Friday 2 December 2011

Manchester walkabout.

What a lovely thing a movement is
when the currents of unity smell
and voices speak with optimistic roar
side by side, the young and old
shooting out branches to oppose
tory dereliction.
The hiss of collective breath
with hungry eyes
communities dreaming together
swarming with warmth
and much hospitality.
Lover bought an accordian
needs must, we lugged it through the streets
a little indulgence perhaps,
but we are not yet broken.
People grow fierce
learn how to paint the sky
committed though in debt,
we are as strong as tempered steel.
As spirits rised, canal crossed
popped into music stores
to overload senses
already worked overtime.
But long shadows are growing
tory spite charges at Winter's cold blast
disconnected themselves from the people.
They will not kill our spirit
they will not banish our care. 

Tuesday 29 November 2011

All OUT N30

Remember the public sector workers strike will cost economy 1/10th of the royal wedding.
Cameron seems to think people are going to  take what he is doin to this country lying down, well its clear that the people are not,  it is he who is unwilling to compromise, still talking to the public like their idiots, he'd rather spin the media, he critisises the unions when he himself is on a sticky electoral mandate, ordinary people did not make this economic crisis. Up in  the North at moment, joining Manchester's people in their time of struggle.
A total of 29 unions will be walking out across the U.K, the biggest Industrial action in Britain since the 1970's.
The tories protect their own, up to 3 million workers are trying to protect the future.

Solidarity with all those out tomorrow.

United we stand
Divided we fall.

Thursday 24 November 2011

Cecil Collins (23/4/01- 4/6/89) - Fool and Flower

Fool & Flower
(1944)
Private collection

Some whimsy, why not.  Cecil Collins  an artist of transcendent imagination, was born in Plymouth , he became influenced by the Surrealist Movement, he had two paintings exhibited at the Surrealist Exhibition in 1936.He had won a schorship at 15 to the Plymouth School of Art from 1923 -1927 and then onto the Royal College of Art until 1931. He fell in love with a Elizabeth Ramsden  a fellow student who inspired him to create a series of visionary paintings celebrating her beauty.
He departed with surrealism  however and subsequently he said:" I turned my back on it and went into the country and started to think..... and meditate on what I wanted to do."  And this is what most of his subsequent work were about,  they were both  meditative and gentle.
In this picture a fool reaches out to a single flower to a backdrop of an empty sky. A sense of wonder occurs, a moment in time suspended, the earth reaching back , a symbol of unity, a balancing act. The present or the future perhaps offering possibilities providing a link between what is visible and under the ground the roots, that we cannot see. An image of ceremony, an image of ritual beyond mere materialism, a touch of Zenarchy.Connecting us to an aesthetic window. Sometimes what binds us is both outside and in.

More on Cecil Collins here.

http://en.wikipedia.org/wiki/Cecil_Collins



( For Ervine

space bard

r.i.p )
.

Wednesday 23 November 2011

Thanksgiving: A Native American View

Today at a time of poverty, recession, unemployment, occupation and discontentment, a little revisit to the less than benevolent beginnings of the good old  U.S.A.Thanksgiving day a whitewashing of genocide, colonialism and racism is celebrated. Hey ho.
To any American visitors of this blog hope your fox New relatives try not to season too much of  their thanksgiving dinner with to much pepper spray and I thank goodness I'm not a turkey.





More  info
here

http://unsettlingamerica.wordpress.com/

John Trudell - The voices said.




Tuesday 22 November 2011

The Workers: Let's Work Together



The workers are a group of 14 public service staff from around the country, who have come together to record the classic song ' Let's work Together ' .Please help get some solidarity in the charts on the day of action on November 30th, by watching the video, buying the song, and spreading the word. On November the 30th millions of workers across the country will be taking action in support of a fair deal on public service pensions. Up the workers, even though I don't at moment, solidarity is the keyword word. Always thought music and politics make healthy bedfellows, depending I guess on which side. Yes charts are rigged, like the economy is rigged, just like banking is rigged, the system and the government used against the interests of the whole, so we have to try out different methods.Power concedes nothing without a demand.

More info on single and campaign
here.

http://action.goingtowork.org.uk/page/share/the-workers

 to download

 http://www.theworkers.org.uk/download-the-single/

Sunday 20 November 2011

Edward Thomas (3/3/1878 - 3/4/17) - November


November's' days are thirty:
November's earth is dirty,
Those thirty days, from first to last;
And the prettiest things on grounds are the paths
With morning and evening hobnails dinted,
With foot and wing-tip overprinted
Or seperately charactered,
Of little beast and little bird.
The fields are mashed by sheep, the roads
Make the worst going, the best the woods
Where dead leaves upwards and downward scatter.
Few care for the mixture of earth and water,
Twig, leaf, flint, thorn,
Straw, feather, all that men scorn,
Pounded up and sodden by flood,
Condemned as mud.

But of all the months when earth is greener
Not one has clean skies that are cleaner.
Clean and clear and sweet and cold,
They shine above the earth so old,
While the after-tempest cloud
Sails over in silence though winds are loud,
Till the full moon in the east
Looks at the planet in the west
And earth os silent as it is black,
Yet not unhappy for its lack.
Up from the dirty  earth men stare:
One imagines a refuge there
Above the mud, in the pure bright
Of the cloudless heavenly light:
Another loves earth and November more dearly
Because without them, he sees clearly
The sky would be nothing more to his eye
Than he, in any case, is to the sky:
He loves even the mud whose dyes
Renounce all brightness to the skies.