaches
eating light, heat & power, 
and the clouds have trousers. 
No time now for the artist to hide 
above, beyond, behind the scenes, 
indifferent, paring his fingernails, 
refining himself out of existence
No time now for our little literary games, 
no time now for our paranoias & hypochondrias, 
no time now for fear & loathing, 
time now only for light & love. 
We have seen the best minds of our generation 
destroyed by boredom at poetry readings. 
Poetry isn’t a secret society, 
It isn’t a temple either. 
Secret words & chants won’t do any longer.
The hour of oming is over, 
the time of keening come, 
a time for keening & rejoicing 
over the coming end
of industrial civilization
which is bad for earth & Man.
Time now to face outward 
in the full lotus position 
with eyes wide open, 
Time now to open your mouths 
with a new open speech, 
time now to communicate with all sentient beings, 
All you ‘Poets of the Cities’ 
hung in museums including myself,
All you poet’s poets writing poetry 
about poetry, 
All you poetry workshop poets 
in the boondock heart of America, 
All you housebroken Ezra Pounds, 
All you far-out freaked-out cut-up poets, 
All you pre-stressed Concrete poets, 
All you cunnilingual poets, 
All you pay-toilet poets groaning with graffiti, 
All you A-train swingers who never swing on birches, 
All you masters of the sawmill haiku in the Siberias of America, 
All you eyeless unrealists, 
All you self-occulting supersurrealists, 
All you bedroom visionaries and closet agitpropagators, 
All you Groucho Marxist poets 
and leisure-class Comrades 
who lie around all day and talk about the workingclass proletariat, 
All you Catholic anarchists of poetry, 
All you Black Mountaineers of poetry, 
All you Boston Brahims and Bolinas bucolics, 
All you den mothers of poetry, 
All you zen brothers of poetry, 
All you suicide lovers of poetry, 
All you hairy professors of poesie, 
All you poetry reviewers 
drinking the blood of the poet, 
All you Poetry Police –
Where are Whitman’s wild children, 
where the great voices speaking out 
with a sense of sweetness and sublimity, 
where the great new vision, 
the great world-view, 
the high prophetic song 
of the immense earth 
and all that sings in it 
And our relations to it –
Poets, descend 
to the street of the world once more 
And open your minds & eyes 
with the old visual delight,
Clear your throat and speak up, 
Poetry is dead, long live poetry 
with terrible eyes and buffalo strength. 
Don’t wait for the Revolution 
or it’ll happen without you, 
Stop mumbling and speak out 
with a new wide-open poetry 
with a new commonsensual ‘public surface’ 
with other subjective levels 
or other subversive levels, 
a tuning fork in the inner ear 
to strike below the surface. 
Of your own sweet Self still sing 
yet utter ‘the word en-masse –
Poetry the common carrier 
for the transportation of the public 
to higher places
than other wheels can carry it. 
Poetry still falls from the skies 
into our streets still open. 
They haven’t put up the barricades, yet, 
the streets still alive with faces, 
lovely men & women still walking there, 
still lovely creatures everywhere, 
in the eyes of all the secret of all 
still buried there, 
Whitman’s wild children still sleeping there, 
Awake and walk in the open air
 
 

Monday, 22 February 2021

Sailing against the wind


(Dedicated to Matt Hancock)

Life is a constant battle, in the evening it's always dark
Old friends and lovers, gone forever, now just a spark,
On worlds stage, games play on, degrees of separation
In times of sorrow some planting seeds of division,
Leaving afternoons of waiting, searching for meaning
To sustain and nurture, overtake certain kinds of feeling,
While many in amazement gaze as truth lays bare
Tory Politicians mangling without a fucking care,
Liars and thieves in control that  keep on deceiving
The darkness takes hold, after voices distorting,
We must remember to find strength, never stop fighting 
As springs flowers and releases beautiful offering,
Best keep hanging around and know where to cast the blame
Beyond their deceit, we have no need to hang heads in shame,
Full of hearts of anger, running empty on fuel
The flicker of hope, keeps delivering beyond the gruel,
We cant afford to let go, until the shit finally ends
Cling on to the power of veracity that always extends.

Sunday, 21 February 2021

Can't Get You Out of My Head - An Emotional History of the Modern World (2021)

 

The highly anticipated new work from journalist and Bafta award-winning filmmaker, Adam Curtis  premiered exclusively on BBC iPlayer on 11 February 2021.
Spanning eight hours over six episodes, the series presents an audacious and frequently mind-boggling attempt to explain how we got to the present moment: turbulent and chaotic times in which nothing ever fundamentally seems to change, during which those in power have lost the ability either to make sense of it or offer a way out to something better. It is an exploration of how, throughout history, different characters from all over the world have sought to break through the stasis and corruption of their time and transform reality – and how very often in so doing, have unleashed powerful forces that would ultimately lead to their destruction. And why both those in power - and we - find it so difficult to move on.
The films trace different forces across the world that have led to now, not just in the West, but in China and Russia as well. It covers a wide range - including the strange roots of modern conspiracy theories, the history of China, opium and opiods, the history of Artificial Intelligence, melancholy over the loss of empire and, love and power. And explores whether modern culture, despite its radicalism, is really just part of the new system of power.
Adam Curtis says: “These strange days did not just happen. We - and those in power - created them together.”
The world is an exciting, maddening and confusing place. As a documentary-maker and visual historian, Adam Curtis' films have been a perfect cipher for those elements to run wild. Packed with eclectic soundtracks and images that tantalise, horrify and baffle, allied to Curtis' simultaneously soothing and scary narration of his own scripts, his work begins with a grand theme and aims to throw as much at the wall as possible in order to build up a picture that persuades the viewer of his case.
The joy of an Adam Curtis film resides in following his journey which is never less than richly coloured and compactly detailed, with surprising (and yes, extraordinary) stories of those who often played a marginal role alongside the real players of history. So we have the tragic arc of Mao's seemingly Machiavellian wife Jiang Qing, or social activist Michael X, the UK's wannabe Malcolm X, who ended up paying a terrible price for his own vaulting ambitions and psychological flaws.
We are indeed living through strange days. Across Britain, Europe and America societies have become split and polarised. There is anger at the inequality and the ever growing corruption - and a widespread distrust of the elites. Into this has come the pandemic that has brutally dramatised those divisions. But despite the chaos, there is a paralysis - a sense that no one knows how to escape from this.
 Few documentary filmmakers care more about music than Adam Curtis. Since his award winning 2002 film, The Century of the Self, Curtis’ baroque style has returned – year on year – to haunt the BBC airwaves like a spectre, each time supported by an extraordinary soundtrack. Reportedly, Curtis delayed the release of his new six-part series, Can’t Get You Out of My Headbecause he couldn’t think of the right song to end it on. 
If you sit down to Can't Get You Out Of My Head to receive all the answers about this mystifying planet, ultimate frustration lies in wait.Adam Curtis is after all a  populist and a lot of what he offers  is pure escapism.and a form of ambient soup. But nevertheless does allow us to learn some intriguing unheard stories and raise many  questions  it's also totally mesmerising, so different from the norm that we usually see, so much needed right now in the current climate, so cheers Adam Curtis.

All episodes available now on BBC iPlayer.