Take the ration challenge :Refugee Week

The year 2001 marked the 50th anniversary of the 1951 Convention relating to the Status of Refugees. The UN General Assembly therefore decided that 20 June would be celebrated as World Refugee Day from 2001 onwards.
Since then Refugee week is now a UK-wide programme of arts, cultural and educational events and activities that celebrates the contribution of refugees to the UK and promotes better understanding of why people seek sanctuary. Anyone can take part by organising, attending or taking part in activities.
This year during  Refugee Week we  are invited to discover the experiences of displacement that are found in our families, neighbourhoods and history. The theme of Refugee Week this year is, ‘You, me and those who came before’, and is an invitation to explore the lives of refugees – and those who have welcomed them – throughout the generations. people escaping war and persecution have been welcomed by communities in the UK for hundreds of years, and their stories and contributions are all around us. From the Jewish refugees of the 1930s to people fleeing Vietnam in the 1970s, Kosovans in the 1990s to those arriving today; they are part of who we all are.
This year during World Refugee Week, June 16-23, 2019,  people are also invited to join the Ration Challenge. You are asked to commit to eating and drinking the same rations as a Syrian refugee living in a camp in Jordan, and the money raised will  provide food, medicine and education for refugees and people living in poverty around the world.
It’s a tough challenge but  you will be joining  others raising money and awareness for refugees and showing  that your with them, and not against them.

Take the Challenge

For more information about Refugee  Week visit http://refugeeweek.org.uk/

Chelsea Manning denied release from jail

Former US Army intelligence analyst Chelsea Manning will  cruelly remain in jail after a federal appeals court on Monday denied her request to be released on bail, and upheld a lower court's decision to hold Manning in civil contempt for refusing to give evidence before a grand jury. She,now faces another further  16.5 months  of incarcernation. 

The ruling is a blow to Manning, who has been  jailed since March 8th for refusing to collaborate with the government's long-running investigation into Wikileaks and its founder Julian Assange.https://teifidancer-teifidancer.blogspot.com/2019/03/free-chelsea-manning-again.html

Manning was convicted by court-martial in 2013 of espionage and other offences for furnishing more than 700,000 documents, videos, diplomatic cables and battlefield accounts to WikiLeaks while she was an intelligence analyst in Iraq.

Former US President Barak Obama in his final days in office, commuted the final 28 years of Manning's 35-year sentence.
Manning has tried to fight the grand jury subpoena in the Assange case, citing her First, Fourth and Sixth Amendment rights under the Constitution.  Manning's lawyers lawyers argued that the government was abusing the grand jury process, since she'd already disclosed everything she knew during her court-martial proceedings years ago. Following Assange's arrest, her legal team released a statement saying that holding her in jail any longer "would be purely punitive."
Manning also argued that the government should be required to reveal if they had her under surveillance, and that the district court judge had wrongly sealed parts of her contempt hearing in March. According to Manning's court briefs, a prosecutor told her lawyer that the government believed Manning gave false, contradictory, or incorrect testimony during her court-martial, and Manning's lawyers took this to mean the government had "intercepted, misunderstood, and misattributed electronic communications."
The 4th Circuit rejected all of her arguments. Manning can now ask a full sitting of the 4th Circuit to reconsider the three-judge panel's decision, or she could petition the US Supreme Court to take her case — the press release from Manning's legal team on Monday indicated she was considering both options.
 "We are of course disappointed that the Circuit declined to follow clearly established law, or consider the ample evidence of grand jury abuse," Manning's attorney Moira Meltzer-Cohen said in a statement., Moira Meltzer-Cohen, suggested prosecutors were abusing "grand jury power", and that "the likely purpose of her subpoena is to help the prosecutor preview and undermine her potential testimony as a defence witness for a pending trial".Her lawyers have also argued that the courtroom was improperly sealed during substantial portions of the hearing.Manning had been held in "administrative segregation," also known as solitary confinement, for nearly a month after the contempt finding, which her lawyers protested. Her support team tweeted from her account on April 4 that she'd been moved into general population at the Truesdale Adult Detention Center in Alexandria, Virginia.
In a comment released by a spokesman, Manning said that while disappointing, the appeals court ruling will still allow her to "raise issues as the government continues to abuse the grand jury process". "I don't have anything to contribute to this, or any other grand jury. While I miss home they can continue to hold me in jail, with all the consequences that brings. I will not give up. Thank you for your love and solidarity through letters and contributions,"
The fact that Manning is still in jail is one of the clearest signs that federal prosecutors are still investigating Assange and WikiLeaks and mulling additional charges. Assange was arrested by United Kingdom authorities on April 11 at the Ecuadorian embassy in London, in part because he faces an indictment in the United States that charges him with conspiring with Manning to hack into US Defense Department computer systems in 2010.

Donate to Chelsea's legal defense here

https://actionnetwork.org/fundraising/chelsea-manning-needs-legal-funds-to-resist-a-grand-jury-subpoena

And write her a letter of support here

Chelsea Elizabeth Manning
A0181326,
William G. Truesdale Adult Seention Center,
2001 Mill Road, Alexandria
VA 22314
USA

40th anniversary of the murder of Blair Peach

 Blair Peach  died from a broken skull on the 23rd of April 1979, as a result of  being struck on the head  by a truncheon wielding policeman from the Special Patrol Group during a demonstration outside Southall Town Hall, people will march in his honour in London, near a primary school that's named after him. A plaque  will also  be unveiled in memory of him and Gurdeep Singh Chaggar, a local man who was killed by a racist gang in 1976.

Clement Blair Peach was born in New Zealand on the 25th of March 1946.  He studied at Victoria University of Wellington and was for a time co-editor of the Argot literary magazine with his flatmates Dennis List and David Rutherford. He worked as a fireman and as a hospital orderly in New Zealand before moving to London in 1969 and started working as a teacher at  the Phoenix School in Bow, Towe Hamlets, East London, a special needs school.
Peach was no stranger to radicalism and protest; he was a member of the Socialist Worker’s Party, as well as the Socialist Teacher’s Association and the East London Teacher’s Association, both within the National Union of Teachers. A committed anti-fascist.In 1974 he was acquitted of a charge of threatening behaviour after he challenged a publican who was refusing to serve black customers. He was also involved in campaigns against far-right and neo-Nazi groups; he was well known for leading a successful campaign to close a National Front building in the middle of the Bangladeshi community around Brick Lane. He was also arrested in April 1978, outside a public meeting held by the NF in an East London school. The police had arrested a fellow demonstrator, who was black and female. Peach instinctively placed himself between the woman and the arresting officer and said, “Leave her alone, she has not done anything.” He was arrested, and pleaded not guilty but was convicted, receiving a fine of £50.
Peach was elected President of the East London Teachers Association in 1978. Twice that year he was attacked by supporters of the National Front as he cycled home from teaching at the Phoenix School, and he suffered black eyes, bruising and cuts. According to the East Ender newspaper, “Doctors fear permanent damage may have been done to one of his eyes. His finger has been bitten through to the bone shredding the nerves.” Even before 23 April 1979, Peach was putting his body on the line in the cause of the struggle against fascism.
On St. George’s Day 1979, the fascist National Front held a meeting in Southall Town Hall. The Front had almost no supporters in the area, but was hoping to gain publicity by bulldozing its way through the Asian districts of outer London. The Anti-Nazi League held a counter demonstration outside the Town Hall. Peach was one of 3000 people to attend. The demonstration turned violent; over 150 people were injured, and 345 arrests were made.
Peach sustained a blow to the head from a weapon by a police officer at the junction of Beachcroft Avenue and Orchard Avenue, as he tried to get away from the demonstration. that left him staggering in to a nearby house. The impression is sometimes given that Blair Peach died instantly in the street but in fact he was still conscious though very dazed and finding it hard to speak when the ambulance arrived a quarter of an hour after the injury.  There was no blood or external trauma but it’s clear that he was suffering from a swelling in the brain, what’s termed an extra-dural haematoma. Blair Peach died in an operating theatre at the New Ealing District Hospital at 12.10am. He was only 33 years old. At least three other anti fascist protesters were hit so hard to the head that their skulls were fractured.
Peach’s death struck a chord amongst the communities he had stood up for, and across the city as a whole. A few days after his death, 10000 people marched past the spot where he was fatally injured. His funeral was delayed by several months, until the 13th of June, but that was also attended by 10000 people. The night before his funeral, 8000 Sikhs went to see his body at the Dominion Theatre in Southall.
In the aftermath of Peach's murder, protesters were everywhere, flyposting, speaking, organising, discussing the lessons. The police were around, in very large numbers, but they did not dare to stop people from organising. It was almost as if the police were shamed by the enormity of what they had done. June 1979 also saw a 2,000-strong first Black people’s march against state harassment through central London.

Police investigated themselves in the aftermath of Blair Peach's death and identified  6 cops, 1 of whom administered  the fatal blow. No one has ever been charged.. 

The death of Blair Peach was the dire outcome of a double-edged state racism. The police that day staunchly protected a racist gathering in a predominantly Asian community, while unleashing militarised measures of control and punishment on demonstrators looking to oppose the fascists (Institute of Race Relations, 1979).http://www.irr.org.uk/
Blair Peach’s death became a focal point for those who questioned the nature of the Special Patrol Group and the general lack of police accountability which that force epitomised. And, from the agitation of Blair’s family, especially his long term partner Celia Stubbs, about the inadequacy of the inquest system and the secrecy surrounding the coroner’s court and the evidence withheld from the family, was created the organisation INQUEST.
The Metropolitan Police commissioned an internal inquiry into what happened, which was led by Commander John Cass. 11 witnesses saw Peach struck by a member of the Special Patrol Group (SPG). The SPG was a centrally-based mobile group of officers focused on combating serious public disorder and crime that local divisions were unable to cope with. It started in 1961, and was replaces in 1987 by the Territorial Support Group, which also has a less-than stellar reputation amongst activists.
The pathologist’s report concluded that Peach was not hit with a standard issue baton, but an unauthorised weapon like a weighted rubber cosh,or a hosepipe filled with lead shot. When Cass’ team investigated the headquarters of the SPG, they found multiple illegal weapons including truncheons, knives, a crowbar, and a whip. 2 SPG officers had altered their appearance by growing or cutting facial hair since the protest, 1 refused to take part in an identity parade, and another was discovered to be a Nazi sympathiser. All of the officers’ uniforms were dry-cleaned before they were presented for examination.
Cass concluded that one of 6 officers had killed Peach, but he couldn’t be sure who exactly, because the officers had colluded to cover up the truth. He recommended that 3 officers be charged with perverting the course of justice, but no action was ever taken. The results of the inquiry were not published, and the coroner at the inquest into Peach’s death refused to allow it to be used as evidence, despite making use of it himself. Two newspapers, the Sunday Times and the Leveller, published leaks naming the officers that had travelled in the van that held Peach’s killer. They were Police Constables Murray, White, Lake, Freestone, Scottow and Richardson. When the lockers of their unit were searched in June 1979, one officer Greville Bint was discovered to have in his lockers Nazi regalia, bayonets and leather covered sticks. Another constable Raymond White attempted to hide a cosh. The failure of the authorities to adeguately invstigate Peach's murder left a huge feeling of resentment. Celia Stubbs, said: "This report totally vindicates what we have always believed - that Blair was killed by one of six officers from Unit 1 of the Special Patrol Group whose names have been in the public domain over all these years."
An annual award  has since been  presented by the UK's National Education Union to teachers to carry on Blair Peach's  memory  and after his death a number of writers have dedicated poems to his memory, including Chris Searle, Michael Rosen and Susannah Steele, Louis Johnson, Edward Bond, Sigi Moos, Sean Hutton and Tony Dickens, and songs including  the following  by dub poet Linton Kwesi Johnson  in Jamaican patois.

 :

Everywhere you go its the talk of the day,
Everywhere you go you hear people say,
That the Special Patrol them are murderers (murderers),
We cant make them get no furtherer,
The SPG them are murderers (murderers),
We cant make them get no furtherer,
Cos they killed Blair Peach the teacher,
Them killed Blair Peach, the dirty bleeders.

Blair Peach was an ordinary man,
Blair Peach he took a simple stand,
Against the fascists and their wicked plans,
So them beat him till him life was done.

Everywhere you go its the talk of the day,
Everywhere you go you hear people say,
That the Special Patrol them are murderers (murderers),
We cant make them get no furtherer,
The SPG them are murderers (murderers),
We cant make them get no furtherer,
Cos they killed Blair Peach the teacher,
Them killed Blair Peach, the dirty bleeders.

Blair Peach was not an English man,
Him come from New Zealand,
Now they kill him and him dead and gone,
But his memory lingers on.

Oh ye people of England,
Great injustices are committed upon this land,
How long will you permit them, to carry on?
Is England becoming a fascist state?
The answer lies at your own gate,
And in the answer lies your fate.

Campaigners are now  demanding a fresh inquiry into Blair Peach's death Gareth Peirce, the lawyer who defended many of those arrested in 1979, said: “Unquestionably a public investigation is required as to what happened and why it was covered up for so long. A man was killed, wholly innocent people were convicted and evidence against them fabricated.
“The police went out to deliberately inflict injuries on innocent people and were being provocative and racist. An onslaught of violence was unleashed on the Southall community and other protesters. The Hillsborough inquiry shows that reopening investigations into incidents that happened in the past is not only important but achievable.”
Darcus Howe  writer and anti racist activist remarked: “The death of Blair Peach is a lasting injustice. But it is also a pressing issue because there is no evidence that the policing mistakes that led to the death of Blair Peach have been consigned to the past.”
It is sad  that  battles which were fought against state-sanctioned violence and far-right racism are still the battles being fought today, and we should not forget that Blair Peach wasn’t the first person nor the last to be killed by the  police, since his murder Mark Duggan, Ian Tomlinson, Jean Charles de Menezes; are some other people who have  had the misfortune of being famous because they were killed by the Metropolitan Police. The fight for justice goes on, as does Blair Peach's legacy who  believed in the inclusion of everyone no matter what race, religion or educational ability. We must continue to  confront and resist the forces of fascism and racism everywhere.

Earth Day 2019

The first Earth Day was April 22, 1970. The idea was to raise awareness about our role in protecting our natural world.
It originally started out as more of a political movement, though today it has become a popular day for many communities to clean up litter, plant trees, or simply reflect on nature.
It was in 1970, that Wisconsin Senator Gaylord Nelson and an activist John McConnell separately asked Americans to join in a grassroots demonstration. McConnell chose the spring equinox (March 21, 1970) and Nelson chose April 22.
Earth Day continues to be widely celebrated. The focus of Earth Day 2019 is protection of Earth species. The Earth Day Network, which runs Earth Day, claims that we are now losing species at 1,000 to 10,000 times the normal rate.
Insect populations have decreased by more than 45% worldwide, 40% of the world’s bird species are in decline, and beekeepers report annual hive losses of 30% or higher.
Many species will disappear before we learn about them or the benefits they bring to our ecosystems and our planet. The loss is so great that the welfare and future of the human species are threatened. Earth Day 2019 is marked by extreme contradictions. Scientists around the world agree that climate change, caused by an increase and trapping of greenhouse gases within the earth’s atmosphere, is our reality.  Ocean temperatures and acidity, sea levels, and coastal flooding are on the rise because of temperature shifts. As a result it is the greatest existential crisis facing humanity today.
According to Guardian Columnist George Monbiot, capitalism is destroying the earth and we need a new human right to fight for future generations https://www.theguardian.com/commentisfree/2019/mar/15/capitalism-destroying-earth-human-right-climate-strike-children and only rebellion will prevent an ecological apocalypse https://www.theguardian.com/commentisfree/2019/apr/15/rebellion-prevent-ecological-apocalypse-civil-disobedience. 
Today’s planetary ecological crisis is due first and foremost to the increasing scale of the capitalist world economy. Capitalism is a system totally reliant on the exploitation of nature, whether that be sacrificing our clean water to frack for hydrocarbons or sacrificing our children to the production line. We must deelop new ideas of what a different future may look like outside the  constraints of both capital and fossil fuels in order to move forwards to a sustainable future for humanity, instead of one of catastrophe.
Meanwhile  inspiringly protests calling for the UK government to declare a climate emergency have entered a second week.Activists have stopped traffic in a series of demonstrations across London since Monday with actions including fixing a boat at the junction of Oxford Street and Regent Street, occupying Waterloo Bridge and disrupting the Docklands Light Railway by climbing on a train.
A total of  963 people had been arrested as of 7pm on Sunday while 40 have been charged in connection with the protests, the Met Police said.
A spokesman for the Extinction Rebellion movement said there would be no escalation of activity on Earth Day, but warned that the disruption could get "much worse" if politicians were not open to their negotiation requests. The activists are holding a "people's assembly" at Marble Arch today between 3pm and 5pm, to decide where they go next.This will be followed by a feast celebrating "life, community and collectivity". Everyone is invited, and attendees are encouraged to bring throws and flowers to decorate tables.
We should keep demanding a system change not Climate Change. There really is no Plan B, not yet at least. This world is all we have. Earth Day is a day to recognize the richness of our planet and, as its trustees, do everything we can to protect it. Happy Earth Day.

Here are six further ways one could mark Earth Day:

• Pledge to stop using pesticides to save pollinators
• Use safer sunscreen to protect coral
• Organise a "clean up" of your community
• Use the Earth Day Network's  plastic calculator  to track, then reduce, your plastic waste
• Plant a tree
• Calculate your carbon footprint and work out how to offset it
   

For details of events in your area, visit www.earthday.org .

O Spring-time sweet!
The whole Earth smiles, thy coming to greet.

–Unknown

' Our origins are of the earth. And so there is in us a deeply seated response to the natural universe wihich is part of our humanity.' - Rachel Carson

The Mekons - Deserted

The Mekons, a band that I have long loved, first emerged from the 1977 British punk scene, and progressed from socialist art students with no musical skills to the prolific, raucous progeny of Hank Williams. They have been releasing music  which  has combined politics with post-punk, folk and country music for  the last 40 years as radical innovators of both first generation punk and insurgent roots music.  For years continuing while staying true to the punk ethos. Political provocateurs. Social agitators. Punk's reigning contrarians willing outcasts, exuberant luddites the Mekons have been called all this and more. The late Lester Bangs  called them “the most revolutionary in the history of rock’n’roll” the Mekons were notorious, as critic Greil Marcus notes, for being “the band that took punk ideology most seriously.
There story began at the University of Leeds, where a politicized student body was further ignited by the Sex Pistols’ “Anarchy in the UK” tour of ’77. Out of that flashpoint came one great band ,Gang of Four and a group of incompetent malcontents who picked up Gang of Four’s instruments when the group wasn’t looking.

They were from the outset highly principled stating ”That anybody could do it; that we didn’t want to be stars; that there was no set group as such, anybody could get up and join in and instruments would be swapped around; that there’d be no distance between the audience and the band; that we were nobody special”

They  called themselves the Mekons after a sci-fi movie villain from the popular 1950’s comic The Eagle . releasing singles on a variety of labels and their first album, The Quality of Mercy Is Not Strnen, was recorded using a friends bands instruments. Due to an error by the record company art department the cover featured pictures of, fellow Leeds band, Gang of Four by mistake.

The group’s first iteration was a purposefully sloppy mix of mangled power chords and ideological messages, some of them aimed at the punk revolution itself; the Mekons answered the Clash’s “White Riot” with the reality bites of “Never Been in a Riot.” They played benefits for striking miners and fought hard against the short sharp shock of Margaret Thatcher’s domestic policies.After The Mekons Story compilation in 1982 the band called it a day, with Langford forming The Three Johns, and that seemed to be that.
However they soon returned and began pumping out album after album again on a multitude of labels and even at one time making it onto a major though the resulting album was a commercial flop and though it was loved by the fans they were soon dropped like the proverbial hot potato and cut adrift again.
The band’s discovery of folk music and honky-tonk in the early ’80s recharged them for the long run; The band's longtime members - Jon Langford, Tom Greenhalgh, Dick Taylor( a greying elder who’d been in the very first Rolling Stones lineup) and Kevin Lycett - had added a superb fiddle player Susie Honeyman, an accordionist Rico Bell, multi-instrumentalist Lu Edmonds formely of the Damned. and a professional drummer, Steve Goulding (from Graham Parker's band, the Rumour), whose beat steadied the band somewhat, and then  Sally Timms arrived, her voice wicked with the weight of class warfare and long nights drinking at the local.
The albums of this era — from “Fear and Whiskey” (1985) to “I [heart] Mekons” (1993) — are majestic works of roots-rock entropy, angry and exhausted, daring and funny. Their track
“Robin Hood”, interspersed choruses from Percy Bysshe Shelley with attacks on Winston Churchill as villain “shooting down/the South Wales striking miners”,  and they occupied roughly the same musical space as the Oysterband. When they recorded  ''Fear and Whisky,'' the Mekons had been transformed by exposure to American music, especially honky-tonk country and Cajun music; both are connected to British and Celtic traditions from the home front.
With abundant good humor and dark irony they  released The Mekons Rock ’n’ Roll” in 1989  it was recieved very favourably  . 'Rock-and-roll'' turns up all over the album. The sprightly ''Club Mekon'' links rock to sex, but not in the standard way; for the Mekons, each is ''a commodity, to be bought and sold.'' In ''Learning to Live on Your Own,'' a ballad, Ms. Timms sings that she'll ''throw a rock-and-roll song on the fire''; in ''Amnesia,'' a jumble of images from the 1960's, band members bellow, ''any old army high on drugs/ fight that rock-and-roll war.''Not that rock-and-roll is the only target for the band's skepticism. ''Empire of the Senseless''
Over the years and after the band had learnt to play their instruments their musical style transformed and The Mekons were now famous for playing country and folk music as well as brief forays into rock and even dub reggae. With around twenty albums to their name plus untold amount of singles and EP’s as well as appearances on dozens of compilations

For more than four decades they’ve been a constant contradiction, an ongoing art project of observation, anger and compassion, all neatly summed up in the movie Revenge of the Mekons, which has ironically brought an upsurge in their popularity around the US as new audiences discovers their shambling splendour. That the band is still with us nearly four decades after its founding, the only one of British punk’s class of 1977 still standing , is remarkable in itself. More endearing is that the Mekons’ shaggy, jaded-but-jovial communal ethos still holds strong, embracing alt-folk, country-punk, pub-rock, leftist rage, boozy humor, a rotating cast of men and women, and a dedication to taking nothing seriously but the music and the moment.
Critically and cultishly adored The Mekons deserve to be much more well known as they continue to make innovative original music  while staying true to the punk ethos. After a bit of a  hiatus these beloved survivors are back with Deserted, their first full studio album in eight years. Their new album was recorded in the desert environs of Joshua Tree, California after,the group’s bassist The Baron (aka Dave Trumfio) set up a studio in  the Yucca Valley, where the Mekons  became inspired by the surroundings, leading to the writing and recording of Deserted. “There are deserts everywhere. We took time to ponder the vastness and the weirdness of the desert. Going to the country to get your head together is a ripe old rock cliché. We went to the desert to have our brains scoured… We went from one desert to another. A more hopeful place where we arm ourselves with spikes and endure" main man Jon Langford has said and their new album is  every bit as bold, raw and imaginative as the work that’s established them as one of the most revolutionary groups in punk-rock history.

They have managed to craft something very much in keeping with their surroundings.and is drenched with widescreen, barbed-wire atmosphere and hard-earned (but ever amused) defiance. Deserted is still rooted in their dual comfort zones of raucous post-punk and rollicking alt-country, folk balladry, sea shanties and whatever else strikes their creative fancy.
The formidable opening track  “Lawrence Of California”, is inspired by the guitarist Tom Greenhalgh wandering in Joshua Tree National Park, it arrives on a swell of feedback that erupts into a shout-along gang vocal that  remind us  they’ve lost none of the firebrand punk spirit on which they were originally founded.

The next song “Harar, 1883” imagines the patron saint of punk poetry, Arthur Rimbaud’s time spent in the area of Harar, where he, “…was not troubled in the least / To give up writing poetry.”
The almost pastoral  'How Many Stars' ' sees Tom Greenhalgh’s deadpan vocals unravel a magical and occasionally mystical tale, which looks to the massive desert night sky pondering the universe and the hereafter while  in the harshness of the environment. As beautiful and moving as this song is, there is still humor in a line like “For I am pickled, I am done.” Yes, it’s a folk song about death. 

“In The Desert”, Sally Timms sings about a shattered statue half sunk, a “creature of Bush and Blair”, a reference to the Gulf War and sees her quoting from the closing three lines of Shelley’s poem “Ozymandias.”
The raucous 'Mirage’ follows and is anything but a dreamy number.It's raw and exciting.Calling out Mark E Smith’s name in  a brightl lit alley, as guitars grind away like buzz saws amid cries of “Where you hiding?“  “This is as good as it’s going to get/Between the mirage and the sunset.”
The beautiful"Weimar Vending Machine ” makes a direct reference to “Alabama Song”by Bertolt Brecht and Kurt Weill (also known as “Moon Of Alabama”), a song that The Doors covered  turning into  a delightful David Bowie tribute “That starts off about Iggy Pop in Berlin,” Langford explains. “There’s a story that he went to a vending machine and saw the word ‘sand’. He put his money in and a bag of sand came out.”
Then there is  the gorgeous  rambling “Andromeda”,  with a jaunty reggae beat that  is undercut  by Langford’s echoey, distorted vocals and really lovely violin playing. It’s as left-field as The Mekons can get. The album ends with the atmospheric ‘After The Rain’. It has a dark and haunting sound, a cinematic, elegiac farewell that finds the Mekons on top of their game.

 
The Mekons are without a doubt still passionate, it's embedded into everything that they do. Upon the whole the album looks like a musical landscape, that is monumental but is subject to chaos.The LP sounds fresh and not out of time.  Deserted  is a joy and  marks the welcome  return of one of the planet's most essential rock and roll bands that after 40 years still have something to say. Deserted is the Mekons at their finest, and is a proud addition to their catalog. It's folk music by folks who are pissed and disillusioned, lost and longing to be found, but only on their terms. It’s a testimony to resilience, showcasing a band still as creatively vital as when they first formed, living up to their reputation ' as the only band that matters.' The Mekons still  treading their very own idiosyncratic path and because of this the musical world is a much better place for bands and albums like this.Viva the Mekons.

 CD Track List

1. Lawrence Of California
2. Harar 1883
3. In The Sun/The Galaxy Explodes
4. How Many Stars?
5. In The Desert
6. Mirage
7. Weimar Vending Machine/Priest?
8. Andromeda
9. After The Rain

‘Deserted’ is released by Glitterbeat

Easter Bunny Threatens to Strike Against Cages

 

Across the UK, millions of farmed animals are  crammed into tiny cages with no personal space. Rabbits  for example are denied their most basic needs such as solid ground under their feet, room to move, fresh air and sunlight, and grass to eat. They are kept in cages that are barren, cramped and deny the animals space to move freely, unable to express their natural behaviours   or adopt normal postures such as lying stretched out, sitting and standing with their ears erect (species typical “look out” posture) or rearing up to explore their surroundings. They cannot move normally or comfortably, and some don’t even have enough space to perform a single hop. This is bad for their mental well-being, and the lack of exercise can also lead to weakened bones. It is cruel and completely unnecessary as well as being  unaccepteable.
As a result of all this  the Easter bunny is threatening to go on strike in protest at the Governments   lack of response  to the followng petition, that calls on the UK government to end this inhumane practice by banning all cages for farmed animals.
There's not a moment to lose so please add  your name to the following and show the Easter Bunny that humans do want to stop cruel caged farming, he's counting on your support.

https://petition.parliament.uk/petitions/243448

Penguin Modern Poets

 

Over 30 years or so wandering though charity shops and bookshops I've been drawn to editions  of the Penguin Modern Poets, picking up the odd one here and there, they've long been treasured and have been a huge influence on me. Some have been easy to find, but others have been elusive and hard to find, I didn't actively seek them out, just waited for them to appear before me but am pleased to say that this week I have finally completed the set, wonders of wonders ..
When the Penguin Modern Poets series was launched in 1962, it's goal was to introduce conpemporary poetry  to a much wider audience than had previously been the case. Prior to their release, verse was often published in large and expensive, rather off-putting volumes not readily available to less affluent readers. The Penguins, however were slim, inexpensive and therefore readily available to all; as well as being much less intimidating to look at, with beautiful colourful covers, with  Alan Spain, Roger Mayne and others creating a distinctive look for them, giving  each one it's own collectable identity.
Each anthology covers three poets, and a total of eighty one writers  containing a large proportion of the most important names in British and American poetry, starting with Lawrence Durrell, Elizabeth Jennings, R. S. Thomas and ending with John Ormond, Emyr Humphreys and John Tripp, were showcased in the series's  twenty-seven book run. Each book was numbered except for one title (the 10th one),The Mersey Sound, which received a full name. They contained no biographical material or critical apparatus  and simply encouraged readers to sample widely and deeply and to compare the merits of the poetries on display. taking in every school of poetry.The series promoted loyalty to modern poetry in general, and of course loyalty to the publisher that championed it.
The anthologies became  very popular, the tenth collection, The Mersey Sound included the works of Liverpool poets Roger McGough, Brian Patten, and Adrian Henri and went  on to become one of the best selling poetry collections of all time.
I have personal favourites , the Corso, Ferlinghetti, Ginsberg and the Bukowski, Lamantia, and  Norse are particularlywell thumbed, and the Penguins have introduced me to the distictive work of  the late Lee Harwood, Kenneth Rextroth, Adrian Mitchell and B.S Johnson whose poetry since have truly appreciated .I must say however that each individual title though stand on their own merit, I love them.Ok  darn guess that makes me a materialist, I like wine too but simply adore turning a page, and I return to these Penguins time and time again.

Astonishingly all mine are still in rather  good nick, since so many of these Penguin’s had glued spines that exploded into dust,  have had to replace a few here and there, since former acquaintnces with sticky hands have lifted them, can't really say I blame them, but rather careful nowadays who I let through the door. Though I confess i'm a bit  of a hoarder, friends have been free to borrow if asked, , I'm really not that possessive, though.
They were followed by a second series of 13 new "Penguin Modern Poets" in the 1990s, and yet another series had its debut in 2016, and has now reached its seventh volume. I only have one of these, a collection that includes the poetry of one of my favourite writers Iain Sinclair. These collection are no doubt equally worthy, but they somehow lack the excitement of the original series.

Anyway all power to poetry and the poets that create them.
 
Here’s a list of the books and poets:

1. Lawrence Durrell, Elizabeth Jennings, R. S. Thomas

2. Kingsley Amis, Dom Moraes, Peter Porter

3. George Barker, Martin Bell, Charles Causley

4. David Holbrook, Christopher Middleton, David Wevill

5. Gregory Corso, Lawrence Ferlinghetti, Allen Ginsberg

6. George MacBeth, Edward Lucie-Smith, Jack Clemo

7. Richard Murphy, Jon Silkin, Nathaniel Tarn

8. Edwin Brock, Geoffrey Hill, Stevie Smith

9. Denise Levertov, Kenneth Rexroth, William Carlos Williams

10. Adrian Henri, Roger McGough, Brian Patten (entitled: The Mersey Sound)

11. D. M. Black, Peter Redgrove, D. M. Thomas

12. Alan Jackson, Jeff Nuttall, William Wantling

13. Charles Bukowski, Philip Lamantia, Harold Norse

14. Alan Brownjohn, Michael Hamburger, Charles Tomlinson

15. Alan Bold, Edward Brathwaite, Edwin Morgan

16. Jack Beeching, Harry Guest, Matthew Mead

17. W. S. Graham, Kathleen Raine, David Gascoyne

18. A. Alvarez, Roy Fuller, Anthony Thwaite

19. John Ashbery, Lee Harwood, Tom Raworth

20. John Heath-Stubbs, F. T. Prince, Stephen Spender

21. George Mackay Brown, Norman MacCaig, Iain Crichton Smith

22. John Fuller, Peter Levi, Adrian Mitchell

23. Geoffrey Grigson, Edwin Muir, Adrian Stokes

24. Kenward Elmslie, Kenneth Koch, James Schuyler

25. Gavin Ewart, Zulfikar Ghose, B. S. Johnson

26. Dannie Abse, D.J. Enright, Michael Longley

27. John Ormond, Emyr Humphreys, John Tripp