If you tolerate this your children will be next - Manic Street Preachers

 

Madrid. The ‘Military’ Practice of the Rebels. If you tolerate this your children will be next. The dead body of a young girl, with numbered labels for identification, against the background of a clouded sky across which aeroplanes fly in formation. Copyright: © IWM. Original Source: http://www.iwm.org.uk/collections/item/object/1122

The Manic Street Preachers released If  You  Tolerate  This Your Children Will Be Next from their massive selling fifth album ‘This Is My Truth Tell Me Yours’ on this day in 1998 which  managed to reach No 1.The Song is a beautiful and meaningful one  about the Spanish Civil War and the Welshmen who joined the International Brigades to Spain in the 1930s to fight against General Francisco Franco's fascist forces: roughly 200  welshmen went to join the fight, with 33 losing their lives.
All four members of the original band were born and raised in Blackwood, a Rhymney Valley community in South Wales. The 1984-5 miners’ strike had marked their childhood. The cover design for the CD featured a group photograph of the Welsh fighters, members of the ‘volunteers for liberty’, taken before the battle of Ebro in July 1938.

 Welsh Volunteers of the XV International Brigade before the Ebro offensive, 1938 – photo from the South Wales Coalfield Collection at Swansea University

The song lyrics include not only a repeat of the words on the poster in the chorus but also quote the remark allegedly made by one of the Welsh volunteers Tom Thomas from, Bedllinog when asked if he wanted to fight in Spain: ‘If I can shoot rabbits then I can shoot Fascists.’( as quoted in Miners Against Fascism by Hywel Francis, )  and refers to the young idealists who swapped shooting rabbits in  the country side for shooting fascists in the battlefields of Spain.
Another line "I've walked Las Ramblas but not with real intent" brings to mind the account of Georgee Orwell's  first hand account of the war "Homage to Catalonia! and of fighting on the Ramnblas.
The response in Wales was largely provided by the South Wales Miners' Federation and the Communist Party and eventually supported by a broad coalition including the Labour Party, Liberals, some Welsh writers, academics and teachers.
One of the first to recognise the growing threat of fascism was Labour MP Aneurin Bevan who, as early as 1933, formed an anti-fascist workers militia - the Tredegar Workers' Freedom Group.
The 200-or-so Welsh men who volunteered to fight in Spain represented the largest regional industrial grouping within the British Battalion of the International Brigades; only one Welshman fought for the fascist forces led by General Franco.
They were Communist or Labour in sympathy, largely from the central valleys of the Rhondda, Cynon and Taff although there were also volunteers from the north Wales coalfield, the coastal towns of the south and rural areas.
Some became famous in later life as trade union leaders, notably Will Paynter and Tom Jones, known subsequently as Twm Sbaen throughout the labour movement.
The title of the song comes from a harrowing  recruiting poster created and released by the newly formed Propaganda Ministry of the Spanish Republican government in November 1936 that showed images of carnage caused by Francos's Nationalists..Possibly the most famous poster from the Spanish Civil War in Britain, the broader European threat is once more a salient theme in Madrid: The ‘Military’ Practice of the Rebels. Circulated in Britain and France, this poster also directly confronts the audience with the dangers of European fascism and total warfare. The subtitle, ‘If you tolerate this your children will be next’, as used as title for the Manic's song  addresses the viewer with a call to arms, this threat to the children of Britain reinforced by the death of a Spanish girl. The bombers in the background fly in formation to the top left of the poster, or to the northwest of Spain, towards British shores. The planes are, however, not the central focus of this poster. The image of child ‘4–21: 35’, once more taken from ¡Asesinos!, may at first look not to be dead; she is ‘facing’ the camera, almost looking out. On closer examination, the reality of the image and its implications with regards to this new form of warfare are realised by the viewer. This photograph provides the ‘ce n’est pas ça’ of that which has been lost and is now absent, through the inability of the dead girl to return the look of the viewer. The text, though, reiterates ‘reality’ or ‘thereness’ – the ‘ça’ of the situation cannot be ignored, this is happening – and adds the secondary messages of propaganda of agitation: a call to arms in order to protect the basic needs of the people, in this instance, security.
For many it was not just a war to defeat the fascists it was the beginning of a new society. A revolution in fact, unfortunately revolutions do not succeed when the people are divided. There are many lessons to be learnt from this struggle, a struggle that continues to do this day. What the world did or refrained from doing had terrible consequences. Britain and France helped Franco indirectly and Germany and Italy directly. Later came Russia. No country (Except for Mexico perhpas) took side with the legitime government. What happened next was WWII and we all know how that went. So if you tolerate this your children will be next (And in fact they were).
Lets not forget all those who were killed serving with the International Brigades who nobly fought bravely in a spirit of solidarity, and political and moral awareness to try and save us from fascism's threat that still sadly lingers and haunts us  today.The dark shadow cast by the Spanish Civil war, still matters, and the wound inflicted on Spain still within living memory for many has yet to close.
Thia powerful song serves to remind  us that we must continue to resist oppressive forces  and fascism, with our shout of no pasaran and remember to stand for something , otherwise you will fall for anything.

 If you tolerate this your children will be next. - Manic Street Preachers

The future teaches you to be alone
The present to be afraid and cold
"So if I can shoot rabbits then I can shoot fascists"

Bullets for your brain today
But we'll forget it all again
Monuments put from pen to paper
Turns me into a gutless wonder

And if you tolerate this then your children will be next
And if you tolerate this then your children will be next
Will be next, will be next, will be next

Gravity keeps my head down
Or is it maybe shame
At being so young and being so vain

Holes in your head today
But I'm a pacifist
I've walked La Ramblas but not with real intent

And if you tolerate this then your children will be next
And if you tolerate this then your children will be next
Will be next, will be next, will be next, yeah will be next

And on the street tonight
An old man plays with newspaper cuttings of his glory days

And if you tolerate this then your children will be next
And if you tolerate this then your children will be next
Will be next, will be next, will be next

Under the Influence

Music - (noun):The glue that's holding this chaos together. A universal language recognised by all sentient beings.

Music releases comfort, cancels out the dark, non sectarian, flies over walls, liberating minds with pulse of freedom, when life is crap can soothe.Releasing satori breath, without cancelling anger. At home I still play my old records, that take me to uncontrolled steeples heights, punk, jazz and blues, some reggae and soul,psychedelic adventurers, world music cosmanauts, celtic flowers spinning with benediction. Waves of now in deep communication.

Entrapping time, drowning misunderstanding, in magical perfume, atoms of infinity. supplicants of memory, returning me to,gardens of youth. Round and round, paint the sky, with saluted cadence, discharging smiles, floods of necessity, time capsules of electricity, cicada's voice rumbles on, ringing out loud, doubling horizon, opening windows of perception, rhythms endless stream, resurrecting and carrying.

Transistors of heart's beat, that feed my faith,among pastures of endurity, tides that release our dancing feet, floating on rivers of delight. Oceans of sound,melding endlessly in gracious flight, releasing the blossom of chords and notes, enough to sustain and warm as melodies and songs continue to explode on tonque.

Music can collectively unite us all Where war has raged, people need everything to return to life: food, water, shelter, clothing, medicine. But more than anything, people need hope. To reconcile, people need empathy. To heal, people need connection and community.

Music creates empathy, builds connection, can convey important messages and ideals that people can truly listen to, that gives hope allowing people to come together and become powerful forces for change. The music of change is blowing through all Continents. Soak it in.

Happy Birthday Ray Bradbury (22/08/20 - 5/6/12) - Everyone must leave something behind.

Ray Bradbury, known for his imaginative and evocative tales of Martian lands and sinister carnival characters, was born  100 years ago today.In his lifetime Bradbury wrote hundreds of stories, a number of screenplays, and over two dozen novels,of subtle genius including The Martian Chronicles, The Illustrated Man, Dandelion Wine,and I sing the body electric. earning Bradbury a place within the canon of modern Western literature. Long have I been an admirer of his work. Here is a link to a piece I wrote  several years ago when I heard about his death , :-https://teifidancer-teifidancer.blogspot.co.uk/2012/06/ray-bradbury-220828-5612-rip-something.html A beautiful, writer, of gentle, probing, persuasive thought best known as a science fiction author, Ray Bradbury’s writing was courageous and visionary, combining poignant social criticism..
His  novel Farenheit 451, which came out in 1953 at the height of the “Red Scare” period most memorably exemplified by Senator Joseph McCarthy’s vicious, witch hunt against supposed communists and communist sympathizers which included attempts to remove suspect books from public libraries. This was also the period of the Hollywood blacklist, with many actors, directors, and screenwriters being banned from working on Hollywood films or television. Although Bradbury has said that the book-burnings in Fahrenheit 451 were inspired by the 1933 Nazi book-burnings, he was much more likely inspired by the censorship that accompanied the Red Scare of his own era.
Set in a bleak, dystopian future,where we find Guy Montag, the main protoganist, a fireman,whose main focus isn’t to fight fires, but to start them. In order to control information and its dissemination, the government has banned books. Anyone found in possession of them is subject to having their house burned to the ground by the fire department.
In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television “family.” But then he meets an eccentric young neighbor one Clarisse McClennan , who introduces him to a past where people didn’t live in fear and to a present where one sees the world through the ideas in books instead of the mindless chatter of television.
When Mildred attempts suicide and Clarisse suddenly disappears, Montag begins to question everything he has ever known.He  become disillusioned with the societal distractions his wife had engaged in and  becomes fascinated with the people who hide and defend the books he is ordered to destroy. As such, he begins secretly hoarding books from the houses he is sent to destroy.Towards the end, Montag is befriended by individuals who have been labeled outcasts for their love of books and knowledge. Montag is speaking with one of them, named Granger, who delivers the following message :

"Everyone must leave something behind when he dies, my grandfather said. A child or a book or a painting or a house or a wall built or a pair of shoes made. Or a garden planted. Something your hand touched some way so your soul has somewhere to go when you die, and when people look at that tree or that flower you planted, you're there.
It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away.It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime....


- Ray Bradbury - Farenheit 451.

This end signified a turning point from hoplessness to hope, but the message of the book still powerfully acts today as a warning, teaching us not to accept what we are told is right or wrong as governments around the globe today continue today to suppress knowledge and the free flow of information. We  must keep on clinging to the freedom to read, the freedom of ideas, and the freedom of communication.
The gardeners to  be remembered, leaving their marks of unfettered imagination, seeds of the future to be forever  cherished and treasured. Everyone must leave something behind! Happy birthday, Ray Bradbury.

Stop Arming Israel : National Day of Action

 

Palestinian rights campaigners will gather across Britain on Saturday to protest against this country’s complicity in arming Israel.
The day of action comes on the sixth anniversary of Israel’s 51-day bombardment of the Gaza Strip, which killed 2,200 people — nearly a quarter of them children.
Israeli forces attacked densely populated civilian areas, destroying 18,000 residential units and leaving over 100,000 Palestinians homeless.
Despite widespread condemnation of Israel’s deliberate and systematic targeting of the civilian population of Gaza, including by the United Nations, Human Rights Watch and Amnesty International, Britain continues to arm Israel. According to Campaign against Arms Trade (CAAT) between 2014 and 2018, the UK issued individual licenses for £364 million worth of military equipment and technology for export to Israel, as well as 20 open licenses, allowing unlimited deliveries over a 3-5 year period. In addition, the UK continues to purchase high-tech weaponry from Israel, advertised as battle-tested on the Palestinian people. As Israel continues to murder Palestinians with impunity, Palestinian civil society has called for effective action to hold Israel to account, including for a two-way arms embargo now.
But the chain of complicity runs deeper than the government. As revealed by research that shows both UK universities and local government pension funds invest in companies complicit in Israel’s war crimes, including companies that supply weapons to Israel.
In addition, financial institutions such as HSBC invest and provide financial services worth millions to companies that supply Israel with weapons. Including BAE Systems and Raytheon. Weapons with both BAE and Raytheon components were used in 2014. All institutions have a moral duty to end their complicity now. They must all #StopArmingIsrael
Meanwhile, the latest Israeli military offensive has now been pounding Gaza with air strikes and artillery for more than 10 days.Israel uses military force to maintain its oppression of Palestinians. It targets people with tear gas grenades, rubber-coated bullets and live ammunition, and carries out mass arrests, house demolitions and extrajudicial executions. This brutality lies at the heart of Israel’s systematic violations of Palestinian rights, amounting to serious breaches of international law, and even war crimes. Gaza officials are currently warning of disruptions to Gaza's only power plant , leaving residents with just a few hours of electricity per day after Israel cut fuel supplies to Gaza's only power plant.
Manchester Palestine Solidarity Campaign’s Norma Turner said: “Today, we are calling on people to not just demonstrate but head straight for those most complicit in these crimes, especially the arms factories and offices of Elbit Systems, Israel’s largest weapons-maker, which makes the majority of the drones that kill so many Palestinians.
“Companies like Elbit shouldn’t be profiting, they should be punished and banished, given the murder and injury their weapons are being used for.”
Adie Mormech of Manchester Palestine Action warned that Israel is using Gaza as a laboratory for the development of its weapons.
He said: “Just like for the fight against apartheid South Africa, we must stand in the way of such a grotesque industry that thrives on the devastation, loss and trauma that people like the Palestinians face every single day.”

A full list of demonstrations can be found here: palestinecampaign.org/events/stop-arming-israel-national-day-of-action-2/

 Help  increase the pressure on the UK government to end its arms trade with Israel and its complicity in Israel’s occupation and war crimes: email your MP to demand a two-way arms embargo on Israel.

Nat Turner (2/10/1800 -11/11/31) His Legacy of Rebellion Remembered.

Nat Turner was born October 2, 1800 in slavery on a plantation  of Benjamin Turner in Southampton County.Virginia, about twenty miles from the North Carolina border. His mother was named Nancy, but nothing is known about his father. 

Over the years, Turner worked on a number of different plantations. Turner's experience was typical of slaves on southern plantations. He had little freedom; he could not legally marry, travel without his master's permission, own property, or earn money. He was forced to work long, hard hours in the fields for meager rations of food and clothing, and if he refused he faced the whip or other punishment. And, like many slaves, Turner was sold several times to different masters. Each time, he was forced to leave family and friends and move to a different plantation. It was this brutal, demeaning, system of slavery that Nat Turner sought to overthrow. He sought not only his own freedom, but to dismantle the entire system of slavery and liberate African Americans from white tyranny.  

In his twenties, Turner was a spiritual leader among his fellow slaves, and many people, including his mother and grandmother, believed that he had been chosen by God to do great things. Then, in the 1820s, he had a series of visions through which he believed God was commanding him to prepare himself for a great battle against evil. During the religious revivals of the Second Great Awakening, many Americans from all walks of life experienced visions or believed that God spoke directly to them, and Nat Turner’s belief that God had destined him for a special purpose reflected the religious fervor of his time. 

In 1821, Turner ran away from his overseer, returning after thirty days because of a vision in which the Spirit had told him to "return to the service of my earthly master." The next year, following the death of his master, Samuel Turner, Nat was sold to Thomas Moore. Three years later, Nat Turner had another vision. He saw lights in the sky and prayed to find out what they meant. Then "... while laboring in the field, I discovered drops of blood on the corn, as though it were dew from heaven, and I communicated it to many, both white and black, in the neighborhood; and then I found on the leaves in the woods hieroglyphic characters and numbers, with the forms of men in different attitudes, portrayed in blood, and representing the figures I had seen before in the heavens."  

On May 12, 1828, Turner had his third vision: "I heard a loud noise in the heavens, and the Spirit instantly appeared to me and said the Serpent was loosened, and Christ had laid down the yoke he had borne for the sins of men, and that I should take it on and fight against the Serpent, for the time was fast approaching when the first should be last and the last should be first... And by signs in the heavens that it would make known to me when I should commence the great work, and until the first sign appeared I should conceal it from the knowledge of men; and on the appearance of the sign... I should arise and prepare myself and slay my enemies with their own weapons." 

At the beginning of the year 1830, Turner was moved to the home of Joseph Travis, the new husband of Thomas Moore's widow. His official owner was Putnum Moore, still a young child. Turner described Travis as a kind master, against whom he had no complaints. 

Then, on February, 1831, there was a solar eclipse of the sun. Turner took this to be the sign he had been promised and confided his plan to the four men he trusted the most, Henry, Hark, Nelson, and Sam. They decided to hold the insurrection on the 4th of July and began planning a strategy. However, they had to postpone action because Turner became ill.

 On August 13, the sun appeared blue-green in the sky, and Turner and his friends took this as the final sign.and a week later, on August 21 in what  has become known as the Southampton  insurrection , Turner and six of his men met in the woods to eat a dinner and make their plans. At 2:00 that morning, they set out to the Travis household, where they killed the entire family as they lay sleeping  and joined about 60 other slaves from other plantations in Southampton County,Virginia and started  a general revolt, because they could  no longer face race oppression and slavery in a hypocritical nation founded on  revolutionary ideas of freedom and equality. 

As an act of necessity and as a as a means of survival  they were forced to use violence as means to an end, in an effort to escape their daily lives of burden and suppression. They killed mercilessly  and attacked whites without regard  to age or sex believing tht killing all the whites they encountered  was the only way they might have a chance of fulfilling the cherished  goal of freedom for which thy were willing to sacrifice their lives. 

His rebellion became one of the bloodiest and most effective in American history. Igniting a culture of fear, as the insurrection spread from plantation to plantation. Somewhere between 55 to 65 people were  killed by the rebels before the revolt was brutally put down. Nat managed to escape, and eluded  capture for a couple of months, but on October 30, 1831was arrested He was represented by attorney Thomas R. Gray, who documented Turner’s statement. During his prosecution, Turner pled not guilty, stating that his rebellion was the act of God. On November 11, 1831, he was convicted and sentenced to death by hanging in Jerusalem, Virginia of the crimes of conspiracy to rebel and making insurrection. 

He had given all slaves a chance to see freedom and herald it on it's way. He died as he had lived, with courage and conviction,  apparently he walked to the hanging tree, without showing a sign of fear, famously refusing to speak any last words. we will always remember him, a man whose breath was forever free.

After he was hanged his body was then mutilated.He never received an official burial and Turner’s headless bones were presumably buried in an unmarked grave.Many believed his death was made a symbol of warning to other would-be insurgents.

And unfortunately in the aftermath, in total, the state executed 55 people, banished many more, and acquitted a few. The state reimbursed the slaveholders for their slaves. But in the hysterical climate that followed the rebellion, close to 200 black people, many of whom had nothing to do with the rebellion, were  beaten, tortured and murdered by white mobs. In addition, slaves as far away as North Carolina were accused of having a connection with the insurrection, and were subsequently tried and executed. . New legislation was passed that further restricted people rights. laws were passed to make it illegal to teach slaves to read and write, and their travel was severely restricted. 

It would be a long road, but from this point on, there would be no turning back. Nat Turner actions  acted as a catalyst for the many struggles that lay ahead, leaving a mythic footprint for those who came later, and  he became a powerful symbol of black autonomy and it's fight and struggle for freedom and emancipation.

Over the years, Turner has emerged as a hero, a religious fanatic and a villain. Turner became an important icon to the 1960s Black power movement as an example of an African American standing up against white oppression.

Others have objected to Turner's indiscriminate slaughtering of men, women and children to try to achieve this end. As historian Scot French told The New York Times, "To accept Nat Turner and place him within the pantheon of American revolutionary heroes is to sanction violence as a means of social change. He has a kind of radical consciousness that to this day troubles advocates of a racially reconciled society. The story lives because it's relevant today to questions of how to organize for change."

His rebellion made it clear that slaves were not content with their enslavement and as a result and August 21, 1831, remains an important date in American History

Turner was the subject of William Styron's 1967 Pulitzer Prize-winning novel Confessions of Nat Turner.

Turner’s life and uprising was also the subject of the 2016 film, The Birth of a Nation, which was directed, written by and starring Nate Parker. The film won the Audience Award and Grand Jury Prize at the 2016 Sundance Film Festival.

"Disobedience, in the eyes of anyone who has read man's history, is man's original virtue, it is through disobedience that progress has been made - through disobedience and through rebellion." - Oscar Wilde

looking at Nat Turner's Legacy

Stuart Christie (1946-2020) - Anarchist activist, writer and publisher

From Kate Sharpley Library

 John Patten

Stuart Christie, founder of the Anarchist Black Cross and Cienfuegos Press and co-author of The floodgates of anarchy has died peacefully after a battle with lung cancer.

Born in Glasgow and brought up in Blantyre, Christie credited his grandmother for shaping his political outlook, giving him a clear moral map and ethical code. His determination to follow his conscience led him to anarchism: “Without freedom there would be no equality and without equality no freedom, and without struggle there would be neither.” It also led him from the campaign against nuclear weapons to joining the struggle against the Spanish fascist dictator Francisco Franco (1892-1975).

He moved to London and got in touch with the clandestine Spanish anarchist organisation Defensa Interior (Interior Defence). He was arrested in Madrid in 1964 carrying explosives to be used in an assassination attempt on Franco. To cover the fact that there was an informer inside the group, the police proclaimed they had agents operating in Britain – and (falsely) that Christie had drawn attention to himself by wearing a kilt.

The threat of the garotte and his twenty year sentence drew international attention to the resistance to the Franco regime. In prison Christie formed lasting friendships with anarchist militants of his and earlier generations. He returned from Spain in 1967, older and wiser, but equally determined to continue the struggle and use his notoriety to aid the comrades he left behind.

In London he met Brenda Earl who would become his political and emotional life partner. He also met Albert Meltzer, and the two would refound the Anarchist Black Cross to promote solidarity with anarchist prisoners in Spain, and the resistance more broadly. Their book, The floodgates of anarchy promoted a revolutionary anarchism at odds with the attitudes of some who had come into anarchism from the sixties peace movement. At the Carrara anarchist conference of 1968 Christie got in touch with a new generation of anarchist militants who shared his ideas and approach to action.
Christie’s political commitment and international connections made him a target for the British Special Branch. He was acquitted of conspiracy to cause explosions in the “Stoke Newington Eight” trial of 1972, claiming the jury could understand why someone would want to blow up Franco, and why that would make him a target for “conservative-minded policemen”.

Free but apparently unemployable, Christie launched Cienfuegos Press which would produce a large number of anarchist books and the encyclopedic Cienfuegos Press Anarchist Review. Briefly Orkney became a centre of anarchist publishing before lack of cashflow ended the project. Christie would continue publishing, and investigating new ways of doing so including ebooks and the internet. His https://christiebooks.co.uk contains numerous films on anarchism and biographies of anarchists. He used facebook to create an archive of anarchist history not available anywhere else as he recounted memories and events from his own and other people’s lives.

Christie wrote The investigative researcher’s handbook (1983), sharing skills that he put to use in an exposé of fascist Italian terrorist Stefano delle Chiaie (1984). In 1996 he published the first version of his historical study We the anarchists : a study of the Iberian Anarchist Federation (FAI), 1927-1937.
Short-run printing enabled him to produced three illustrated volumes of his life story (My granny made me an anarchist, General Franco made me a ‘terrorist’ and Edward Heath made me angry 2002-2004) which were condensed into a single volume as Granny made me an anarchist : General Franco, the angry brigade and me (2004). His final books were the three volumes of ¡Pistoleros! The Chronicles of Farquhar McHarg, his tales of a Glaswegian anarchist who joins the Spanish anarchist defence groups in the years 1918-1924.

Committed to anarchism and publishing, Christie appeared at many bookfairs and film festivals, but scorned any suggestion he had come to ‘lead’ anyone anywhere.

Christie’s partner Brenda died in June 2019. He slipped away peacefully, listening to “Pennies From Heaven” (Brenda’s favourite song) in the company of his daughter Branwen.

Stuart Christie, 10 July 1946-15 August 2020

I was a friend on facebook where he posted frequently lots of inspiring stuff , so my deepest condolences  go the family and friends of Stuart Christie. Sad news, May this lifelong committed anti-fascist and anarchist rest in power and his  extraordinary life long be remembered.
A perfect society  may not come tomorrow, the struggle could last forever, but at least we can thank people like Christie who had the courage and vision that provides the spur to struggle against things as they are, and for things that might be. Our progress towards a more meaningful world must begin with the will to  resist every form of injustice.

Witness History - The Plot to kill Franco

https://www.bbc.co.uk/sounds/play/p024bsjc 

Stuart Christie id Glasgow - Ryan Harvey

  

Those Who Pass Between Fleeting Words - Mahmoud Darwish (13/4/41- 9/8/08)

Mahmoud Darwish who I've witten about previously https://teifidancer-teifidancer.blogspot.com/2010/01/mahmoud-darwish-poet-of-resistance.html was a widely known and popular Palestinian poet whose work I greatly admire.. He was born in Berweh, a village east of Acre, Palestine, in 1942.
When the Israelis occupied his home in 1948, Darwish began to experience many forms of oppression. He grew up as a refugee, his village was destroyed, and between 1961 and 1967 he was arrested by the Israelis five times, once for writing "Identity Card," a poem which became a rallying cry for the Palestinian movement. Early in life, Darwish became politically active through his poetry and involvement in the Israeli Communist Party, Rakah. He spent a period as the editor of Rakah's newspaper, Al-Ittihad (Unity).
Darwish's political advocacy brought him a great deal of negative Israeli attention, which included harassment and house arrest. Finally, in 1971, after years of hardship, Darwish left Israel and fled into exile in Beirut, Lebanon. By this time, he had established and upheld an outstanding reputation as one of the leading poets of the resistance.
Many of his poems have been converted to music in order to fuel the Palestinian defiance.Considered Palestine's most eminent poet, Darwish published his first collection of poems, Leaves of Olives, in 1964, when he was 22. Since then, Darwish has published approximately thirty poetry and prose collections which have been translated into more than twenty-two languages. Sadly there is no comprehensive collection of his poetry in English, though there is a good selection of poems from the 1980s and 1990s under the title Unfortunately, It Was Paradise (2013), as well as The Butterfly’s Burden, which brings together three short volumes of poems from 1998-2003. (Copper Canyon Press, 2006),  Stage of Siege (2002), The Adam of Two Edens (2001), Mural (2000), Bed of the Stranger (1999), Psalms (1995), Why Did You Leave the Horse Alone? (1994), and The Music of Human Flesh (1980). Appropriately, then, to gain a broad view of Darwish’s output people have to piece together scattered publications from several countries, in books, journals, and newspapers. As Darwish says in “You’ll Be Forgotten, As If You Never Were,” a late poem in The Butterfly’s Burden, “I am the king of echo. My only throne is the margin.”
 Darwish was an editor for a Palestine Liberation Organization monthly journal and the director of the group's research center. In 1987 he was appointed to the PLO executive committee, and resigned in 1993 in opposition to the Oslo Agreement. He served as the editor-in-chief and founder of the literary review Al-Karmel, published out of the Sakakini Centre since 1997
About Darwish's work, the poet Naomi Shihab Nye has said, "Mahmoud Darwish is the Essential Breath of the Palestinian people, the eloquent witness of exile and belonging, exquisitely tuned singer of images that invoke, link, and shine a brilliant light into the world's whole heart. What he speaks has been embraced by readers around the world—his in an utterly necessary voice, unforgettable once discovered."
His awards and honors include the Ibn Sina Prize, the Lenin Peace Prize, the 1969 Lotus prize from the Union of Afro-Asian Writers, France's Knight of Arts and Belles Lettres medal in 1997, the 2001 Prize for Cultural Freedom from the Lannan Foundation, the Moroccan Wissam of intellectual merit handed to him by King Mohammad VI of Morocco, and the USSR's Stalin Peace Prize.
He died  twelve years ago in 2008, in Houston, Texas  due to complications from heart surgery. but  Darwish’s words continue  today to play an important role in shaping the identity of diaspora Palestinians. His celebrated poms have always connected Palestinians to their homeland. But for those living in the West they have become psalms of the tragic, human dimensions of the Palestinian cause.
 Darwish wrote the following  poem in 1988 during the first intifada and the direct and uncompromising words caused a great stir in Israel. Israel’s then Prime Minister, Yitzhak Shamir, quoted the poem in the Israeli Knesset to “prove” that the PLO posed a threat to existence of the Zionist state. In response, Darwish said that he found it “difficult to believe that the most militarily powerful country in the Middle East is threatened by a poem”.

 Those Who Pass Between Fleeting Words  - Mahmoud Darwish
  
O those who pass between fleeting words
Carry your names, and be gone
Rid our time of your hours, and be gone
Steal what you will from the blueness of the sea and the sand of memory
Take what pictures you will, so that you understand
That which you never will:
How a stone from our land builds the ceiling of our sky.

O those who pass between fleeting words
From you the sword — from us the blood
From you steel and fire — from us our flesh
From you yet another tank — from us stones
From you tear gas — from us rain
Above us, as above you, are sky and air
So take your share of our blood — and be gone
Go to a dancing party — and be gone
As for us, we have to water the martyrs’ flowers
As for us, we have to live as we see fit.

O those who pass between fleeting words
As bitter dust, go where you wish, but
Do not pass between us like flying insects
For we have work to do in our land:
We have wheat to grow which we water with our bodies’ dew
We have that which does not please you here:
Stones or partridges
So take the past, if you wish, to the antiquities market
And return the skeleton to the hoopoe, if you wish,
On a clay platter
We have that which does not please you: we have the future
And we have things to do in our land.
O those who pass between fleeting words
Pile your illusions in a deserted pit, and be gone
Return the hand of time to the law of the golden calf
Or to the time of the revolver’s music!
For we have that which does not please you here, so be gone
And we have what you lack: a bleeding homeland of a bleeding people
A homeland fit for oblivion or memory
O those who pass between fleeting words
It is time for you to be gone
Live wherever you like, but do not live among us
It is time for you to be gone
Die wherever you like, but do not die among us
For we have work to do in our land

We have the past here
We have the first cry of life
We have the present, the present and the future
We have this world here, and the hereafter
So leave our country
Our land, our sea
Our wheat, our salt, our wounds
Everything, and leave
The memories of memory
O those who pass between fleeting words!

—Translation from the Jerusalem Post, April 2, 1988

Links to two more poems by Mahmoud Darwish

https://teifidancer-teifidancer.blogspot.com/2015/03/to-our-land-mahmoud-darwish-13309.html

https://teifidancer-teifidancer.blogspot.com/2012/11/mahmoud-darwish-13341-9808-think-of.html