Saturday, 19 November 2016

Joel Hill ( 7/10/1879 - 19/11/15) - Gone but not forgotten.



On 19 November 1915: Swedish songwriter, cartoonist and itinerent worker, Joel Emanuel Hagglund, aka Joe Hill, was executed by firing squad in Salt Lake City, Utah, for a crime he didn't commit. Joe was an organiser and songsmith for the anarcho-synicalist Industrial Workers of the World. The Wobblies as IWW members were called, were unrepentant revolutionaries, calling for ' one big union' and for the overthrow of capitalism.
Swedish born, he emigrated  to New York aged 23, with his brother Paul, after the death of his parents, spending his time as a wandering itinerant and musical troubadour, engaging in the struggles of his time, hopping from one freight train to the next, working as a labourer, washer of dishes, sweeper of floors, moving cargo on docks, picking crops and working in construction. He was later to adopt the name Joe Hill after being blacklisted after trying to start  a union in Chicago.
Joe Hill active in the Labour movement  throughout his live,he would go to Mexico at the time of the revolution in 1911, fighting with his comrades under a red flag like the true rebel that he was, tryng to overthrow the dictator Porfirio Diaz. Next stop onto San Diego in 1912vto support fellow workers protesting against police banning of street meetings. Then onto British Columbia helping organise a national construction strike, then on to San Pedro to help dockworkers. Joe saw his music as a weapon in the class war, composing songs to be sung on soapboxes, picket lines or in jail.Hill had taken popular songs of the day and inserted his own lyrics,satirical, irreverent, often humorous,commenting on the plight of the working class in America. 
He would inspire many, his fellow workers and comrades, but to the bosses he was someone to be feared, someone they considered dangerous, he was in their eyes a marked man. 
In January 1914, he was arrested in Salt Lake City on trumped up charges and accused of murder. On the evening of 10th January 1914 in Utah  he sought medical treatment for gunshot wounds, he claimed they had been inflicted upon him after quarrel with a man over a woman, and refused to elaborate anymore, earlier that evening in another part of town, a grocer and his son had been shot and killed. One of the assailants was wounded, so Hill's injury  implicated  him in the incident. Yet despite the uncertainty of witnesses, no one coming forward to identify him as one of the assailants at the scene of the crime no blood of Hills found at the scene a local jury was convinced of his guilt. No physical  evidence linking him to the murder he was accused of.
He was scheduled to be shot by firing squad,  this  caused outrage across the world.  an international campaign to exonerate him was launched, from Britain to other European countries and even President Woodrow Wilson calling for a retrial.  Those looking at the case eventually declared its willingness to hear testimony from the woman's husband, but Hill loyally  refused to identify his alleged assailant in case it damaged the reputation of the lady involved.
Sadly the eventual day came and he was executed and shot down by firing squad on this day 19th November 1915. 
Whilst waiting his execution he wrote the following words which were later turned into song :-

My will is easy to decide
for I have nothing to divide
My kin don't need to weep and moan
Moss does not cling to a rolling stone
My body?  oh, If I could choose
I would to ashes it reduce
And let the merry breeze blow
My dust to where some flowers grow
Perhaps some fading flower then
Would soon grow up and grow green again
This is my last and final will
Good luck to all of you, Joe Hill

In his final letter to IWW leader Bill Haywood he wrote: "Goodbye Bill. I die like a true blue rebel. Don't waste any time in mourning. Organize."
He died proclaiming  his innocence and just before he was assassinated  in reply  to a question if he had anything further to say he answered "Fire" unfortunately they did.
Up to 30,000 people would attend his funeral, he was subsequently cremated and his ashes divided into 600 envelopes, that were sent to IWW branches across the globe. From his conviction  to his death he became an icon for workers everywhere,  and his subsequent  execution sent echoes around the world. For many his spirit and his legacy lives on.


The Ballad of Joe Hill - Phil Ochs

Make Royals Pay for Palace Renovation.


Yesterday it was announced that the royal residence of Buckingham Palace is to undergo a major  refurbishment to the whopping estimated cost of £389 million,at a time when there is a national housing crisis, the NHS is in crisis, austerity is forcing cuts in many front line services.
In these hard times  how many hungry mouths could be fed, instead of wasting it on these parasites.Currently Liz and her family are currently extremely wealthy individuals living rent-free, whilst many of the Queen's subjects are increasingly finding it hard to get by. Britain is going through a time of national economic and social stress due to Brexit, austerity and so on.The Conservative Government currently imposing a draconian, financially-crippling sanction system on jobseekers because they don’t want to pay any money to people who are out of work and simply don’t care if those people come to harm as a result.I'm sure the oldest and most vulnerable in our society are happy Liz is having her house refurbished at tax payers expense, when they cant afford to heat their homes or put enough nutritional meals on the table.Over a million Brits were forced into using foodbanks last year, the NHS is in ".5bn of debt, with hospital chiefs warning us its capacity is stretched to breaking point.And if the public wasn't angry enough already, despite their being no money in the pot for a collapsing NHS, the government have managed to find an extra £389 million down the back of sofa for repairs to flipping Liz's 775 extravagant pad.
The royals think Buckingham Palace is theirs to use and ours to pay for,but its time they were told to look after the buildings themselves, raise their own revenue to fund maintenance or time for them to give the palace back to the people. It would probably be far less expensive to actually  knock the run down building down, it is not fit for purpose anyway , a relic of another age, Liz does not even spend much time there anyway, over at her other modest pads, windsor or balmoral. We could alternatively replace it  and build much needed affordable social houses on the site and simply abolish the monarchy at huge savings to the whole country and the public purse. It's not even the most beautiful building to look at , just an extravagant untidy mess.
In terms of public  perception. the timing of this announcement could not have been worse,thousands of  people seem to think,that it is the royals themselves who should foot the bill for Her Maj’s luxury pad.A petition suggesting The Crown and its estates should pay for the renovations has received just shy of 15,000 backers. I would urge you sign it , the British monarchy have sponged of us long  enough. While they keep  receiving more free money from tax payers while there are cuts to NHS, cuts to ESA and other disability benefits, homelessness and poverty are rife and we are told this is austerity. This  latest announcement is immoral and obscene.It is vile that we are even considering this at all. Public money should not be wasted away for this purpose when there are so many more pressing needs of much more deserving urgency. Whatever your beliefs about the monarchy, it is a slap in the face to know that due to financial mismanagement within the Royal Household that  their buildings have fallen into such states of disrepair. It is time to stop using public money to prop up them up,the decision to give away our money wasn’t actually  made by the royals ,it was made by Theresa May and her Conservative Government, their handing the royals £396m for a makeover of Buckingham palace is simply scandulous and outrageous.
The Queen using some of her vast wealth to pay for the upkeep of the Palace - would be an act that I could support and one that would create greater national unity.I just don't want the funds to come out of benefits for pensioners struggling to pay heating bills, single-parent families, funds for the NHS etc at this difficult time.

Friday, 18 November 2016

Today We Sing (Project Zouqaq)


Today We Sing (Project Zouqaq)

Inspiring music video from the Gaza strip which allows us to see this place from a different perspective. In this place where electricity flows for just eight hours each day, in this open prison where 1.8 million Palestinians are  now contained. Many young Gazan musicians and singers  are starved of permanent performance spaces,but despite bombardment, explosions, rockets, violence, struggle, terror, borders, all these restrictions, increasingly many are now using the internet ,when  that is they can access it ,to display their talents and share their messages of hope, peace and freedom to the world. Awesome. May they keep on singing.

 https://www.youtube.com/watch?v=arSHRKBXOxU&app=desktop

Director
Yousef Nateel
Art Supervisor
Abd Alrahman Alsabbah
Director of photography
Hussien Jaber
Camera Cast
Hussien Jaber
Khalid Tuaima
Youssif Almashharawi
Camera Assistant
Marwan Alsawaf
Mohammed Nateel
Khalil Nateel
Drone
Rushdi Alsarraj
Editing
Yousef Nateel
Color Correction & Grading
Mahmoud Abu Zayda
Music arrangement
Mohammed Salem
Music Supervision
Alaa Shublaq
Mohammed Albaz
Mixing and Mastering
Ali Aljojo
Recorded at
Mashael Studio
Oud Player
Mussa Abu ZanounaReem AnbarGuitaristMohammed AlbazAya Mghamis
Cajon DrumSaid Fadel
Performers by order
Khaled Abu Ramadan
Ameer Abu Mualiq - CAMP’S SON
Mahmoud Salman - INTIFADA
Iyad Zorob - RIOTS
Mohammed Lafi - RIOTS
Zina Abu Al Ouf
Abd El Monem Awad AKA FAWDA
Mahmoud Almughrabi – Almughrabi
Mohammed Alaidi – Handala
Sari Ibrahim
Ayman Mghamis – Abu Joury
Hadeel Fawzi
Mohammed Albaz
General Supervisor & Coordinator
Ayman Mghamis aka Abu Joury
Special Thanks
Montaser Alsabe
Hazem Alabyad
Hussein Owda
Anas Alnajjar
Mohammed Almadhoun
Fares Anbar
Special Thanks To Marna House Hotel
Produced by
Riksteatern logo
Funded by
Postkodlotteriet logo

Executive Producer
SKILLS MEDIA PRODUCTION
HARDY SKILLS Group
© 2016

Wednesday, 16 November 2016

An injury to one is an injury to all


On June 27th, 1905, The Industrial Workers of the World , also known as the wobblies was founded at a twelve day Convention in Chicago.In the belief that industrial unionism, could it come into being, would tend to be revolutionary.The wobbly motto is ' An injury to all  is an injury to all.'
They were noted for their use of poetry and song to promote their radical ideas, publicise strikes and other protests and generally present the case that still  holds up today, that there can be no solution to industrial warfare, no end to injustice and want, until the profit system itself is abolished.In striving to unite labor as a class in one big union. The IWW also seeks to build the structure of a new and better social order within the shell of the old system which fails to provide for the needs of all.Combined with a commitment to workers solidarity which they have a rich history off, along with their militant tactics.
Their work was designed to provoke thought, and was deliberately immediate in its message, in order to get it across to as many people as possible. In the present moment progressives- and in fact, all people of good will- need to reassert and embrace the political, social and economic case for, “An injury to one is an injury to all.” We need to explicitly and loudly embrace a movement across the divides of race, religion, ethnicity, gender and sexual identity against hate and greed.
The wobblies  are still going strong , still organising, still resisting.In these divided times,of economic despair,  they continue to be a strong radical voice that stands defiantly, on behalf of the people, following an old tradition of solidarity that does not seperate along lines of nationality, race or gender, speaking too to the unemployed, the sick, and  the marginalised  spreading messages of hope among the carnage that is  currently being unveiled.
I happen to be a member, an organisation that I believe does not condemn the actions of its membership, that listens and understands.

An injury to one is an injury to all


Whether you're a Socialist, Trotskyist

Marxist-Leninist, anarchist,

or a concerned individual

you do not have to feel alone,

we need to have each other's back

when we're under fascist attack,

standing  as one,  from branch to branch

building a fairer world, within our grasp,

working for equality against exploitation

defending oppressed people across the globe,

solutions to problems of injustice we will seek

with unity's strength we can all be free,

solidarity forever, lives and breathes

an Injury to  one is an injury to all.


 Useful links :-
 
https://iww.org/ 

https://twitter.com/_IWW 

https://www.facebook.com/IWWCymru/posts/1920730238154603 

Tuesday, 15 November 2016

The continuing relevance of Woody Guthries song Deportee ( Plane Wreck at Los Gatos.) and the power of Song




One of Woody Guthrie's greatest protest songs,is Deportees.It details the tragic event of January 28, 1948 and the crash of a U.S Immigration Service plane near Los Gatos Canyon, 20 miles (32 km) west of California, carrying undocumented immigrants who were being deported from California to Mexico. During World War II there was a shortage of farm workers in California so the federal government set up the braceros program which allowed Mexican immigrants to legally come to California and relieve the shortage. A common trick of the time was to bring the low-paid workers over the border from Mexico with contracts that were intentionally flawed (in English) so that they would have no legal force.Following a season of backbreaking work in California's orchards and fruit fields, the braceros would at times be rounded up as illegals because of the invalid contracts and deported without being paid at all. Once their contracts were up, they were, in a sense, taken back to the border.The Mexican workers were fine to be used as cheap labour and then simply cast aside when they were not needed anymore.After the war, the California growers liked the cheap labor so much that they encouraged (bribed) congress to keep it in place. It wasn't ended until 1964.
Subsequently all 32 people on board this plane were killed. But while news accounts listed the names of the four people in the flight crew, the 28 undocumented victims were just listed as Mexican deportees. This upset folk musician Woody  and inspired by what he considered the racist mistreatment of the passengers before and after the accident, (who were buried in a mass grave and not given individual gravestones, just marked by a single plaque, which read only : “28 Mexican Citizens Who Died In An Airplane Accident Near Coalinga California On Jan. 28, 1948 R.I.P.”) to explode into anger and write a poem entitled "Plane Wreck at Los Gatos." It wasn't until nearly 10 years later that a Martin Hoffman , a teacher put the words to music.Becoming known the world over as "Deportee".Woody humanised the dead migrants as only he could.To Guthrie, they are not merely deportees: They have names (Juan, Rosalita, Jesus, Maria) and families.
Tim Z. Hernandez, a California poet and author, was also offended. In late 2010, while researching archives for his novel “Mañana Means Heaven,” he came across the headline “100 Prisoners See An Airplane Fall From the Sky.” A story about the crash, and it changed the course of his career. He grew up in the farming communities of the San Joaquin Valley, and he connected with Guthrie’s poem because it echoed his own feelings of injustice for the 28 Mexican men and women who were left unnamed. As he continued to read about the incident, Hernandez realized that this plane crash and the crash mentioned in Guthrie’s song were one and the same.But instead of simply lamenting the loss, Hernandez embarked on a nearly two-year quest for the long-forgotten names.Teaming up with the Diocese of Fresno to track down the workers' names, their family members and their stories. While the diocese's church register had partial, misspelled names, the writer and diocese officials pulled death certificates for all the workers and reconstructed their full names. With the help of Carlos Rascon, Director of Cemeteries for the Diocese of Fresno, he obtained lists from the Fresno Hall of Records, the Deparment of Labour and St. John’s Cathedral, where the original funeral mass was held. The lists matched, and the two worked to adjust misspellings of the names. Hernandez also decided to write “All They Will Call You,” a book about the tragedy to try to bring attention to those who were forgotten which hopefully will come out next year.
Also with the solidarity and help from the folk and grassroots community was able to amass enough money for a new headstone to mark their memory. Like Woody Guthrie before him he knew that immigrants were more than just labels like “illegal” or “deportee,” they were human beings that deserved to be treated with respect and dignity.The victims were honored in September 2013 by more than 600 people who had gathered at Holy Cross Cemetery in Fresno for an elaborate memorial service and the unveiling of a large headstone that lists each victim.Renditions of "Deportee" were performed at the memorial.

 Their names read thus :-

Miguel Negroros Alvarez

Francisco Llamas Duram

Santiago Garcia Elizondo

Rosalio Padilla Estrada

Tomasa Avena De Garcia

Bernabe Lopez Garcia

Salvador Sandoval Hernandez

Severo Medina Lara

Elias Trujillo Macias

Jose Rodriguez Macias

Tomas Padilla Marquez

Luis Lopez Medina

Manuel Calderon Merino

Luis Cuevas Miranda

Martin Razo Navarro

Ygnacio Perez Navarro

Roman Ochoa Ochoa

Ramon Ramirez Paredes

Apolonio Ramirez Placencia

Guadalupe Laura Ramirez

Alberto Carlos Raygoza

Guadalupe Hernandez Rodriguez

Maria Santana Rodriguez

Juan Valenzuela Ruiz

Wencealado Ruiz

Jose Valdivia Sanchez

Jesus Meza Santos

Baldomero Marcas Torres

Others aboard the flight:

Francis “Frank” Atkinson, Long Beach, pilot

Marion Harlow Ewing, Balboa, co-pilot

Lillian “Bobbie” Atkinson (married to Frank), Long Beach, stewardess

Frank E. Chaffin, Berkeley, immigration guard

It is the power of a song that has kept this tragedy of this incident alive, long after all the participants and witnesses have died.After stealing Mexican  and Native American land for years, despite this history of injustice a certain politician now wants to build even more walls of oppression. This  song continues to reminds us that the immigration problem isn't new, but has a long history. Woody's song, and the wide variety of musicians who have covered the song over the years reflects the sense of loss inspired by the story, and serves to  remind us of the many immigrants who have worked, suffered, been deported and continue to do so.Mexican farm workers, both legal and illegal,  still being used in great numbers. Many of them commute between Mexico and California annually as work comes and goes. Woody's words can still move us, raising attention of the many neglected, disadvantaged, downtrodden  people who are effected by American Governmental policies in our present times.
I am currently delighted however that every morning I wake up I get to read about the fantastic anti Trump demos taking place across the U.S and the amazing people that still manage to find the courage to stand up and speak out for a world where security is based on cooperation and community. And a world where  all people are able to reach their full human potential and are treated with respect. No human is illegal. Love trumps hate and so does human dignity.

Here is a link to Tim Z Hernandez own website that offers much more additional information to the event that inspired Woody Guthrie's poem and song :- https://timzhernandez.com/

Deportees

Words; Woody Guthrie 

Music; Marty Hoffman


The crops are all in and the peaches are rott'ning,
The oranges piled in their creosote dumps;
They're flying 'em back to the Mexican border
To pay all their money to wade back again

Goodbye to my Juan, goodbye, Rosalita,
Adios mis amigos, Jesus y Maria;
You won't have your names when you ride the big airplane,
All they will call you will be "deportees"

My father's own father, he waded that river,
They took all the money he made in his life;
My brothers and sisters come working the fruit trees,
And they rode the truck till they took down and died.

Some of us are illegal, and some are not wanted,
Our work contract's out and we have to move on;
Six hundred miles to that Mexican border,
They chase us like outlaws, like rustlers, like thieves.

We died in your hills, we died in your deserts,
We died in your valleys and died on your plains.
We died 'neath your trees and we died in your bushes,
Both sides of the river, we died just the same.

The sky plane caught fire over Los Gatos Canyon,
A fireball of lightning, and shook all our hills,
Who are all these friends, all scattered like dry leaves?
The radio says, "They are just deportees"

Is this the best way we can grow our big orchards?
Is this the best way we can grow our good fruit?
To fall like dry leaves to rot on my topsoil
And be called by no name except "deportees"?

Here are some of my favourite versions of this song.

Pete Seeger - Deportee


 Christy Moore - Deportee



Ani di Franco and Ry Cooder - Deportee



Outernational with Tom Morello and Cuentame -  Deportee

with moving video that highlights the continuing struggle of migrants and deportees cross this great nation.
 

Supermoon



the moon above me
so calm, still and tranquil,
shedding beams of light
among flickering candles of the stars,
clearing away cobwebs from my head
so far away and distant perhaps,
but in this moment within my grasp
I feel her awesome power,
when I fall asleep in surrender later
between dream and awakening,
she will cling on and wait
continue to release her strength.
.

Monday, 14 November 2016

Fourteen Defining Characteristics Of Fascism - Dr. Lawrence Britt


In the spring of 2003, ex-corporate executive and political scientist Lawrence W. Britt published an essay in Free Inquiry magazine entitled “Fascism Anyone?” In his work, Britt examined the traits of the two governments that formed the original historical model for fascism, Nazi Germany and Fascist Italy, and five other proto fascist regimes that imitated that model, Franco’s Spain, Salazar’s Portugal, Papadopoulos’s Greece, Pinochet’s Chile, and Suharto’s Indonesia. He identified 14 characteristics that were common to all of them.
These traits have since been widely accepted as the 14 defining characteristics of fascism.
Nearly three generations removed from the horrors of Nazi Germany, all of these regimes may have been overthrown, but fascism’s principles can still be found in many nations. History tends to repeat itself because many leaders and nations fail to learn from history, or they draw the wrong conclusions. Surely we are living in frightening times when a individual like Donald Trump with his extremist views, can sway enough voters to allow him to get into his position of power and authority, whose tactics aren’t unlike those of the fascists who came before him. It goes something like this:-
First, they isolate and attack marginalized people with little political power, like Muslims and undocumented workers. Later, they graduate to  other opponents of their dangerous right-wing populism. Finally, they play the victim and deny adamantly that they’ve done anything wrong.Trump's campaign’s overt demagoguery, vicious misogyny, racism, violent speech, and complete disregard for truth and values of human decency combined  with his macho cult of personality have released plausible shouts of fascism from every corner.
The following then considers, in fourteen points, the things which may happen to a culture when it is heading towards a fascistic regime, that can potentially threaten our civil liberties.As Donald Trump  becomes President of the USA by rattling the cages of racial anxiety,with his incendiary rhetoric it still serves as a powerful warning and wake up call,.

1. Powerful and Continuing Nationalism - Fascist regimes tend to make constant use of patriotic mottos, slogans, symbols, songs, and other paraphernalia. Flags are seen everywhere, as are flag symbols on clothing and in public displays.

2. Disdain for the Recognition of Human Rights - Because of fear of enemies and the need for security, the people in fascist regimes are persuaded that human rights can be ignored in certain cases because of "need." The people tend to look the other way or even approve of torture, summary executions, assassinations, long incarcerations of prisoners, etc.

3. Identification of Enemies/Scapegoats as a Unifying Cause - The people are rallied into a unifying patriotic frenzy over the need to eliminate a perceived common threat or foe: racial , ethnic or religious minorities; liberals; communists; socialists, terrorists, etc.

4. Supremacy of the Military - Even when there are widespread
domestic problems, the military is given a disproportionate amount of government funding, and the domestic agenda is neglected. Soldiers and military service are glamorized.

5. Rampant Sexism - The governments of fascist nations tend to be almost exclusively male-dominated. Under fascist regimes, traditional gender roles are made more rigid. Divorce, abortion and homosexuality are suppressed and the state is represented as the ultimate guardian of the family institution.

6. Controlled Mass Media - Sometimes to media is directly controlled by the government, but in other cases, the media is indirectly controlled by government regulation, or sympathetic media spokespeople and executives. Censorship, especially in war time, is very common.

7. Obsession with National Security - Fear is used as a motivational tool by the government over the masses.

8. Religion and Government are Intertwined - Governments in fascist nations tend to use the most common religion in the nation as a tool to manipulate public opinion. Religious rhetoric and terminology is common from government leaders, even when the major tenets of the religion are diametrically opposed to the government's policies or actions.

9. Corporate Power is Protected - The industrial and business aristocracy of a fascist nation often are the ones who put the government leaders into power, creating a mutually beneficial business/government relationship and power elite.

10. Labor Power is Suppressed - Because the organizing power of labor is the only real threat to a fascist government, labor unions are either eliminated entirely, or are severely suppressed.

11. Disdain for Intellectuals and the Arts - Fascist nations tend to promote and tolerate open hostility to higher education, and academia. It is not uncommon for professors and other academics to be censored or even arrested. Free expression in the arts and letters is openly attacked.

12. Obsession with Crime and Punishment - Under fascist regimes, the police are given almost limitless power to enforce laws. The people are often willing to overlook police abuses and even forego civil liberties in the name of patriotism. There is often a national police force with virtually unlimited power in fascist nations.

13. Rampant Cronyism and Corruption - Fascist regimes almost always are governed by groups of friends and associates who appoint each other to government positions and use governmental power and authority to protect their friends from accountability. It is not uncommon in fascist regimes for national resources and even treasures to be appropriated or even outright stolen by government leaders.

14. Fraudulent Elections - Sometimes elections in fascist nations are a complete sham. Other times elections are manipulated by smear campaigns against or even assassination of opposition candidates, use of legislation to control voting numbers or political district boundaries, and manipulation of the media. Fascist nations also typically use their judiciaries to manipulate or control elections.

Sunday, 13 November 2016

Rebel hearts


( thank you Glen Johnson for the lines no 14 and 15)


Over the years, habits can change
but we must continue to have desire,
to express and be free
to be true to one's self,
seeking change for others
stopping humanities foolishness,
with rebel hearts allow the meek
to  inherit the earth,resist their orders,
the jungle of superiority
and privilege, we will overthrow,
beyond voices of consensus
all obstacles  will simply be removed,
our hearts in abundance carry freedoms torch
even when  there seems to be a glitch in the matrix
and everything seems to be getting worse
we will keep pushing in another direction
with an  inner craving full of resilience
to hard to be torn apart as they try to stop us
divide us into a million  pieces
our rebel hearts will keep on resisting
beyond life's negations keep on beating.


Saturday, 12 November 2016

Dear World


Dear world, there is much darkness
but you at least contain many glories,
things for us to reach out and share
wine, music and beautiful words,
the hurrying, bursting veins of hope
carried  in starlight away from misty clouds,
the caressing of hands, companionship and laughter
that can cancel out this age of grief and sorrow,
can help light a path through the dark,
and though everything feels stormy now
these days of confusion, history standing ashamed,
you  still allow us to wear compassion on our lips,
thank you then  earth, keep allowing us to look ahead
in the unity of consciousness, our weeping will cease;
beyond frustration, we can reverse the process and befriend.

Friday, 11 November 2016

Goodbye Leonard Cohen, ( 21 /9/34 - 7/11/16) - Bringer of so much light.


Following news of Donald Trump's election, did not think the world could get any darker, I have  woken to the very sad news that  legendary visionary Canadian singer, songwriter,  poet and artist Leonard Cohen has died at the age of 82. The news was announced on his Facebook page late last night, it reads  it reads: ‘It is with profound sorrow we report that legendary poet, songwriter and artist, Leonard Cohen has passed away.‘We have lost one of music’s most revered and prolific visionaries.’In a statement to Rolling Stone, his son Adam, said: ‘My father passed away peacefully at his home in Los Angeles with the knowledge that he had completed what he felt was one of his greatest records.‘He was writing up until his last moments with his unique brand of humor.’
That last song  he had  written was  in reference to Cohen’s long-time muse Marianne Ihlen, who died earlier this year. It was revealed after her death that Cohen had written her a last letter two days before she died, telling her:
" Well Marianne it's come to this time when we are really so old and our bodies are falling apart and I think I will follow you very soon. Know that I am so close behind you that if you stretch out your hand, I think you can reach mine. And you know that I've always loved you for your beauty and your wisdom, but I don't need to say anything more about that because you know all about that. But now, I just want to wish you a very good journey. Goodbye old friend. Endless love, see you down the road."
Born into a Jewish family in Montreal, Canada 1934 and raised in an affluent English-speaking neighborhood of the city, Cohen read Spanish poet Federico García Lorca as a teenager, learned to play guitar from a flamenco musician and formed a country band called the Buckskin Boys.
He attended McGill University when his poetry book, "Let Us Compare Mythologies," was published in 1956 to critical acclaim. It was followed by "The Spice-Box of Earth" in 1961. His first novel, "The Favourite Game," came out in 1963.He published several more poetry collections while living on the Greek island of Hydra in the 1960s and began to get wide notice with his experimental novel "Beautiful Losers" in 1966..All  have been a  a profound influence for me over the years.
Disillusioned with his meager income from writing poetry , Cohen turned to songwriting and landed an audition in 1967 with John Hammond, the producer who had discovered Dylan. Hammond signed him to Columbia Records, which would remain Cohen's label for five decades. His first album, "Songs of Leonard Cohen," came out in 1968.Cohen’s songs over sixty decades blended seemingly conflicting impulses: spirituality verging on the divine,  images of redemption and sexual desire combined a wicked sense of humor,carried  with such deep passion, which enabled him  to release such powerful emotional depth, with great understanding of the human condition.No other artist’s poetry and music felt or sounded  or touched in quite the way that his work did.
Cohen toured widely but also sought solace in meditation, far from the public eye.. For part of the 1990's he lived in a Zen Bhuddist monastery in the San Gabriel Mountains hust outside Los Angeles. Just weeks ago  he released another superb album You Want it Darker, an album continuing to shouw us his genius, his creative  gift, not afraid to touch on the subject of death, seemingly sensing it was not too far way.reflecting at length on his own mortality. And now this light has passed, a man who just seemed to keep going, but like all of us was taken away, gripped by the jaws of death. The world has lost another icon, a voice of inimitable force, a tower of strength.Of all the singer-songwiters  of his era labelled as poets, Cohen perhaps was the only one who truly bridged the divide.
Cohen who never married is survived by his daughter Lorca and his son Adam. So long Leonard Cohen. R.I.P

 Leonard Cohen - hallelujah


 Old poem that once dedicated to him

https://teifidancer-teifidancer.blogspot.co.uk/2016/02/theres-crack-in-everything-thats-how_11.html

 There's crack in everything that's how the light gets in

( Thank you Leonard Cohen.)

There's a crack in everything
that's how the light gets in,
through empty gestures of times exhaust
that vent bitterness on tonque,
scars trace the nights laughter
sailing on ripped tides at dusk,
allow resurfacing days shadow to ignite
fizzing and nudging, in the process of awakening,
through depths of minds endeavor
moods of restless toil, 
voyages  of troubled sleep
deep in mood innate.
The magic of the moon,
in the dark shines bright,
waiting for dawns page to turn,
golden tickets of imagination,
in the ever present of eternity,
to purify and illuminate,
because there's a crack in everything,
that's how the light gets in.