Saturday, 18 February 2017

Audre Lorde (18/2/34 - 17/11/ 92) - Litany for Survival / Love Poem .


On 18 Febriary 1934, Feminist,Poet. Civil rights activist. Anti-war activist. Gay rights activist.poet  Audre Lorde was born of Caribbean immigrant parents in Harlem. In her own words, she was: "Black, lesbian, mother, warrior, poet."and was also a factory worker, social worker, X-ray technician, librarian, civil rights activist, communist and more. 
Audre Lorde dedicated both her life and her creative talent to confronting and addressing the injustices of  racism, sexism, classism, and homophobia. Her poetry, and “indeed all of her writing,” according to contributor Joan Martin in Black Women Writers (1950-1980): A Critical Evaluation, “rings with passion, sincerity, perception, and depth of feeling.” Concerned with modern society’s tendency to categorize groups of people, Lorde fought the marginalization of such categories as “lesbian” and “black woman,” thereby empowering her readers to react to the prejudice in their own lives.
Starting to write at an early age, Lorde was first published in Seventeen magazine while in high school.As society progressed with the anti-war, feminist and civil rights movements, Audre moved from themes of love to more political and personal matters. 
In the 1960s, Lorde was involved in poetry workshops sponsored by the Harlem Writers Guild, but she repeatedly said in interviews that she felt she was not accepted because she "was both crazy and queer but [they thought] I would grow out of it all."  She didn't. Lorde went on to college, finishing with a masters in library science from Columbia University and worked as a public librarian while she continued to be published regularly in journals, magazines and anthologies.
She began to participate in the feminist, LGBT+ and civil rights movement of the time, where she contested the class discrimination and racism existing in the feminist movement, which was generally focused around the experiences of white women. 
She also taught at various colleges including Hunter College and CUNY.  Lorde credited a stint as a writer-in-residence at Tougaloo College, an HBCU in Mississippi in 1968, itself one of the most politically and socially fraught years of the latter 20th century ,as expanding her vision of herself as a Black lesbian activist. It was there that she met Frances Clayton, a white professor, with whom she would be partnered until 1989.
 In Ada Gay Griffin and Michelle Parkerson's documentary "A Litany for Survival: The Life and Work of Audre Lorde," Lorde says, "Let me tell you first about what it was like being a Black woman poet in the '60s, from jump. It meant being invisible. It meant being really invisible. It meant being doubly invisible as a Black feminist woman and it meant being triply invisible as a Black lesbian and feminist.
In 1972, Lorde, Clayton, and their children moved to Staten Island, where the couple lived until 1987. On the 50th anniversary of the Stonewall Rebellion in June 2019, the New York City Landmarks Preservation Commission designated the house an official historic landmark.
Lorde identified the wide and varied experiences of women in matters of class, race, age, sex and even health, which is often referred to today as "intersectionality", noting that “there is no thing as a single-issue struggle because we do not live single-issue lives”. She  used her platform as a writer to spread ideas and experiences about the intersecting oppressions faced by many people.  
Her poetry developed an angry aura as she became more involved in activism but developed into an emotionally-supportive outlet and connected her to the world of politics with well-known figures like Langston Hughes. Lorde shaped the Black Arts Movment with her powerful writings on  racism, sexism, homophobia and police violence.
Author of the controversial essay "The Master's Tools Will Never Dismantle the Master's House." In 1980 she co-founded (with Barbara Smith and Cherrie Moraga) a feminist publishing company called "Kitchen Table: Women of Color Press," the first publisher for women of color in the United States.
 Lorde's extensive and explosive work — nine volumes of poetry, five works of prose and countless lectures, speeches and interviews. After battling with cancer for more than a decade, Lorde died in St. Croix, Virgin Islands, at the age of 58 in 1992. She was cremated and her ashes scattered at sea. 
Throughout her battle, she found inspiration through her struggle as she documented in the 1980 special edition issue of the Cancer Journals. and "A Burst of Light" . These stories included a feminist analysis of her experience with the disease and mastectomy, dealing  with her diagnosis, treatmentand   and the path toward accepting her body and her relationship to it.
Before passing away, Audre changed her name to Gambda Adisa which means “Warrior” or “she who makes her meaning known.” Her writings have become increasingly influential since her death, and her words continue to inspire, empower, and ignite change.

"The true focus of revolutionary change is never merely the oppressive situations that we seek to escape, but that piece of the oppressor which is planted deep within each of us." -Audre Lorde

" There is no such thing as a single issue struggle because we do not live single issue lives " - Audre Lorde

Poetry is not only a dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change, a bridge across our fears of what has never been before.”- Audre Lorde 

Litany for Survival  - Audre Lorde

'For those of us who live at the shoreline
standing upon the constant edges of decision
crucial and alone
for those of us who cannot indulge
the passing dreams of choice
who love in doorways coming and going
in the hours between dawns
looking inward and outward
at once before and after
seeking a now that can breed
futures
like bread in our children's mouths
so their dreams will not reflect
the death of ours:

For those of us
who were imprinted with fear
like a faint line in the center of our foreheads
learning to be afraid with our mother's milk
for by this weapon
this illusion of some safety to be found
the heavy-footed hoped to silence us
For all of us
this instant and this triumph
We were never meant to survive.

And when the sun rises we are afraid
it might not remain
when the sun sets we are afraid
it might not rise in the morning
when our stomachs are full we are afraid
of indigestion
when our stomachs are empty we are afraid
we may never eat again
when we are loved we are afraid
love will vanish
when we are alone we are afraid
love will never return
and when we speak we are afraid
our words will not be heard
nor welcomed
but when we are silent
we are still afraid

So it is better to speak
remembering
we were never meant to survive


Audre Lorde - Love Poem

Speak earth and bless me with what is richest
make sky flow honey out of my hips
rigis mountains
spread over a valley
carved out by the mouth of rain.

And I knew when I entered her I was
high wind in her forests hollow
fingers whispering sound
honey flowed
from the split cup
impaled on a lance of tongues
on the tips of her breasts on her navel
and my breath
howling into her entrances
through lungs of pain.

Greedy as herring-gulls
or a child
I swing out over the earth
over and over
again.

1 comment:

  1. This comment has been removed by a blog administrator.

    ReplyDelete