Wednesday, 6 February 2013
An Iraqi child asks Tony Blair and George Bush: Are you happy now? - Heathcote Williams
An Iraqi child written by Heathcotte Williams
Narration and montage Alan Cox
An Iraqi Child
An Iraqi child
is drawing bombers, like those
Which nearly killed him.
The bombs have left his face
Swollen with fierce injuries-
Marks of angry pain.
He draws the bombers,
Though his arm and some fingers
Are amputated.
Now they're bandaged up,
With three crayons firmly taped
To the ends of his stumps.
He draws, bleak, black lines
Chronichling his fistory.
"Who did this to me?"
"They had many planes.
They'd brought bombs to fit into each
Of their cruel planes."
"Why didn't they think
Of the people below?
Who drove all these planes?"
"One was called George Bush;
And one was called Tony Blair
With his friend, Campbell.
They'd made good friends
With lots of oil companies.
They wanted your oil.
To get into power
They'd made friends with newspapers
Who all said, "Yes, bomb Iraq'.
Rupert Murdoch, boss
Of News International,
Told a hundred and twenty
Of his newspapers
To write a leader
Urging reader's to support war.
No one was immune:
Even the Guardian
(Financed by Auto Trader).
Was saying 'Bomb!'
Claiming that Gulf Wars
Were humanitarian' 'wars'''.
"The simple cause",
Wrote the Guardian
In a pre-Iraq-war leader,
"At the end, is just."
And with the magic word,
'Humanitarian', cunning PR
Could make the liberal media
Mouth-pieces for war propoganda.
There was a lifestyle
To be supported by Iraq's cheap oil,
So opinion formers in wine-bars and clubs
And in Parliamentary tea-rooms
And in TV studios' hospitality suites-
While not discussing their expenses
Or their mortgages and their fees
Or their cars or their lifestyles
Or their favourite restaurants
Or their children's private schools-
Would dip a toe in the zeitgest
And then bloviate
About regime change,
Like self-important sheep
Housing wolves
'I mean, obviously
"Well, they're all very rich."
"Maybe they'd buy my drawing?"
The boy says.
Thanks to below
for this one
http://www.stopwar.org.uk/
Tuesday, 5 February 2013
Happy Birthday Uncle Bill (5/2/14 -2/8/97) - Fear and the Monkey
"Most of the trouble in this world has been caused by folks who can't mind their own business, because they have no business of their own to mind." - William Seward Burroughs.
To bad Bill that you aren't around to see the shape of things today, my beating heart thinks that on most things, you were probably right. Our plaintive meows still cry out. Nothing matters, nothing changes, happy 99th Birthday. Their are various forms of death, permutations gathering storms, but that does not mean that everything is lost. Everybody in, everybody out.
Fear and the Monkey
(August 1978)
This text arrange in my New York loft, which is the converted locker room of an old YMCA. Guests have reported the prescence of a ghost boy. So this is a Oui-Ja board poem taken from Dumb Instrument, a book of poems by Denton Welch, and spells and invocations from the Necronomicon, a highly secret magical text released in paberback. There is a pinch of Rimbaud, a dash of St-John Perse, an oblique reference to Toby Tyler with the Circus, andthe death of his pet monkey.
Turgid itch and the perfume of death
On a whispering south wind
A smell of abyss and of nothingness
Dark Angel of the wandereres howls through the loft
With sick smelling sleep
Morning dream of a lost monkey
Born and muffled under old whimsies
With rose leaves in closed jars
Fear and the monkey
Sour tastes of green fruit in the dawn
The air milky and spiced with the trade winds
White flesh was showing
His jeans were so old
Leg shadows by the sea
Morning light
On the sky light of a littlle shop
On the odour of cheap wine in the sailor's quarter
On the fountain sobbing in the police courtyards
On the statue of moldy stone
On the little boy whistling to stray dogs.
Wanderers cling to their fading home
A lost train whistle wan and muffled
In the loft night taste of water
Morning light on milky flesh
Turgid itch ghost hand
Sad as the death of monkeys
Thy father a falling star
Crystal bone into thin air
Night sky
Dispersal and emptiness
Originally published as William S.Burroughs. "Fear and the Monkey,"
Pearl 6 (Odense , Denmark:Fall/Winter, 1978)
Mine taken from
The Burroughs File, City Lights, 1984
Is Everybody in - William S. Burroughs
Words and Advice for young People -
William S. Burroughs
To bad Bill that you aren't around to see the shape of things today, my beating heart thinks that on most things, you were probably right. Our plaintive meows still cry out. Nothing matters, nothing changes, happy 99th Birthday. Their are various forms of death, permutations gathering storms, but that does not mean that everything is lost. Everybody in, everybody out.
Fear and the Monkey
(August 1978)
This text arrange in my New York loft, which is the converted locker room of an old YMCA. Guests have reported the prescence of a ghost boy. So this is a Oui-Ja board poem taken from Dumb Instrument, a book of poems by Denton Welch, and spells and invocations from the Necronomicon, a highly secret magical text released in paberback. There is a pinch of Rimbaud, a dash of St-John Perse, an oblique reference to Toby Tyler with the Circus, andthe death of his pet monkey.
Turgid itch and the perfume of death
On a whispering south wind
A smell of abyss and of nothingness
Dark Angel of the wandereres howls through the loft
With sick smelling sleep
Morning dream of a lost monkey
Born and muffled under old whimsies
With rose leaves in closed jars
Fear and the monkey
Sour tastes of green fruit in the dawn
The air milky and spiced with the trade winds
White flesh was showing
His jeans were so old
Leg shadows by the sea
Morning light
On the sky light of a littlle shop
On the odour of cheap wine in the sailor's quarter
On the fountain sobbing in the police courtyards
On the statue of moldy stone
On the little boy whistling to stray dogs.
Wanderers cling to their fading home
A lost train whistle wan and muffled
In the loft night taste of water
Morning light on milky flesh
Turgid itch ghost hand
Sad as the death of monkeys
Thy father a falling star
Crystal bone into thin air
Night sky
Dispersal and emptiness
Originally published as William S.Burroughs. "Fear and the Monkey,"
Pearl 6 (Odense , Denmark:Fall/Winter, 1978)
Mine taken from
The Burroughs File, City Lights, 1984
Is Everybody in - William S. Burroughs
Words and Advice for young People -
William S. Burroughs
Sunday, 3 February 2013
Snowdrops / Amen
SNOWDROPS
After Imbolc, as spring awakens,
under inches of soil,
they are waiting to roar,
anticipitating the moment,
to thrust out, in vast spread.
Amorous sleepers,
that wake our senses,
year after year,
white heads,
that hang around in corners.
Temporary residents,
side by side,
go back to earth,
and hibernate.
Leave without struggle,
wait paitiently to waken,
and bloom again,
rise like hope,
pushed again,
from down below.
AMEN
Far from this madding crowd
After Imbolc, as spring awakens,
under inches of soil,
they are waiting to roar,
anticipitating the moment,
to thrust out, in vast spread.
Amorous sleepers,
that wake our senses,
year after year,
white heads,
that hang around in corners.
Temporary residents,
side by side,
go back to earth,
and hibernate.
Leave without struggle,
wait paitiently to waken,
and bloom again,
rise like hope,
pushed again,
from down below.
AMEN
Far from this madding crowd
As the birds that fly high above
their are some who are not among us
who follow forever
alpha and omegas pulse.
The articulate and confused
still seek some learning
get lost in blind faith
because of trust in ancient
books of judgement.
We can all gain strength,
in answering back
clinging in still ferocity
to the clasp of heaven's mercy.
Touching the earth,
feeling its love
sharing humanity's depths
until rivulets end
and all our tears run
in rivers of abadonment
their are some who are not among us
who follow forever
alpha and omegas pulse.
The articulate and confused
still seek some learning
get lost in blind faith
because of trust in ancient
books of judgement.
We can all gain strength,
in answering back
clinging in still ferocity
to the clasp of heaven's mercy.
Touching the earth,
feeling its love
sharing humanity's depths
until rivulets end
and all our tears run
in rivers of abadonment
Saturday, 2 February 2013
Palestinian Artist Shows Life Beyond Refugee Camps in Stop-Motion Film
Anas Al-Barbarawi is an artist from Jordan. Of Palestinian origin, he grew up in the Talbieh Refugee Canp south of Amman. But he doesn't want that to be all you think of him.
In the short stop-motion film Matar (Rain) produced in conjunction with the Palestinian Memory Documentation Project. Al-Barbarawi hopes to cross borders and question stereotypes of the refugee life.
Thursday, 31 January 2013
Anselm Hollo (12/4/34- 29/1/13) - Shed the Fear/ Godlike/ R.I.P
Sad to hear yesterday that the poetry community had lost another fine distinctive voice.Anshelm Hollo was born and raised in Helsinki, Finland, and worked as a poet, translator, editor, journalist and teacher in Sweden, Germany, Austria, England (for 8 years), and, since 1966, the United States. He was the authour of some forty plus books of poetry. Including Maya (1970), Souourner Micrcosm(1977) and Near Miss Haiku (1990).
He became widely known for his many translations of European poetry, including the work of Russian poet Andrei Voznesenksy and the Finnish poet Penti Sarrikoski. He also translated people as variant as Jean Genet and Rosa Luxemburg. I first became aware of him I guess through his 1965 appearance at the Underground International Poetry Incarnation.Here dressed head to toe in black he appeared alongside Alexander Trocchi and Allen Ginsberg.
His style was strongly influenced by the American beats, and he was also adept at capturing isolated moments of perception. Often whimsical and gently satirical in tone, his poems were open-ended, valuing an ongoing human attentiveness rather than rejecting closure on the basis of theory.
He did nort care to much about prizes, he wrote because basically that is what he needed to do. He did manage to get the title of the United States Anti-Laureate, to which he was elected by the Buffalo Poetics list back at the turn of the century.
He lived in Boulder, Colorada with his wife visual artist Dalrymple Hollo, where since 1985 he was the Professor at the Bhuddist inspired Jack Kerouac School of Disembodied Poetics at Naropa University. On all accounts because of his gentle , unassuming manner he was loved by all who came across him., close friends of many other great American poets like Ted Berrigan and Robert Creeley.
He died on January 29th 2013 after post operative pneumonia aged 78. Anselm Hollo R.I.P. The lights may switch off but we carry on receiving
Shed the Fear
Who has a face sees
the world,
but the world
is not
to be borne-
or only
when seen as
another:
how did this
come together? How
did I find you?
so many turns
in the road
so few of them
possible!
How not to spin out
in hairpin turns
of disbelief...
TheSufi martyrs
insisted
"The world
is a wedding"
Why not go with them,
in the face of
present carnage
centuries
later.
Godlike
when you suddenly
feel like talking
about the times
in your life when you were
a total idiot asshole you resist
the impulse
& just sit there
at the head of the table
beaming
Further Reading:
Notes on the Possibilities and Attractions of Existence
Selected Poems 1965 - 2000
(Coffe House Press 2001)
He became widely known for his many translations of European poetry, including the work of Russian poet Andrei Voznesenksy and the Finnish poet Penti Sarrikoski. He also translated people as variant as Jean Genet and Rosa Luxemburg. I first became aware of him I guess through his 1965 appearance at the Underground International Poetry Incarnation.Here dressed head to toe in black he appeared alongside Alexander Trocchi and Allen Ginsberg.
His style was strongly influenced by the American beats, and he was also adept at capturing isolated moments of perception. Often whimsical and gently satirical in tone, his poems were open-ended, valuing an ongoing human attentiveness rather than rejecting closure on the basis of theory.
He did nort care to much about prizes, he wrote because basically that is what he needed to do. He did manage to get the title of the United States Anti-Laureate, to which he was elected by the Buffalo Poetics list back at the turn of the century.
He lived in Boulder, Colorada with his wife visual artist Dalrymple Hollo, where since 1985 he was the Professor at the Bhuddist inspired Jack Kerouac School of Disembodied Poetics at Naropa University. On all accounts because of his gentle , unassuming manner he was loved by all who came across him., close friends of many other great American poets like Ted Berrigan and Robert Creeley.
He died on January 29th 2013 after post operative pneumonia aged 78. Anselm Hollo R.I.P. The lights may switch off but we carry on receiving
Shed the Fear
Who has a face sees
the world,
but the world
is not
to be borne-
or only
when seen as
another:
how did this
come together? How
did I find you?
so many turns
in the road
so few of them
possible!
How not to spin out
in hairpin turns
of disbelief...
TheSufi martyrs
insisted
"The world
is a wedding"
Why not go with them,
in the face of
present carnage
centuries
later.
Godlike
when you suddenly
feel like talking
about the times
in your life when you were
a total idiot asshole you resist
the impulse
& just sit there
at the head of the table
beaming
Further Reading:
Notes on the Possibilities and Attractions of Existence
Selected Poems 1965 - 2000
(Coffe House Press 2001)
Wednesday, 30 January 2013
The Secret Government War against the most vulnerable.
Blessed are the poor. This punishing ordeal has to stop. What kind of society are we living. This grim vile return, by our Government to the Dickensian era. This is growing everyday, that I sincerely believe to be cruel ,unjust and immoral.
I used to think that only love could break our hearts, but that too is a lie. Why are not the police, taking statements, for what they are doing is surely hateful and a crime.Silver spoon fed Tories attacking our senses everyday. Instead of a war on poverty it is a war on the poor. The rich get richer and the poor sink further into the depths. I remember Thatcher she was heartless and cruel, but this lot are really taking the piss.Hunting us, seems to be the Tory Party's new bloodsport of choice.
Four years ago my voice was nearly lost, but then I discovered the power of the internet, a medium by which I gain a little bit of strength, nowadays we don't have to be completely alone.
We might merely be mere statistics, for them, but there is definitely something wrong with their machine. They are making prisoners of us all, we must stand up and tear down their walls. Thatchers policies blighted generations, the scars that she created,are still running deep, and now their doing it all over again.
When April comes it will be one of the cruellest times of our lifes, when even further destructive policies will be implemented, like the bedroom tax, increases in council tax, nearly every single person on benefits will be affected, all limited to a 1% rise below inflation. Along with devatating cuts to essential services, the damage created by their wrecking hands will be clearly felt.
Where is the oppposition in Parliament, a few raised but most in silence, the Liberals bleat but carry on regardless, Labours proving to be a feeble opposition.. All shackled to corporations and morally bankrupt.
Many turning outside of Parliament for comfort and protection, I salute those who are raising their voices in clear opposition, in angry defiance.In the grips of the worst recession for years, members of parliament reward themselves a hefty £20,000 pay rise, a clearly rotten system and somethings gotta change.
Nye Bevan was right when he said " No amount of cajolery and no attempts at ethical or social seduction, can eradicate from my heart a deep burning hatred for the Tory Party. So far as I am concerned they are lower than vermin." I would add that we should show contempt to all who help them. All governments are vulnerable to mass opposition, the polltax in the 1980's was destroyed because of the anger that arose on the streets, it is sad that it has come to this ,but they should not be allowed to get away with what they are doing. We must stop them before their damage causes to much irrevocable harm.Their punishing us, but just how many bankers have been made to suffer because of the consequences of their actions?

Wednesday, 23 January 2013
Nicanor Parra (b.5/9/14) - Anti-Poets of the World Unite.
Nicanor Parra is a Chilean poet, born in Chillan. He qualified as a teacher of mathematics and physics in 1938, in 1943 he studied physics in the U.S.A. and returned to Chile as a professor at the University of Chile. He is one of the best known Chilean poets after Pablo Neruda. His sister Violeta was one of Chiles most renknowed folk singers. He himself has described himself as an anti-poet, due to to his distaste for standard poetic pomp and function. Influenced by the everyday, as well as a potent mix of Marxist politics, now 97, his poems have power I believe, because he is accessible and understood by ordinary people. He utilised the speech patterns of the Chilean lower classes in much of his poetry, combining provocativeness with a gentle playfulness. His poetry speaks too of inner struggles as well as the struggles going on in his own country.
Foremost his poems speak fom the heart, using humour and cynicism to convey his dissatisfaction with the world, allowing him to embrace the political as well as the human pulse. This allows his poetry to be accessible to all, reaching out to as wide an audience as possible, beyond the confines of literary convention and the corridors of academia.
He once said " Poetry is all around us" "It is in the graffito on the walls, I walk around and write down the graffiti, those are my poems."
Still breaking through the barriers,metamorposing language with all it's possibilities.He has been nominated several times for the Nobel Prize in Literature. I personally am reminded of the American Beat poets, and the late Allen Ginsberg himself announced Parra as one of the most influential poets of our time, which is sweet enough for me.
The vices of the modern world
Modern delinquents
Are authorised to convene daily in parks and gardens.
Equipped with powerful binoculars and pocket watches
They break into kiosks favoured by death
And install their laboratories among the rosebshes in
full flower.
From there they direct the photogrrapher and beggars
that roam the neighbourhood
Trying to raise a small temple to misery
And, if they get a chance, having some woebgone
shoeshine boy.
The cowed police run from these monsters
Making for the middle of town
Where the great year's end fires are breaking out
And a hooded hero is robbing two nuns at gun point.
The vices of the modern world:
The motor car and the movies,
Racial discrimination,
The extermination of the Indian,
The manipulation of high finance,
The catastrophe of the aged,
The clandenstine white-slave trade carried on by
international sodomites,
Self-advertisement and gluttony,
Expensive funerals,
Personal friends of his Excellency,
The elevation of folklore to a spiritual category,
The abuse of soporifics and philosophy,
The softening upof men favoured by fortune,
Auto-eroticism and sexual cruelty,
The exaltation of the study of dreams and the sub-
conscious to the detriment of common sense,
The exaggerated faith in serums and vacines,
The deification of the phallus,
The international spread-legs policy patronised by the
reactionary press,
The unbounded lust for power and money,
The gold rush,
The fatal dollar dance,
Speculation and abortion,
The destruction of idols,
Overdevelopment of dietics and pedagogical psychology,
The vices of dancing, of the cigarette, of games of chance,
The drops of blood that are often found on the sheets of
newlyweds,
The madness of the sea,
Agraphobia and claustrophobia,
The disintigration of the atom,
The gory humour of the theory of relativity,
The frenzy to return to the womb,
The cult of the exotic,
Aeroplane accidents,
Incinerations, mass purges, retention of passports,
All thisjust because,
To produce vertigo,
Dream-analysis,
And the spread of radiomania.
As has been demonstrated
The modern world is composed of artificial flowers
Grown under bell jars like death,
It is made of movie stars
And bloo-smeared boxers fighting by moonlight
And nightingale-men controling the economic lives of
the nations
With certain easily explained devices;
Usually they are dressed in black like precursors of
autumn
And cat roots and wild herbs.
Meanwhile the wise, gnawed by rats,
Rot in the crypts of cathedrals
And souls with the slightest nobility are relentlessly
persecuted by the police.
The modern world is an enormous sewer,
The chic restaurants are stuffed with disgusting corpses
And birds flying dangerously low.
That's not all; the hospitals are full of imposters,
To say nothing of those heirs of the spirit who found
colonies in the anus of each new surgical case.
Modern industrialists occasionally suffer from the effects
of the poisoned atmosphere.
They are stricken at their sewing machines by the
terrifying sleeping sickness
Which eventually turn them into angels, of a sort.
They deny the existence of the physical world
And brag about being poor children of the grave.
And yet the world has always been like this.
Truth, like beauty, is neither created nor lost
And poetry is in things themselves or is merely a mirage
of the spirit.
I admit that a well-planned earthquake
Can wipe out a city rich in traditions in a matter of
seconds,
And that a meticulous aerial bombardment
Smashes trees, horses, thrones, music,
But what does it matter
If, while the world's greatest ballerina
Is dying, poor and abandoned, in a village in southern
France,
Spring restores to man a few of the vanished flowers.
What I say is, let's try to be happy, sucking on the
miserable human rib.
Let's extract from it the restorative liquid,
Each one following his personal inclinations.
Let's cling to this divine table-scrap!
Panting and trembling,
Let's suck those maddening lips.
The lot is cast.
Let's breathe in this enervating and destructive perfume
And for one more day live the life of the elect.
Out of his armpits man extracts the wax he needs to
mould the face of hios idols
And out of woman's sex the straw and the mud for his
temples.
Therefore
I grow a louse on my tie
And smile at the imbeciles descending from the trees.
Young Poets
Write as you will
In whatever style you like
Too much blood has run under the bridge
To go on believing
That only one road is right.
In poetry everything is permitted.
With only this condition, of course:
You have to improve on the blank page.
Warnings
In case of fire
Do not use elevators
Use stairways
unless otherwise instructed
No smoking
No littering
No shitting
No radio playing
unless otherwise instructed
Please Flush Toilet
After Each Use
Except When Train
is Standing At Station
Be thoughtful
Of The Next Passenger
Onward Christian Soldiers
Workers of the World unite
we have nothing to lose
but our life Glory to the Father
and to the Son and the Holy Ghost
unless otherwise instructed
By the way
We also hold these truths to be
self evident
That all nan are created
That they have been endowed
by their creator
With certain inaliable rights
That among these are: Life
Liberty and the pursuit of happiness
and last but not least
that 2 and 2 makes 4
unless otherwise instructed.
Further reading
Nicanor Parra: Poems & Anti Poems
New Diections, 1985
Anti-Poems: how to look better and feel good
-Nicanor Parra, New Directions, 2004
After Dinner Reservations - Nicacor Parra
Host Publications, 2007
Some useful links
The technique of Anti-Poetry
http://www.nicanorparra.uchile.cl/english/technique.html
Literature and Revolution - Fernando Alegria
http://www.webshells.com/jdoug/LitRev8.htm
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