Sunday 3 January 2010

DRUNK -An interpretation of Baudelaire's prose poem, The Drunken Song by Brian Patten


Well it's the time of year where once again I contemplate sobriety, never again I cry, but with my shaking hand wavering thought i'd quickly post this little ode to drunkeness, still searching out the hidden meanings between words, salute



People are sober as cemetery stones!
They should be drunk!
We should all be drunk!
Look, it's nearly night time and the sober news
Comes dribbling out of television sets -
It should be drunken news,
If only it were drunken news!
Only festivals to report and the sombre death
of one ancient daisy.
It's time toget drunk, surely it's time?
Little else matters;
Sober the years twist you up,
Sober the days crawl by ugly and hunched and your soul-
it becomes like a stick insect!

I've spent so much time in the company of sober and
respectable men,
And I learned how each sober thought is an obstacle laid
between us and paradise.
We need to wash their words away,
we need to be drunk, to dance in the certainty
that drunkeness is right.

So come on, let's get drunk,
let's instigate something!
Let's get drunk on whatever we want-
on songs, on sex, on dancing,
on tulip juice or meditations,
it doesn't matter what-
but no soberness, not that!
It's obscene!
When everything you deluded yourself you wanted has gone
you can get drunk on the loss,
when you've rid yourself of the need for those things back
then you will be light,
you will be truly drunk.

For everything not tied down is drunk-
boats and balloons, aeroplanes and stars-
all drunk.
And the morning steams with hangovers,
and the clouds are giddy
and beneath them swallows swoop, drunk,
and flowers stagger about on their stems
drunk on the wind.

Everything in Heaven's too drunk to remember hell.

And the best mosters are drunken monsters,
trembling and dreamig of beanstalks
too high for sober Jack to climb,
and the best tightrope walkers are drunken tightrope walkers,
a bottle in each hand they stagger above the net made
of the audience's wish for them to fall.

Drunk, I've navigated my way home by the blurry stars,
I've been drunk on the future's possibilities
and drunk on its certainties,
and on all its improbabilities I've been so drunk
that logic finally surrendered.

So come on
no matter what time it is
no matter where it is
in the room you hate
in the green ditch bloated with spring,
beside the river that flows
with its million little tributaries
into a million little graves
it doesn't matter-
it's time to get drunk.

If one night of oblivion can wash away
all the petty heartache then fine,
reach for the ancient medicine.

And if you wake from drunkeness
don't think too much about it,
don't stop to think.
Don't bother asking clocks what time it is,
don't bother asking anything that escapes from time
what time it is,
for it will tell you as it runs,
leap-frogging over all obstacles,
Why idiot, don't you know? It's time to get drunk!
Time not to be the prisoner of boredom
or cemetery stones!
Be drunk on what you want,
Be drunk on anything, anything at all
but please-
Understand the true meaning of drunkeness!


FROM:-Grave Gossip,
Brian Patten;
Unwin Paperbacks 1979

Friday 1 January 2010

MY FIRST LANGUAGE- Eric Ngalle Charles



Oil and water
Never blend-
One stands up,
One beneath.

"Like a gorilla
And a monkey
Claiming oneness,"-
Look closer-
" The monkey is monkey
And the gorilla gorilla."

That's not me.
In captivity I eat banana,
In the wild savagery.

Contained
Leaving my roots,
I was a goat.
I had three kids.
You - a lion -
Had just one,
Still devouring mine.
I replenish my kind,
You wait your turn.
I trespass,
Being a protectorate,
Not Knowing
So many distant borders -
What's the difference?
Not deserving the treatment.

Then I skip,
Learning to jump,
Like doctor Jack Mapanje
The queue staring at me -
I don't have a face
If that's all I am,
As if my mother abused drugs.

Feeling sorry for me
With vouchers as in chids lay,
Buying food from Tesco
As the fat lady
Questions my strangeness
And witnesses point a finger
I thought I was a scarecrow.
So be it.

Clarify intent,
Teach truth in history,
Then they may
Not laugh at me.
Then you ask,
What's my first language?
Ask my granny,
Oh no, the generation's gone,
Still confused
Which language they spoke.
I thought
I am Portugese
Never owning a plantation
Of my own,
Then I thought
I am German,
Then I realised
The English kicked
The Kingdom out.

They said
I was French -
Oh no, Marie! le bread!

Thanks to the queen-
Queen Victoria that is -
I was given the name
Charles.
Rumours say he was the great.
Maybe I'm a Mormon
Tracking a family tree.

Communism never thrived,
Blaming the heat.
Here in Wales
Starting with " Bore da ",
Still wondering -
A first language?
Studying English,
An adopted tonque,
Through life -
What makes you think?
I know mylanguage,
Existing passively,
As others came
And others left,
Surprised why
I speak in tonques.


HAPPY NEW YEAR EVERYBODY DESTROY ALL BORDERS TURN HATE INTO LOVE
Welsh Consortium for Refugees and Asylum seekers
Brynglas Bungalow
Heol Brynglas
Newport
NP20 5QU

01633 855095

HAFAN BOOKS

was established in 2003 by Eric Ngalle Charles, Tom Cheesman and Sylvie Hoffmann, in order to provide an outlet in Wales for the creativity of refugees and asylum seekers, and their supporters; to to educate the public; and to raise money for charities assistind refugees and asylum seekers.
www.hafan.org
tel: 07736408064

Welsh Refugee Council
Phoenix House,
389 Newport Road,
Cardiff
1TP
tel:029 2048 9800
www.refugeecouncil.org

Tuesday 29 December 2009

SWALLOWS/GWENOLIAD - Menna Elfyn



Fe ddeallwn wenoliad,
briwsion ar fwrdd yr ardd,
yn llygad y drws.
Deallwn eu llwgu,
eu hawydd i dorri bara a ni.

Ac onid adar ydym ninnau,
adar nid o'r unlliw?
Eto'r entrych yw'r encil,
unigedd yn pigo'r pridd.

Ac ym mhob ffurfafen
mae mudo, cymysgu
a'r ddaear am nodded.
Fforddoloion ar aden,
eu clwyfo gan hanes,
yn chwilio o'r newydd, nyth,
man gwyn i orffwys.

Yr adar, a'u plu cynness?
Dylent gofio yr heb-ogion,
yn seri'r tir,
yn chwilio'r tir comin.

Un wen, a wna wanwyn,
un wnnol yn llunio'r haf.

Bird we understand,
spend crumbs in garden,
at back-door's eye;
undertand their need
to break bread with us.

And are we not birds who
don't always flock together?
The sky a high refuge,
lonely, knowing we'll land, meet
beak's needs, at heartbreak

And in every firmament
migrators mingle, mixing
heaven and earth for shelter,
wayfarers a-wing,
histories' hurted,
seeking anew a nest,
a fair resting-place.

So those birds, warm-feathered,
should remember the withouters
scouring the soil
in search of common ground.

One smile a spring,
one swallow making summer.

Sunday 27 December 2009

ROUGH GUIDE - Grahame Davies



Mae'n digwydd yn anorfod,
fel dwr yn dod o hyd i'w lefel,
ond bob tro yr agoraf lawlyfr teithio
'rwy'n hwylio heibio'r prifddinasoedd a'r golygfeydd,
ac yn tyrchu i stydoedd cefn diolwg y mynegai,
a chael fy mod yn Ffrainc, yn Llydaw;
yn Seland Newydd, Maori;
yn y Unol Daleithiau - yn dibynnu ar ba ran-
'rwy'n Navajo, Yn Cazun, neu'n ddu

Y fi yw'r Cymro Crwydr;
yn Iddew ymhob man.
Heblaw, wrth gwrs, am Israel.
Yno, 'wy'n Baleteiniad.

Mae'n rhyw fath o gymhlethdod, mae'n rhaid,
fy mod yn codi'r grachen ar fy psyche fel hyn.
Mi dybiaf weithiau sut beth a fyddai
i fynd i un o'r llefydd hyn
a jyst mwynhau.

Ond na, wrth grwydro cyfandiroedd y cyfrolau
yr un yw'r cwestiwn ym mhorthladd pb pennod:
"Dinas neis. 'Nawr blw nae'r geto?"

It happens inevitably,
like water finding its level:
evey time I open a trvel book,
I sail past the capitlal cities, the sights,
and dive straight into the backstreets of the index
to find that in France, Im Breton;
in New Zealand, Maori;
in the U.S.A.- depending on which part-
I'm Navajo, Cajun, or black.

I'm the wandering Welshman
I'm Jewish everywhere.
Except, of course, in Israel.
There, I'm Palestinian.

It's some kind of a complex, I know,
that makes me pick this scab on my psyche.
I wonder sometimes what it would be like
to go to these places
and just enjoy.

No, as I wander the continents of the guidebooks,
whatever chapter may be my destination,
the question's always the same when I arrive:
"Nice city. Now where's the ghetto?"
d

Friday 25 December 2009

8 Englynion


MEIRIONETH

Living paradise of flowers, land of honey, land of violet and blossoms,
land rich in crops, land of nut-bushes, and dear land of the hills,
John Machreth Rees ( MACHRETH)

HEATHER FLOWERS

Gaily they grow, the quiet throng, fair gems of the realm of sun and wind, the hanging bells of the high crags, flowers of the rocks, like cups of honey.

Eliseus Williams (Eifion Wyn) 1867-1926


THE POLE STAR

A lamp are you, above all stars of night, to guide sailors in the dusk;
lovely is your colour, sweet maid, standing in the doorway of the pole.

Colsett Colsett (Carnelian) 1834-1910


NIGHTFALL

Silence by the dark night; Eryri's
mountains veiled by mist;
The sun in the bed of brine,
The moon silvering the water.

Walter Davies (Gwalter Mechain) 1761-1849


EAVES

Giving, while the rain lasts, soft noises
Like a thousand being milked;
When the roof's thick with ice,
under it, strange teats appear.

Ellis Jones, 20th century


THE BELOVED

A fair cheek under a merry blue eye, two brows
Under a lattice of yellow curls;
For sure the sons of heaven were called
To splinter the gold for her hair.

David Roberts (Dewi Havhesp) 1831-1884


AN OLD WOMAN

Scant and straggling her yellow hair, from her lip
The bee's honey has fled;
Withered and poor is the white skin,
Briars insted of roses.

D.Gwenallt Jones (Gwenallt) 1899-1968

THE HOUR OF SLEEP

The hour of sleep has come silently, the hour of forgetfulness,
over the ranks of being,
A drowsy hour on the heavy shore
Of the sea men call mortality.

Robert Ellis (Cynddelw) 1812-1875

Wednesday 23 December 2009

A CHRISTMAS REVEL - Daffyd Bach ap Madog Wladaidd ( 1340 - 1390 )


I have seen a court, and a dozen courts,
And no court have I seen as gracious
As the court I love for its chieftain's sake,
Not weak is my praise, like Celligwen:
Heaven's bounty on earth in Bachelldref,
Where there is a revel each Christmas,
A crowd of kinsmen, a lake of liquor,
Bright the honour of Meurig's homeland,
Many a minstel and merry fiddler,
And much the mirth on a polished floor,
And a sound of strigs, a deluge of drinks,
And the constant cadence of singing,
And a red-hued lance of Cadwaladr's line,
A blood-gushing blade, promise of meat,
And minstrels' swaying, and children chirping,
And the bustle of boys bringing food,
The cup-bearer weary, kitchen sore-tried,
And three kinds of wine for the thirsty.
Three customs there are, a merry country,
At Daffyd's hight court, blameless boldness:
Whoever you are, whatever you sing,
And whatever the thing you're known for,
Come whenever you wish, take what you see,
And once come, stay as long as you like.




SEASONS GREETINGS EVERYBODY, PEACE AND GOODWILL TOO
UNLESS YOUR A FASCIST ******* THEN **** YOU

REFUGEES - Vernon Scannell (23/1/22 -16/11/07)



British poet, author, one time professional boxer, WW11 deserter, honory Gypsy and Anarchist.

In dusk of helmet brims the eye looks stern,
Unwavering; no matter what they see
Or where they gaze- Bluff Cove, Thermopylae,
Kuwait, The Somme - the pillaged cities burn,
And when the owners of those eyes return
And put away their weapons there will be
An alien music in a harsher key,
New words and syntax difficult to learn.

Wars never end. Across the livid plain
The dark processions trail, the refugees,
Anonymous beneath indifferent skies,
Somnambulistic, patient shapes of pain,
Long commentary on war, an ancient frieze
Of figures we refuse to recognise.