It is sad, when anyone passes, and many believe no one should speak ill of the dead. But on hearing the news that longtime US Senator John McCain, the Republican from Arizona has died at the age of 81 after a long battle with brain cancer, all I am currently reading about him by the mainstream media is him being described as a war. hero, whilst being canonised at the same time. So as a result,thought it was necessary to add a few words.
Is this not the same man who before being captured in Vietnam as part of the U.S military machine was bombing innocent women and children, making him a front-line participant in one of the greatest war crimes in history, the savage American onslaught on Vietnam, in an attempt to terrorise the population into surrender.
The overriding feature of McCain's career, was his hawkishness on foreign policy. He supported war after war, intervention after intervention always promoting the use of force as the primary feature of American foreign policy. First elected to the House of Representatives in 1982, he backed the US invasion of Grenada in 1983 and the Reagan administration policy of supporting fascist forces in Central America, including death squads in El Salvador and Guatemala and the contra terrorists at war with Nicaragua.
Who then along with the entire U.S political and military establishment, supported the wholesale bombing of Iraq's water purification plants during the first Gulf War. In what amounted to planned genocide. Documents released in 2000 revealed that the U.S, had studied in detail all aspects of Iraq's water system, had planned a strategy for preventing Iraq from reconstructing that system
( via sanctions) and knew in advance that this could lead to increased incidences, if not epidemics of disease. Indeed it did, with more than half a million Iraqi children dead as a result, one of the greatest war crimes in history, carried out by the next generation of U.S. pilots who followed John McCain and with his full throated support. He also backed the later invasion of Afghanistan and called for the bombing of Iran and supported the Saudi invasion of Yemen.
When anti-war protestors stormed a Senate hearing whereformer US Secretary of State Henry Kissinger was speaking, McCain ordered that they be scorted out of the hall by police and condemned the activists as "low-life scum".
He was also a dedicated supporter of Israel and was quick to U.S President Donald Trump's decision to move the U.S embassy in Israel from Tel Aviv to Jerusalem. (This despite their noted personal disagreements.)
"I have long believed that Jerusalem is the true capital of Israel," he wrote in a statement on his website after the announcement.https://www.mccain.senate.gov/public/index.cfm/2017/12/mccain-on-president-trump-s-decision-to-recognize-jerusalem-as-capital-of-israel
The support extended to Irael's numerous offensives against Palestinian including the 2014 bombardment of Gaza, which killed more than 2,20 residents of the besieged territory, the vast majority of them civilians.
Then in his own backyard while he was defense Secretary,showed his contempt for the indigenous people of America whom he had previously supported when he inserted language into a defense bill which opened up land sacred to the Apache of Arizona to mining,this act of utter betrayal shows the ruthlessness of his spirit and his rather contradictory nature.
A hero, yes, it seems to many, and other places have shown him in a more kinder light, and we should honor the dead, but neither should we forget those lost in Vietnam, Iraq, and countless wars the world over, that he and his government helped displace, injure or kill. Surely all their lives matter too. R.I.P. Lets all continue to try and keep working towards a world without war.
Stephen William "Billy Bragg" is an English singer-songwriter and left wing political activist. his music blends elements of folk music, punk-rock, soul and protest songs, with lyrics that mostly span political or romantic themes. His music is heavily centered on bringing about change in our society.
Born in Barking, East London to a working class family. He was interested in music and poetry from an early age, and after a series of dead-end jobs and a brief stint in the army, which ended , when he realised they really did want him to kill people. he took to a serious pursuit of music.When 1979 bought the election of Margaret Thatcher's right wing government, Bragg began his long career as bard of the left.
Finding inspiration in the righteous of punk rock and the socially conscious folk tradition of Woody Guthrie and Bob Dylan. For most of the eighties Bragg bashed out songs alone on his electric guitar. While his lyrics were bitingly intelligent and clever, they were also warm and humane, filled with detail and wit. Even though his lyrics were carefully considered, Bragg never neglected to write melodies that were strong and memorable.
The following is his own version of the Socialist anthem The Internationale, that dates back to 1871 written as a poem in French in the immediate aftermath of the brutal crushing of the Paris Commune by revolutionary socialist, Eugene Pottier, and since sung and honoured by various Labour parties, anarchists, socialists, Trotskistes, Leninists,Communists and other very stirred folk.Translated into hundreds of languages across the globe, with billions of covers on youtube alone, it has been hailed as the most dangerous song on the planet, a rousing song.of continuing universal struggle, the call to the final battle which Bragg rewrote after a request from the late great Pete Seeger, after Bragg had complained that the traditional lyrics were somewhat dated,thus modernizing the song, so that the language became less
archaic and more reflective of current left-wing politics,as a means keeping the powerful song relevant. It can know be found in the revolutionary Industrial Workers of the World's famed Little Red Songbook, that contains songs that continue to fan the flames of discontent..
Whether you like Bragg's music or not, there is a message at this song's core that is worth remembering. As bleak times lie ahead and dark forces of the extreme far right are on the rise again. however down- hearted you may feel right now, remember the international ideal unites the human race.
The following is the original song as Pottier wrote it
The Internationale Original Verses
Debout, les damnés de la terre / Arise, damned of the earth
Debout, les forçats de la faim / Arise, prisoners of hunger
La raison tonne en son cratère, / Reason thunders in its volcano
C’est l’éruption de la fin / This is the eruption of the end
Du passé faisons table rase, / Lets make a clean slate of the past
Foule esclave, debout, debout, / Enslaved masses, arise, arise
Le monde va changer de base / The world is is going to change its foundation
Nous ne sommes rien, soyons tout / We are nothing, we will be all
Chorus:
C’est la lutte finale / This is the final struggle
Groupons-nous, et demain, / Group together, and tomorrow
L’Internationale, / The Internationale
Sera le genre humain. / Will be the human race
Il n’est pas de sauveurs suprêmes, / There are no supreme saviors
Ni Dieu, ni César, ni tribun, / Neither God, nor Caesar, nor tribune
Producteurs sauvons-nous nous-mêmes / Producers, let us save ourselves
Décrétons le salut commun / Decree the common salvation
Pour que le voleur rende gorge, / So that the thief expires
Pour tirer l’esprit du cachot, / To free the spirit from its cell
Soufflons nous-mêmes notre forge, / Let us fan the forge ourselves
Battons le fer tant qu’il est chaud / Strike while the iron’s hot
Chorus
L’État comprime et la loi triche, / The State oppresses and the law cheats
L’impôt saigne le malheureux; / Tax bleeds the unfortunate
Nul devoir ne s’impose au riche, / No duty is imposed on the rich
Le droit du pauvre est un mot creux. / The right of the poor is an empty phrase
C’est assez languir en tutelle, / Enough languishing in custody
L’égalité veut d’autres lois: / Equality wants other laws
«Pas de droits sans devoirs, dit-elle, / No rights without duties she says
Égaux, pas de devoirs sans droits!» / Equally, no duties without rights
Chorus
Hideux dans leur apothéose, / Hideous in their apotheosis
Les rois de la mine et du rail, / The kings of the mine and the rail
Ont-ils jamais fait autre chose, / Have they ever done anything
Que dévaliser le travail? / Than steal work?
Dans les coffres-forts de la bande, / Inside the strong-boxes of the gangs
Ce qu’il a créé s’est fondu. / What work has created is melted
En décrétant qu’on le lui rende, / By ordering that they give it back
Le peuple ne veut que son dû. / The people only want their due
Chorus
Les Rois nous saoulaient de fumées, / The kings made us drunk with fumes
Paix entre nous, guerre aux tyrans / Peace among us, war to the tyrants
Appliquons la grève aux armées, / Let the armies go on strike
Crosse en l’air et rompons les rangs / Stocks in the air, and break ranks
S’ils s’obstinent, ces cannibales, / If these cannibals insist
A faire de nous des héros, / On making heroes of us
Ils sauront bientôt que nos balles / They will know soon enough that our bullets
Sont pour nos propres généraux. / Are for our own generals
Chorus
Ouvriers, Paysans, nous sommes / Workers, peasants, we are
Le grand parti des travailleurs; / The great party of laborers
La terre n’appartient qu’aux hommes, / The earth belongs only to men
L’oisif ira loger ailleurs. / The idle will go reside elsewhere
Combien de nos chairs se repaissent / How much of our flesh have they consumed
Mais si les corbeaux, les vautours, / But if these ravens, these vultures
Un de ces matins disparaissent, / Disappear one of these days
Le soleil brillera toujours / The sun will shine forever
Chorus
Here's Billy Bragg's version performing it with Cor Gobaith at Aberystwyth Arts Centre on 14 June 2009
And here is a version that he originally released back in 1990
The Internationale - Billy Bragg's updated version.
Stand up all victims of oppression
For the tyrants fear your might
Don't cling so hard to your possessions
For you have nothing if you have no rights
Let racist ignorance be ended
For respect makes the empires fall
Freedom is merely privilege extended
Unless enjoyed by one and all
Chorus
So come brothers and sisters
For the struggle carries on
The internationale
Unites the world in song
So comrades come rally
For this is the time and place
The international ideal
Unites the human race
Let no one build walls to divide us
Walls of hatred nor walls of stone
Come greet the dawn and stand beside us
We'll live together or we'll die alone
In our world poisoned by exploitation
Those who have taken now they must give
And end the vanity of nations
We've but one earth on which to live
And so begins the final drama
In the streets and in the fields
We stand unbowed before their armor
We defy their guns and shields
When we fight provoked by their aggression
Let us be inspired by like and love
For though they offer us concessions
Change will not come from above
Songwriter: Stephen William Bragg; music; Pierre De Geyter
At the end of last year Bragg, the protest singers’ released a new mini
album ‘Bridges Not Walls’.
Galvanised by the political turmol facing us presently, the rie of Trump, Climate change , Brexit, the monstrous forces of nationalism, racism and untruth..
Bridges Not Walls’ features all of the singles he had released over
the summer plus two other gems that stand shoulder to shoulder with
every song Billy has written in his 30 year career on the frontline. Always engaged, never predictable, Billy Bragg continues to fight the good fight.
‘Bridges Not Walls’ track listing
1. The Sleep Of Reason
2. King Tide And The Sunny Day Flood
3. Why We Build The Wall
4. Saffiyah Smiles
5. Not Everything That Counts Can Be Counted
6. Full English Brexit
" People kill and are killed because they cling too tightly to their own beliefs and ideologies, When we believe that ours is the only faith that contains the truth, violence and suffering will surely be the result. When you act with compassion and non-violence, when you act on the basis of nonduality, you have to be very strong. To no longer act out of anger, you don't punish or blame. Compassion grows constantly inside of you and you can succeed in your fight against injustice, Other human beings are not our enemies. Our enemy is not the other person. Our enemy is the violence, ignorance, and injustice in us and the other person. When we are armed with compassion and understanding, we fight not against other people, but against the tendency to invade , to dominate , and to exploit. To develop understanding, you have to practice looking at all living beings with the eyes of compassion. When you understand, you cannot help but love. And when you love,you naturally act in a way that can relieve the suffering of people. Understanding and Love are not two separate things, but only one."
- Bhuddist monk, Thich Nhat Hanh
We are currently living in tumultuous times, because of this, there is a tremendous amount of suffering going on, that is releasing and generating endless amounts of fear,anger and hatred, that is breaking many a heart in two.
Our real enemy is not man, or other human beings, it lies in our ignorance and discrimination that drives our fears. It is not wrong to feel anger, but many of us have simply forgotten to take care of it, and arm ourselves with the energy of compassion or understanding, that has the enormous capacity to heal the world,
Sometimes watching the BBC news, I have to awake myself up from the utter pointless of it all. Fawning reports about the Royal family, minus their excesses, combined with its lack of impartiality on reporting on Gaza.and the West Bank that often sees it valuing Israeli lives above those of Palestinians. That often then fails to reflect the imbalance between what it terms "the two sides" Israel and the Palestinians. I am not a member of the Labour Party but I also see a daily clear and consistent bias against it's leader Jeremy Corbyn, laced with a vitriolic right wing wing rhetoric, carefully edited into incoherent sound bites, though the BBC will claim otherwise. In light of this, it's worth pointing out that Margaret Hodge's daughter, Lizzie Watson is actually Deputy Editor of BBC News, which might explain a complete lack of impartiality when it comes to the recent Corbyn /Hodge row. This is surely a clear conflict of interest.
For further info on how the BBC is packed to the rafters with right wing elements, and those with vested elements, see the following from Marcus Moore who has worked with the BBC for over 30 years, really is rather interesting reading https://imgur.com/a/NhGqZUy. Whether right or left , their most obvious political bias is one that keeps concentrating on the Westminster bubble that often forgets the rest of us.This combined with them reporting Government policies as facts, that sees ministers barely challenged .All journalism is biased to a degree but the BBC no longer seems to represents all the British people, only serving the vested interests of those who are already doing alright. So if we don't complain about this bias and inaccuracy, nothing will ever change.
A lot of people are not very familiar with doing online complaints to the BBC,but it really is quite simple, and can be quite effective. They have a duty to reply to complaints to protect their so called independence If you ever wish to want to make a complaint, click on the following link, it's so important that we continue to to hold them to account. http://www.bbc.co.uk/complaints/#anchor
You will be given some simple instructions, and after reading and you are completely satisfied with your response, you can then submit your complaint. Some time later usually within a few hours , you will receive an automated acknowledgement, and in due course, this could be a few days, weeks or even months, depending on the subject matter. you will then receive a reply. All this keeps the BBC busy, and allows us the opportunity to hold the BBC to account and stops us all from being taken for granted.
To protect my energy, must learn drugs and alcohol do not mix
That it's ok to go back to sleep, it's ok to leave phone of the hook,
It's ok to let go of the past, ir's ok to refuse permission
It's ok to take the key and let it run, follow wildflowers of the heart,
Refuse to judge one self, toss away the shame of guilt
Raise my voice and speak out, disobey the rules,
cleanse eyes, tae back what's been stolen
Abandon labels, refuse to be characterised,
To protect myself from life's surprises, I have poems in my palms,
That help me chase away the darkness, escape from fragmented prisons
Even when slightly crazy, can change all my phases,
In love with music too, can find rhythms to guide me
Feel freedom blowing in the wind , allow me to deeply breathe,
Fight harder, become stronger, as I wash the dirt from my skin
All the avenues of healing lie within, helping break down all walls,
Finding the unknown of possibility, pathways of change
Remembering that on life's battlefield, the future remains unwritten.
Just got latest timely cd from pioneering dub poet ,Rastafarian and fervent campaigner for social justice issues Benjamin Zephaniah through the post entitled Revolutionary Minds his first foray into music for over a decade.It actually was released last year, but have only just managed to get a copy.It really is a tour de force, essential listening for the times we live in, a solid piece of creativity that drives on home messages of hope, liberation, economic and political corruption rampant racism, fascist patriarchy in this world of struggle and desperation.
Zephaniah is strongly influenced by the music and poetry of Jamaica and
what he calls "street politics". His poetry, books and plays have
captivated hearts and minds, fuelling imaginations and winning him a
legion of fans all over the world.Though his music is lesser known than his written work it is no less
fervent. Created alongside his accomplished producer and collaborator
The Sea, 'Revolutionary Minds' album is a deep selection of dub-reggae
juggernauts, the essence and style of which fully reinforce the messages
projected through Zephaniah's powerful lyrics and strong righteous rhymes it really paints a picture of the world we live in right now.
The first track Earth Liberation Sound gets the ball rolling, as Benjamin speaks on civil odedience and the impact it has had in the past and the present,with presence of a youthful voice chanting about revolutionary minds.
The following track Revolutionary Minds is essentially the heart of the record, speaking on issues such as "women shall not be property" and "no one shall be judged by the color of their skin." in which the actor Matt Damon reads the words of the late American historian and activist Howard Zinn. "The problem is not civil disobedience, the problem is civil obedience."
The next track President is a strong message aimed at the presidents of the world, describing the outcome of their hostile laws and policies.It is abundently clear who Sephaniah has foremost in mind when he unleashes his anger "Dear Mister President, you suck presidentially. Just run, run as slowy as you can, and take your arms trade with you."
More Animal Writes speaks about the environment we live amidst corrupt cops and their arbitrariness. Cool Piece speaks about the conditions affecting women through violence and the impact of street life.
In the song 'In This World, he makes it perfectly clear that most dangerous thingin the world is not beinga revolutionary, but it is in our passivity;"We live in a world where they say we communicate more, but.the world stayed silent when the slave trade was making money, the world stayed silent when the Nazis started to kill trade unionists, people with disabilities, homosexuals, left-handed people and Jews, and now in the age of the global village and mass communications, the world is staying silent as the Palestinians are annihiliated."
In the poem What Srephen Lawrence Has Taught Us, originally witten in 1999. the artist reminds his listeners of the death of the young British man who was mudered in 1993.https://teifidancer-teifidancer.blogspot.com/2012/01/benjamin-zephaniah-b150858-what-stephen.html This case unveiled institutanised racism in Britain and questioned the judicial practice of double jeapordy with regard to murder cases. With incidents of police violence still happening, it reminds us that we are still witnessing a never-ending tragic cycle. Almost 25 years later his murder reminds us that we live in a world where freedom and justice are not rights that can be taken for granted.
One of the greatest poets of his generation, who has published 24 books, he still delivers and packs a mighty punch with his profound truth, who still manages to hold his heart on his sleeves. Revolutionary Minds is the soundtrack to the modern revolutionist, that will make you feel empowered, hopeful, galvanised to make a difference and get up and dance,whilst helping us mash down babylon. Try and get hold of it if you can, you will not be disappointed.The CD is accompanied by a 12 page booklet of
Zephaniah's intensely conscious lyrics, allowing for his work to be read
as poetry in addition to being enjoyed as songs.
At a seemingly tumultuous and divisive period in our society,
'Revolutionary Minds' revitalises the neglected art of the protest song.
By reviving this discipline at this particular point in time, Zephaniah
shines a critical light on to a range of activity that currently is
taking place around the globe, providing a strong voice to the
disenfranchised and displaced. One can listen or buy a copy here ;-;https://benjaminzephaniah.com/
His autobiography The Life and Rhymes of Benjamin Zephaniah is also out now, which is a truly
extraordinary life story which celebrates the power of poetry and the
importance of pushing boundaries with the arts. https://www.amazon.co.uk/Life-Rhymes-Benjamin-Zephaniah-Autobiography/dp/1471168921
Aretha Franklin who passed away in Detroit, Michigan aged 76 on Thursday from pancreatic cancer was a soul freedom fighter, musical legend an all encompassing guiding light, icon for feminism, a social justice pioneer and trail blazing activist for the civil rights movement. Born and raised in the segregation era to preacher and civil rights activist Clarence L. Franklin, who helped organise the 1963 Detroit Walk to freedom, ahead of his good friend Dr.Martin Luther King, Jr's March on Washington, her own mother was herself an accomplished pianist and singer, who died when Aretha was ten years of age, it was just after her death that Aretha began singing gospel music in her local church.
In 1967 she released "Respect" which became an anthem for the racial and gendered political movements of the time, something that was not lost on her, who said of the song in her memoit Aretha; From These Roots : " It reflected the need of a nation, the need of the average man and woman in the street, the businessman, the mother, the fireman, the teacher - everyone wanted respect."Franklin wrote. It would become one of the battle cries of the civil rights movement,and would take on monumental significance.
Franklin would also make pint of putting into her contract that she would never perform before racially segregated audiences. Her activism went beyond the lyrics of her songs, as she applied her wealth and platform to help fund many social justice campaigns.
A clear example of her commitmentto civil rights was when she offered bail to recolutionary activist Angela Davis in 1970, after Davis, a member of the Communist Party, was accussed of aasiting in a courtroom takeover that ended in four deaths. In an interview at the time she advocates not only for Davis, but for black liberation.
" Angela Davis must go free." Franklin aid. "Black people will be free. I've been locked up 9 for disturbing the peace in Detroit) and I know you got to disturb the peace when you can't get no peace. Jail is hell to be in. I'm going to set her free if there is any justice in our courts, not because I believe in communism, but because she's a Black woman and she wants freedom for Black people. I have the money; I got it from Black people - they've made me financially able to have it - and I want to use it in ways that will help our people."
A fierce musical talent not only in sensitive and dynamic vocal interpretation but also as a skilled pianist and arranger, who used her voice to advocate for racial equality,that enabled us to believe in the possible,that can empower us to create some kind of lasting change in the world. Even long after the civil rights era, Franklin was very much invested in the modern social justice movements for equality, including Black Lives Matter.
Aretha Franklin demanded and deserves respect from all of us, because of this I believe that alongside her many great artistic and cultural achievements, it will be forever given. Her integrity and her music will live on and we will always love her. As she once said "We all require and want respect , man or woman, black or white,. It's our basic human right. " Aretha Franklin continues to leave behind a legacy that has touched the lives of many, and will continue to inspire. many more to come. May she rest in power.
Henry Charles
Bukowski, the quintessential bard of the barroom and the brothel, a direct descendant
of the Romantic visionaries who worshiped at the altar of personal
excess, violence and madness was born 78 years ago today..In my eyes he was simply a genius, of understated emotion. I owe him a lot of debt and
gratitude, his writing still continues to influence, and he is one of the main reasons I attempt
to write myself. This post inspired by him are simply some old words of mine regurgitated.
Born in Andernach, Germany in 1926,as Heinrich Karl Bukowski, ,his father was a member of the U.S Army that remained in Germany, after WW1, and his mother bought him to the United States at the age of two, Bukowski wasa slight child with a poor complexion,who was often bullied by his peers and beaten by his father,who believed in a heavy hand when correcting his child's faults. He began writing at a young
age, and was first published in the 1940's, he would spend the next 20
years,working in a series of menial jobs, while immersing himself in
the world of booze and hard living. His life perhaps, is not one you would want to emulate, but his insistence on being himself , and then using that to his advantage is a quality worth borrowing.
At the age of 49, after years of heavy drinking and debauchery, he
struck a deal with Black Sparrow Press that allowed him to quit a work
ethic that he was not comfortable with, in a post office, to focus full
time on his writing. The result was over 30 poetry collections, 6 novels
and two feature films based on his life and works, making him one of
the most prolific writers of the 20th Century.
In
novels and short-story collections like "Notes of a Dirty Old Man"
(1969), "Post Office" (1971), "Factotum" (1975) and "Ham on Rye" (1982),
Bukowski relied on an alter ego named Henry Chinaski, a
down-and-out writer with a fierce dedication to women, drink, gambling
and failure.
Mr.
Bukowski wrote the screenplay for Barbet Schroeder's "Barfly," in which
Mickey Rourke portrayed the poet in his younger days.
His work was marked by an emphasis on the ordinary lives of poor
Americans, the act of writing, alcohol, relationships, failure,
depression, gambling, life and death, and drinking and more drinking. He
was a poet who wrote without pretence, privilege or sheen, embracing
what so many of us try to avoid. He was heavily influenced by the
geography and atmosphere of his home city of Los Angeles, and all the
senses that he witnessed and devoured. He once said in a magazine interview that he
began drinking at 13 to dull the pain of being beaten continually by his
father
He lived alongside his words, alongside the margins of societies edge,
with the down and outs, the wrecked, the outsiders, the hopelessly
abandoned, the walking wounded. Beyond the literary schools, his work
emerged to break all traditional rules, against all that is
conventional, beautifully sinful, uncompromising, but never
hypocritically righteous, releasing poetry of such passion that I
believe still matters today. Utilising free verse and spontanaeity,
despite the idolation that was bestowed upon him, he joined no clichés,
refusing acceptance into any literary community, in true essence of
his rebellious spirit.
Blunt and outspoken,he was not concerned with anything beyond what he was, and he didn't need you to agree with him, he saw the ugliness of the earth, and was not
afraid to express his ways of seeing. Remembered because of the rawness
and roughness and the many manifestations of ugliness that he saw in
life, I try not to forget, the beauty and tenderness that he shared too. In simple language, he simply used the inner rhythm of his voice, to
release what I have realised to be a form of magic, no cleverness or
pretence disguised, just a raw undiluted life affirming truth , filled
with his brutal honesty.
He died in San Pedro, California on March 29, 1994 at the age of
seventy-three, shortly after completing his last novel, Pulp, but his
spirit and his words of pain and laughter live on, speaking a universal truth. His posthumous work has been almost as prolific as the work published in his lifetime, at least 24 volumes of his poetry, nonfiction has been published since his death alone,and no one can assume there are more works out there waiting to see the light.
Going against the grain is a battle, and it's not an easy one to win, in the end we all face death,few have captured the complex dilemma than he did, he once said " We're all going to die, all of us, what a circus! That alone should make us love each other but it doesn't. We are terrorised and flattened by trivialities, we are eating up by nothing "So today I raise a sweet cold glass of beer to my lips in his honor, cheers Mr Bukowski. Happy birthday.
" There's nothing to mourn about death any more than there is to morn about the growing of a flower. What is terrible is not death but the lives people live or don't live up until their death. They don't honor their own lives. They shit them away. Dumb fuckers. They concentrate too much on fucking , movies, family fucking. Their minds are full of cotton. They swallow God without thinking. Soon they forget how to think, they let others think for them. Their brains are stuffed with cotton. Thy look ugly, they talk ugly, they walk ugly. Play them the great music of the centuries and they can't hear it, Most people;s deaths are a sham. There's nothing left to die" - Charles Bukowski
Charles Bukowski - Death
Look he said
You’ve got spider traps all along this wall
It’s fascinating
He was outside my door peering at the stucco wall
I said come on in
He said no way and he got a twig and found some ants
And he said
Bukowski I’m going to make this ant run the gauntlet
The phone rang and I answered the phone
And while I was talking and listening he said
Bukowski he said he got away from the first spider
Now the second one is out and he’s got the ant by the rear legs
Listen Linda I said
I’ve got a visitor and also my toilets stopped and the shit is coming up through the tub
Bukowski he said
Now the spider is throwing a net over him
He’s weaving around and around
Now he’s moving in Bukowski
Now he’s got him
DEATH!
The landlord came in
It will take a little while to clear it up he said
He was talking about the shit
Alright I said
Linda I said
Shit and death is everywhere
I’ll call you back she said
Now I’ve got a spider said my visitor
And I’m giving him to the ants
I walked outside
For Christ’s sake kid will you stop playing this spider ant game
Lets go for a ride
the landlord gets very nervous when he plays with the plumbing
Look he said
The ants are chopping the spider’s legs off one by one
Good strategy I said
let’s go
We drove down to norms and had breakfast
My friend commented continually on humanity
He didn’t think they were much
I didn’t argue
My friend was a great admirer of earnest Hemmingway
I drove him to Hollywood and Normandy and let him out
I believe in the many not the few
for all brothers and sisters to live in love
beyond rising tides of hate and envy
a world being painted darker still
by forces of fascism and intolerance
as we stand on the precipice
of a rumbling volcano
that heeds not the plea of humanity,
we are akin now to a flock of sheep
heading forth to danger
without a shepherd to guide
but with careful navigation
beyond the ignorance of our ways
we can find safer pastures to graze
follow peaceful rivers - unafraid,
forces of negation do not dissapear
if we simply ignore them
torrents of poisonous tongue
keep releasing deep from bedrock
swastika eyes now roaming the land
lets keep growing with compassion
in unison expel streams of division.
Detail from SS , Heritage Mural, designed and painted by Frank Creber and his sons
The Great London Dock Strike is widely acknowledged as a key event in the development of the modern trade union and labour movement in this country. Following on from earlier strikes by match girls and gas workers, the dock strike signalled a remarkable new era of leadership and organisation in the working classes, contributing to, among other things, the formation of the Labour Party in 1900.
The lives of the dockers and many others in the dock side communities at the time were marked by crushing poverty, disease, squalor and horrendous living and working conditions. This against a background of growing trade unionism among unskilled workers, who had become increasingly dissatisfied with their lot.
On August 12, 1889, at .7.30am, Will Thorne, fresh from his part in negotiating a deal to bring in the eight hour day for gas workers across the capital, following a strike at the Beckton Gasworks, spoke at the South Dock gates of the West India Docks in a meeting organised by Will Harris who worked on the tugs at the Albert Docks.Working class Socialist leader Ben Tillett, a docker himself, joined Thorne on the platform and appealed for the men to form a union and then refuse to go to work unless they had a very modest increase in pay of 1d (one old penny, colloquially called the Dockers tanner) to something approaching enough for a docker and his family to live on, and assurance that no man would be taken on for less than 4 hours a day.
As was the tradition of the period, and for many years afterwards, the dockers agreed to the resolutions by a show of hands, which on this occasion was unanimous. When Ben Tillett took these demands to the dock directors they refused to listen, he returned to tell the men the strike had begun.
Despite the obvious hardships ahead there was enthusiasm. The following day a small strike broke out in the South West India Dock in response to Tillet's statement and it would spread spontaneously and rapidly across the whole of London's docks.
As part of the strike, mass meetings were held at Tower Hill, pickets were established at the dock gates and marches were organised through the City of London. On the whole, the strike remained peaceful, as a result the dock workers gained much support and sympathy from the public.
The employees were intent to starve the strikers out and although the port was at a standstill and their companies losing money they believed that giving into the dockers demands would set a dangerous precedent, but crucially, financial help to the strikers and their families arrived from the Australian Labour , who sent over £30,000 to help the dockers to continue the struggle, alongside organisations such as the Salvation Army and the Labour Church who also raised money in support, Also landlords wgo tried to collect their rents fasced resistance, rent strikes were organised, with one banner reading :"As we are on strike landlords need not call." There was also a remarkable degree of solidarity between different faiths during the strike, in London's east end the Jewish community led a solidarity march with the dockers, a large proportion of whom were Irish Catholics, and together with the Salvation Army provided soup kitchens for the dockers' families and children. The Irish dockers would get their opportunity to return the gesture of solidarity in the battle of Cable Street nearly half a century later, when in 1936, the ' Blackshirt fascists; targeted the local Jewish community in Stepney.
Anyway without this aid and support, perhaps the strike might not in the end have been won, but after five weeks on the 14th September 1889, the strike leaders, negotiated an end to the strike with the dock managers with the employees accepting defeat and granting all the dockers main demands, after they had been met by the powers of mass organisation, discipline and resilience that had been ably demonstrated.
After this successful strike, the dockers formed a new General Labourers' Union, which in due course this union became one of the founders of the Transport and General Worker's Union..Ben Tillet was elected General Secretary and Tom Mann became the union's first President. In London alone, 20,000 men joined this new union. Tillett and Mann wrote a pamphlet together called the New Unionism, where they outlined their socialist views and explained how their idea was a "cooperative commonwealth."
This victory was a turning point, which saw workers across the country, particularly the unskilled workers, gaining a new confidence to organise themselves and carry out collective action.Over the next few years a large number of these unskilled workers joined trade unions, and between 1892 and 1899 membership of trade unions increased from 1,500,000 to over 200,000
